Weitere Bücher, die Sie mögen werden

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  One Last Song - Conversations on...

  Mike Ayers, Jim James

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  An ironically upbeat book that asks some of today's most inimitable musicians which song they would choose to be the last one they ever hear 
   
   
    
  If you could choose the last song you'd hear before you died, what would it be and why? Your favorite song of all time? Perhaps the one you danced to at your wedding? The song from that time you got super stoned and just let the chords speak to you? It's a hard question that Mike Ayers has thought about for years. 
   
   
    
  In One Last Song, Ayers invites thirty musicians to consider what song they would each want to accompany them to those pearly white gates. Weaving together their explanations with evocative illustrations and poignant interludes—what your song to die to says about you, what songs famous people have died to, and more. The book offers insight into the minds of famous artists and provides an entry point for considering how integral music is to our own personal narratives.

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  Sounds of Other Shores - The...

  Andrew J. Eisenberg

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  Sounds of Other Shores takes an ethnographic ear to the history of transoceanic stylistic appropriation in the Swahili taarab music of the Kenyan coast. Swahili taarab, a form of sung poetry that emerged as East Africa's first mass-mediated popular music in the 1930s, is a famously cosmopolitan form, rich in audible influences from across the Indian Ocean. But the variants of the genre that emerged in the Kenyan coastal city of Mombasa during the twentieth century feature particularly dramatic, even flamboyant, appropriations of Indian and Arab sonic gestures and styles. Combining oral history, interpretive ethnography, and musical analysis, Sounds of Other Shores explores how Swahili-speaking Muslims in twentieth-century Mombasa derived pleasure and meaning from acts of transoceanic musical appropriation, arguing that these acts served as ways of reflecting on and mediating the complexities and contradictions associated with being "Swahili" in colonial and postcolonial Kenya. The result is a musical anthropology of Kenyan Swahili subjectivity that reframes longstanding questions about Swahili identity while contributing to broader discussions about identity and citizenship in Africa and the Indian Ocean world.

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  The Youtube Growth Blueprint -...

  Austen Porter

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  Contrary to popular belief, the YouTube platform is not dead. In this audiobook, author Austen Porter shares insider tips and expertise and guides you through everything you need to start a successful YouTube channel from scratch. From all topics from making your first video to dealing with burnout and creative ruts, Austen Porter provides a new perspective and advice to grow on social media.

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  Nirvana's In Utero

  Gillian G Gaar

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  Though Nevermind was Nirvana's most commercially successful album, and the record that broke them - and the grunge phenomenon - internationally, In Utero has increasingly become regarded as the band's best album, both by the critics and the band members themselves. Instead of sticking to the "grunge pop" formula that made Nevermind so palatable to the mainstream, Nirvana chose instead to challenge their audience, producing an album that the band's creative force, Kurt Cobain, said truly matched his vision of what he had always wanted his band to sound like. Here, the full story behind the creation of In Utero is told for the first time.

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  The Evolution of Urban Planning...

  Lyric Vale

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  Urban planning is the process by which cities, towns, and other urban spaces are designed, organized, and managed. It is a field that encompasses various aspects of human life, from infrastructure to social dynamics, and aims to create environments that promote the well-being of residents and the sustainability of the urban ecosystem. The importance of urban planning lies in its ability to shape the physical, social, and economic structure of a community. It influences the way people interact with their environment and with each other, determining the accessibility of resources, the flow of traffic, and the availability of green spaces, among other factors. 
  The evolution of urban planning can be traced back to ancient civilizations, where early cities were often designed around central hubs of commerce, religion, or governance. In these early stages, urban planning was driven by necessity, focusing primarily on basic functions like defense, water management, and trade. Over time, as cities grew and became more complex, the need for more organized and systematic approaches to urban development emerged. This shift was marked by the introduction of formal planning principles that considered not only the practical aspects of urban life but also the aesthetic, cultural, and social needs of the inhabitants. 
  In the modern era, urban planning became an established profession, with experts tasked with the responsibility of designing and managing urban spaces to meet the growing demands of an increasingly urbanized population. The industrial revolution, for example, brought about massive shifts in population density and the structure of cities. It prompted the creation of zoning laws, housing regulations, and other planning policies that addressed new challenges such as pollution, overcrowding, and public health. These developments laid the groundwork for the more sophisticated planning techniques used in contemporary cities.

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  Pop Song Piracy - Disobedient...

  Barry Kernfeld

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  The music industry’s ongoing battle against digital piracy is just the latest skirmish in a long conflict over who has the right to distribute music. Starting with music publishers’ efforts to stamp out bootleg compilations of lyric sheets in 1929, Barry Kernfeld’s Pop Song Piracy details nearly a century of disobedient music distribution from song sheets to MP3s. 
    
  In the 1940s and ’50s, Kernfeld reveals, song sheets were succeeded by fake books, unofficial volumes of melodies and lyrics for popular songs that were a key tool for musicians. Music publishers attempted to wipe out fake books, but after their efforts proved unsuccessful they published their own. Pop Song Piracy shows that this pattern of disobedience, prohibition, and assimilation recurred in each conflict over unauthorized music distribution, from European pirate radio stations to bootlegged live shows. Beneath this pattern, Kernfeld argues, there exists a complex give and take between distribution methods that merely copy existing songs (such as counterfeit CDs) and ones that transform songs into new products (such as file sharing). Ultimately, he contends, it was the music industry’s persistent lagging behind in creating innovative products that led to the very piracy it sought to eliminate.

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