Otros libros que te pueden interesar

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  The Story of Shakespeare's The...

  William Shakespeare, Mary Ellen...

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  The Two Gentlemen of Verona is believed to be one of Shakespeare's early comedies and as a result provides us with the first examples of a number of themes and devices that are further explored in many of his plays. These include loyalty, friendship and the nature of love.  Also women dressing up as men is introduced by one of the central characters, Julia, dressing up as the page, Sebastian, to serve her loved one, Proteus, who has betrayed her.  Although fewer characters than most of Shakespeare's other plays, they are interesting ones and Ghizela Rowe in her reading, captures the story of this intriguing play with clarity.

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  Flights & Sink: Two Plays (NHB...

  John O'Donovan

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  Two plays about contemporary life in Ireland, from award-winning writer John O'Donovan.
  On the outskirts of Ennis, on a dark and stormy night, three men gather for the anniversary of a childhood friend, killed in a road accident when they were seventeen. Expecting a crowd and tearing into the cans, the three slowly realise they're the only ones coming. As they drink to their uncertain futures – and their receding youth – they're forced to face up to the ghost that has held them together.
  Flights is a haunting and funny play about bereavement, brotherhood and breaking away from your past. It premiered in 2020 at glór in Ennis before transferring to Dublin and London, directed by Thomas Martin.
  Sink is a play of two voices for one actor, about memory, catastrophe and sacrifice. Bríd's coming home to convalesce after drying out in rehab. Ciara's headed west too, investigating a potential archaeological site on a parched area of bogland. But as the countryside swelters in a heatwave, the pair find peace elusive. How will Bríd cope in her old haunts? How will Ciara confront a past she thought forgotten? And will they unearth the hidden truth that binds them together?
  Sink premiered at the Dublin Fringe Festival in 2019, directed by Thomas Martin.
  'O'Donovan is a gifted writer, the lines curl about each other with elegance and depth' - Irish Independent on Sink

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  Drama - Pilot Episode

  Karen Hines

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  Dr. Penelope Douglas is an ex-forensic psychiatrist looking for a fresh start in a styling western boomtown, but on her first day practicing in her boutique suite, a young television writer hangs himself in her subway-tiled bathroom. A dissection of contemporary television drama through the eyes of the dead writer reveals to Penelope an unsettling connection between the forty-four-minute television hour and the disintegration of the human soul. But it isn’t until Penelope’s oil wife friend pronounces Penelope her unborn baby’s spiritual godmother that Dr. Douglas takes the dive into the uncharted waters of her own unconscious to break the spell that has the frontier in its filthy grip. Will Dr. Douglas be able to find heart in this wild new landscape? Will she have to smudge her lipstick to ‘cowboy up’? Drama, the long-awaited new play by the master of edgy dark humour, has all the answers.

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  More Bab Ballads

  W.S. Gilbert

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  This is a subset of the second collection of Gilbert’s “Bab Ballads” – light verses poking fun at the life and people of his time in Gilbert’s unique “topsy-turvey” style. The epitaph on his memorial on the Victoria Embankment in London is “HIS FOE WAS FOLLY AND HIS WEAPON WIT”, an epitaph amply exemplified in these verses. (Summary by Graham Redman)

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  Acceptance (NHB Modern Plays)

  Amy Ng

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  'We're supposed to be assessing their potential as college students, not conducting a quasi-criminal investigation.'
  Out of 37,451 applicants to Eliot University, Angela stands out – but not for the right reasons. An ambiguous event in her past threatens to overshadow her talent, her potential and her future prospects. Can she overcome the prejudices of those judging her application, or is she already tainted beyond redemption?
  Crackling with razor-sharp dialogue, Acceptance asks whether we can ever escape our past, and investigates the destructive side of our search for acceptance. It premiered at Hampstead Theatre Downstairs, London, in 2018.
  Amy Ng's other plays include Shangri-La (Finborough Theatre, London).
  'Funny and compelling... [Amy Ng's] revelations are exciting and feel fresh... powerful' WhatsOnStage on Shangri-La

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  Jean Valjean; or The Shadow of...

  Harry Clifford Fulton

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  A late 19th-century stage adaptation of Victor Hugo's Les Miserables in English, The Shadow of the Law dramatizes the struggles of Hugo's legendary characters: Jean Valjean, the former convict; his relentless pursuer, Javert; Fantine, the tragic mother; her daughter Cosette; the greedy Thenardiers; the doomed revolutionaries. (Summary by Elizabeth Barr)CastNarrator/Prouvaire: Elizabeth KlettJean Valjean: Max KorlingeJavert: drakaunusThenardier: Algy PugFather Fauchelevent/Grandfather Gillenormand: ToddMonseigneur Bienvenu: Rick RodstromMarius Pontmercy: Eden Rea-HedrickEnjolras: Larry WilsonPetit Gervais: Frances BrownGavroche: Ernst PattynamaBabit: Bob NeufeldDoctor/Madame Magloire: Beth ThomasFantine: Amanda FridayCosette: Charlotte Duckett and Emily JonesEponine: Elizabeth BarrMadame Thenardier: Arielle LipshawMlle. Gillenormande/Gendarme: Kristin GjerløwMlle. Baptistine: Lynne ThompsonSimplice: Etel BussNun: Sarah ParshallBoy/Servant: Michele EatonGuardsman: David OlsonInsurgent: RapunzelinaAudio edited by Elizabeth Barr

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