Other books that might interest you

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  The Everlasting People - G K...

  Matthew J Milliner

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  First Things Book of the Year award
  What does the cross of Christ have to do with the thunderbird? How might the life and work of Christian writer G. K. Chesterton shed light on our understanding of North American Indigenous art and history?
  This unexpected connection forms the basis of these discerning reflections by art historian Matthew Milliner. In this fifth volume in the Hansen Lectureship Series, Milliner appeals to Chesterton's life and work—including The Everlasting Man, his neglected poetry, his love for his native England, and his own visits to America—in order to understand and appreciate both Indigenous art and the complex, often tragic history of First Nations peoples, especially in the American Midwest.
  Based on the annual lecture series hosted at Wheaton College's Marion E. Wade Center, volumes in the Hansen Lectureship Series reflect on the imaginative work and lasting influence of seven British authors: Owen Barfield, G. K. Chesterton, C. S. Lewis, George MacDonald, Dorothy L. Sayers, J. R. R. Tolkien, and Charles Williams.

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  Entrepreneurs: Stop Doing All...

  Dre Baldwin

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  Some of you are super-talented. And if you listen to this show, you’re probably a hard worker (at least better than average). Still, there’s only so much that one person can do — and even then, just because you can do something doesn’t mean that you should be doing it. 

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  Contemporary Art and the Church...

  W. David O. Taylor, Taylor Worley

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  The church and the contemporary art world often find themselves in an uneasy relationship in which misunderstanding and mistrust abound.
  On one hand, the leaders of local congregations, seminaries, and other Christian ministries often don't know what to make of works by contemporary artists. Not only are these artists mostly unknown to church leaders, they and their work often lead them to regard the world of contemporary art with indifference, frustration, or even disdain.
  On the other hand, many artists lack any meaningful experience with the contemporary church and are mostly ignorant of its mission. Not infrequently, these artists regard religion as irrelevant to their work, are disinclined to trust the church and its leaders, and have experienced personal rejection from these communities.
  In response to this situation, the 2015 biennial conference of Christians in the Visual Arts (CIVA) facilitated a conversation between these two worlds. This volume gathers together essays and reflections by artists, theologians, and church leaders as they sought to explore misperceptions, create a hospitable space to learn from each other, and imagine the possibility of a renewed and mutually fruitful relationship. Contemporary Art and the Church seeks common ground for the common good of both the church and the contemporary art world.
  The Studies in Theology and the Arts  series encourages Christians to thoughtfully engage with the relationship between their faith and artistic expression, with contributions from both theologians and artists on a range of artistic media including visual art, music, poetry, literature, film, and more.

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  Michelangelo - A Life in Six...

  Miles J. Unger

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  This is the life of one of the most revolutionary artists in history, told through the story of six of his greatest masterpieces: “The one indispensable guide for encountering Michelangelo on his home turf” (The Dallas Morning News).Michelangelo stands alone as a master of painting, sculpture, and architecture, a man who reinvented the practice of art itself. Throughout his long career he clashed with patrons by insisting that he had no master but his own demanding muse. Michelangelo was ambitious, egotistical, and difficult, but through the towering force of genius and through sheer pugnaciousness, he transformed the way we think about art.Miles Unger narrates the life of this tormented genius through six of his greatest masterpieces. Each work expanded the expressive range of the medium, from the Pietà carved by a brash young man of twenty-four, to the apocalyptic Last Judgment, the work of an old man weighed down by the unimaginable suffering he had witnessed. In the gargantuan David he depicts Man in the glory of his youth, while in the tombs he carved for his Medici overlords he offers perhaps history’s most sustained meditation on death and the afterlife of the soul. In the vast expanse of the Sistine Chapel ceiling he tells the epic story of Creation. During the final decades of his life, his hands too unsteady to wield the brush and chisel, he exercised his mind by raising the soaring vaults and dome of St. Peter’s in a final tribute to his God.“A deeply human tribute to one of the most accomplished and fascinating figures inthe history of Western culture” (The Boston Globe), Michelangelo brings to life the irascible, egotistical, and undeniably brilliant man whose artistry continues to amaze and inspire us after five hundred years.

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  Hitchcock Lost & Found - The...

  Alain Kerzoncuf, Charles Barr

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  “It seems there is still plenty to discover and to say about Alfred Hitchcock . . . a host of impressive new research.” —Journal of Film Preservation   Audiences worldwide know him for Psycho, The Birds, Vertigo, and other classics—but in Hitchcock Lost and Found, fans and film students alike can explore forgotten, incomplete, lost, and recovered productions from all stages of Alfred Hitchcock’s career, including his early years in Britain. Alain Kerzoncuf and Charles Barr highlight Hitchcock’s neglected works, including various films and television productions that supplement the critical attention already conferred on his feature films. They also explore the director’s career during World War II, when he continued making high-profile features while also committing himself to a number of short war-effort projects on both sides of the Atlantic. Focusing on a range of forgotten but fascinating projects spanning five decades, Hitchcock Lost and Found offers a new, fuller perspective on the incomparable filmmaker’s career and achievements.   “For the Hitchcock completist, Hitchcock Lost and Found is an essential resource.” —Philadelphia Inquirer  Includes photos and illustrations

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  The Renaissance Engravers

  Jp. A. Calosse, Charmian Mezentseva

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  This ambitious work allows the reader to discover the art of engraving in Europe from the 15th to the 16th century. The engravings of the Renaissance masters are considered models of artistic perfection, often studied and frequently copied.

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