Other books that might interest you

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  Yes - The Tormato Story

  Kevin Mulryne

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  The music of Yes indelibly shaped the original sound of progressive rock. But the true tale of this landmark band goes well beyond headline-making albums like Fragile and Close to the Edge. In this book, Kevin Mulryne tells the absorbing story of the final Yes album of the 1970s, Tormato, uncovering myriad fascinating twists and turns for the first time.  
  “Tormato was my introduction to the music of the world’s greatest progressive rock band, and I have spent years finding out all I can about it,” explains Kevin. “I have spoken to fans, experts and many of the people who were there during the technical setup of the equipment, the recording of the album, and the creation of the artwork.” 
  “Along the way, I have learned a great deal about Yes, and the processes, frustrations and triumphs of recording a rock album in the late ‘70s. This is a deep dive into what makes an iconic band tick. I’m sure you will enjoy the journey as much as me!” 
  So what’s the real deal with Tormato? … Be prepared to be surprised.

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  Hollywood Stage - Nobody Lives...

  Various Authors

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  Hollywood is indelibly printed in our minds as the ‘go-to place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in Heaven Hollywood Stage had them performing films as radio plays – on the sponsors dime of course.  The Hollywood director William Keighly unveils the treasure and the stars for you right here…..

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  Dancing on My Own - Essays on...

  Simon Wu

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  A Literary Hub Most Noteworthy Nonfiction Book of 2024 • A Brooklyn Rail Best Art Book of 2024 • A The Millions and Hyperallergic Most Anticipated Book of 2024 • A Publishers Weekly Summer Reads Pick 
  ""A book that emerges out of the moment, electric with timely energies.""  –Washington Post 
  “Keen and refreshing.” –Cathy Park Hong 
  ""Genius."" –Claudia Rankine 
  An expansive and deeply personal essay collection which explores the aesthetics of class aspiration, the complications of creating art and fashion, and the limits of identity politics. 
  In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy.      
  Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays. In “A Model Childhood” he catalogs the decades’ worth of clutter in his mother’s suburban garage and its meaning for himself and his family. In “For Everyone,” Wu explores the complicated sensation of the Telfar bag (often referred to as “the Brooklyn Birkin”) and asks whether fashion can truly be revolutionary in a capitalist system—if something can truly be “for everyone” without undercutting someone else. Throughout, Wu centers the sticky vulnerability of living in a body in a world where history is mapped into every choice we make, every party drug we take, and every person we kiss. 
  Wu’s message is that to dance on your own is to move from critique into joy. To approach identity with the utmost sympathy for the kinds of belonging it might promise, and to look beyond it. For readers of Cathy Park Hong and Alexander Chee, Dancing on My Own is a deeply felt and ultimately triumphant anthem about the never-ending journey of discovering oneself, and introduces a brilliant new writer on the rise.

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  Hitchcock and Herrmann - The...

  Steven C. Smith

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  The eleven-year collaboration between Alfred Hitchcock and Bernard Herrmann is often called the greatest director-composer partnership in cinema history. Their eight films together include such classic thrillers as Vertigo, The Man Who Knew Too Much, North by Northwest, Psycho, and The Birds. In Hitchcock and Herrmann, Steven C. Smith delivers an intimate account of how the reserved, but deeply anxious, Hitchcock found his ideal creative partner in the cantankerous, but deeply romantic, Herrmann. Smith draws on four decades of research, including previously unpublished documents and new interviews, to deliver a riveting account of what made the teaming of "Benny and Hitch" so memorable and influential—and why it came to a bitter end.Their story involves the tumultuous changes in Hollywood from the mid-1950s to mid-1960s, as the collapsing studio system gave way to independent, counterculture filmmaking. It also involves the key figures in Hitchcock and Herrmann's inner circle including the director's gifted wife and most valued critic, Alma Reville; Herrmann's beautiful, put-upon spouse, Lucy Anderson; and talent agent-turned-studio mogul Lew Wasserman. Wasserman's negotiations made Hitchcock's greatest filmmaking period possible, but over time Lew's commercial instincts as head of Universal Studios clashed with Herrmann's pure artistic vision.

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  Southern Indian Kingdoms -...

  Rolf Hedger

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  The southern Indian kingdoms played a crucial role in shaping the history and culture of the subcontinent. Among them, the Chera, Chola, and Pandya dynasties stood out for their military power, economic influence, and contributions to art and literature.  
  The Chera Dynasty, known for its control over important trade routes, established strong maritime links with Rome, China, and Southeast Asia.  
  The Chola Empire, one of the most formidable powers of medieval India, expanded its influence beyond the Indian subcontinent, boasting a powerful navy and an advanced administrative system.  
  The Pandya Empire, with its deep roots in Tamil culture, was known for its patronage of Sangam literature and its strategic dominance over key trade centers. These dynasties not only shaped the political landscape of southern India but also contributed to its rich artistic, architectural, and literary heritage. Through their extensive trade networks and cultural achievements, the Cheras, Cholas, and Pandyas left an enduring legacy that continues to influence South Indian traditions today.

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  Napoleon's Imperial Guard...

  Paul L. Dawson

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  The author of Battle for Paris 1815 examines the uniforms and equipment of the infantry of Napoleon’s Imperial Guard.   From its origins as the Consular Guard of the French Republic, and as Napoleon’s personal bodyguard, the Imperial Guard developed into a force of all arms numbering almost 100,000 men. Used by Napoleon as his principal tactical reserve, the Guard was engaged only sparingly, being deployed at the crucial moment of battle to turn the tide of victory in favor of the Emperor of the French.   Naturally, the Imperial Guard has been the subject of numerous books over many decades, yet there has never been a publication that has investigated the uniforms and equipment of the infantry of the Imperial Guard with such detail and precision. The author has collected copies of almost all the surviving documents relating to the Guard, which includes a vast amount of material regarding the issuing of dress items, in some instances down to company level.   This information is supported by an unrivaled collection of illustrations, many of which have never been published before, as well as images of original items of equipment held in museums and private collections across the globe. In addition, the renowned military artist, Keith Rocco, has produced a series of unique paintings commissioned exclusively for this book.   This glorious book is, and will remain, unsurpassed as the standard work on the clothing and equipment of the Imperial Guard, and will not only be invaluable to historians, but also reenactors, wargamers and modelers. It is one of the most important publications ever produced on this most famous of military formations.

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