Otros libros que te pueden interesar

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  God Gave Rock and Roll to You -...

  Leah Payne

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  Few things frightened conservative white Protestant parents of the 1950s and the 1960s more than thought of their children falling prey to the "menace to Christendom" known as rock and roll. The raucous sounds of Elvis Presley and Little Richard seemed tailor-made to destroy the faith of their young and, in the process, undermine the moral foundations of the United States. Parents and pastors launched a crusade against rock music, but they were fighting an uphill battle. 
   
   
   
  Salvation came in a most unlikely form. When a revival swept through counterculture hippie communities of the West Coast in the 1960s and 1970s a new alternative emerged. Known as the Jesus Movement—and its members, more colloquially, as "Jesus freaks"—the revival was short-lived. But by combining the rock and folk music of the counterculture with religious ideas and aims of conservative white evangelicals, Jesus freaks and evangelical media moguls gave birth to an entire genre known as Contemporary Christian Music (CCM). 
   
    
   
  In this book, Leah Payne traces the history and trajectory of CCM in America and, in the process, demonstrates how the industry, its artists, and its fans shaped—and continue to shape—conservative, (mostly) white, evangelical Protestantism.

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  PIANO & Keyboard Exercises for...

  Jessica Gilbert

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  When you’re learning to play the piano or electric keyboard, knowing what the lines and spaces on a staff represent and how the notes on your instrument correspond to those on sheet music isn’t enough to become a proficient musician. Although you’re a beginner, you can improve your abilities in many ways. You don’t only need to know the correct keys to press and when to play them. A vast world of music theory and compositional variety greatly changes certain aspects of a song and ways to craft and play musical pieces to express yourself more freely. 
  Having the knowledge to reproduce what you read on sheet music is a wonderful skill, but music isn’t about rigidly following directions. Every composer and musician should develop their style and form. You can hand a piece of sheet music to a dozen talented piano players, and each will perform it uniquely. The song’s structure is the same, but there will be little techniques and flourishes that set them apart from the others. How music feels when you play is as important as hitting the right notes in the correct order.  
  Everybody has to start somewhere when learning a new instrument. Thanks to the simplicity of the piano’s layout, there is intuitiveness to each key moving from one note to the next. They span from A to G♯ (A♭) and reset back to A so the cycle of notes can repeat. With practice, you will locate the correct notes without looking at the W 2 keyboard. It helps with reading sheet music since you can focus on it instead of constantly looking down at the keys. Once you have a handle on reading sheet music, you can play songs tailored to novice musicians in no time. 

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  Small Broke and Kind of Dirty -...

  Hana Shafi

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  Let's get one thing straight: Small, Broke, and Kind of Dirty: Affirmations for the Real World is not a book of advice. You're not going to find a step-by-step guide to meditation here, or even reminders to drink lots of water and get enough sleep. Those things are all good for you, but that's not what Hana Shafi wants to talk about.
  Instead, Small, Broke, and Kind of Dirty—built around art from Shafi's popular online affirmation series—focuses on our common and never-ending journey of self-discovery. It explores the ways in which the world can all too often wear us down, and reminds us to remember our worth, even when it's hard to do so. Drawing on her experience as a millennial woman of colour, and writing with humour and a healthy dose of irreverence, Shafi delves into body politics and pop culture, racism and feminism, friendship, and allyship. Through it all, she remains positive without being saccharine, and hopeful without being naive.
  So no, this is not an advice book: it's a call to action, one that asks us to remember that we are valid as we are—flaws and all—and to not let the bastards grind us down.

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  Making Your Solo Show: The...

  Milly Thomas, Lisa Carroll

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  This clear, accessible guide to creating and putting on a solo show is packed with inspiring, practical advice for writers, actors, directors, and anyone who wants to know how solo shows are actually made.
  Written by two theatremakers with a wealth of experience in the field, it leads you through the whole process – from finding a subject you're passionate about, to developing your ideas and getting the script written, through to rewrites, rehearsals and getting your show on stage. It tackles key questions such as: What makes a 'good' solo show? How do I engage the audience? How should directors and writer-performers work together? And what's the best way of approaching a producer?
  There's also invaluable advice on looking after yourself, coping with anxieties, dealing with reviews, and taking your show to the Edinburgh Fringe. With practical exercises throughout to help you put everything into action, this book is an indispensable toolkit for making your solo show a reality.
  Lisa Carroll is a playwright, screenwriter and comedian, whose plays have been staged at Soho Theatre, the Arcola Theatre, and the Abbey Theatre, Dublin. Milly Thomas is an actor and writer whose plays have been staged at Theatre503, the Edinburgh Fringe, Soho Theatre, the West End's Trafalgar Studios and New York Theatre Workshop. Together, Lisa and Milly have taught regular solo-show workshops, including for training and creative organisation The Mono Box.
  The Compact Guides are pocket-sized introductions for actors and theatremakers, each tackling a key topic in a clear and comprehensive way. Written by industry professionals with extensive hands-on experience of their subject, they provide you with maximum information in minimum time.

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  American Diva - Extraordinary...

  Deborah Paredez

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  What does it mean to be a "diva"? A shifting, increasingly loaded term, it has been used to both deride and celebrate charismatic and unapologetically fierce performers like Aretha Franklin, Divine, and the women of Labelle. In this brilliant, powerful blend of incisive criticism and electric memoir, Deborah Paredez—scholar, cultural critic, and lifelong diva devotee—unravels our enduring fascination with these icons and explores how divas have challenged American ideas about feminism, performance, and freedom. 
   
   
   
  American Diva journeys into Tina Turner's scintillating performances, Celia Cruz's command of the male-dominated salsa world, the transcendent revival of Jomama Jones after a period of exile, and the unparalleled excellence of Venus and Serena Williams. Recounting how she and her mother endlessly watched Rita Moreno's powerhouse portrayal of Anita in West Side Story and how she learned much about being bigger than life from her fabulous Tía Lucia, Paredez chronicles the celebrated and skilled performers who not only shaped her life but boldly expressed the aspiration for freedom among brown, Black, and gay communities. Paredez also traces the evolution of the diva through the decades. 
   
   
   
  Filled with sharp insights and great heart, American Diva is a spirited tribute to the power of performance and the joys of fandom.

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  Take a Closer Look

  Daniel Arasse

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  What paintings can teach us—if we can really learn to see themWhat happens when we look at a painting? What do we think about? What do we imagine? How can we explain, even to ourselves, what we see or think we see? And how can art historians interpret with any seriousness what they observe? In six engaging, short narrative "fictions," each richly illustrated in color, Daniel Arasse, one of the most brilliant art historians of our time, cleverly and gracefully guides readers through a variety of adventures in seeing, from Velázquez to Titian, Bruegel to Tintoretto.By demonstrating that we don't really see what these paintings are trying to show us, Arasse makes it clear that we need to take a closer look. In chapters that each have a different form, including a letter, an interview, and an animated conversation with a colleague, the book explores how these pictures teach us about ways of seeing across the centuries. In the process, Arasse freshly lays bare the dazzling power of painting. Fast-paced and full of humor as well as insight, this is a book for anyone who cares about really looking at, seeing, and understanding paintings.

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