Otros libros que te pueden interesar

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  Paper Paradise - Do What You...

  Glenn Wheatley

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  Paper Paradise: Do What You Want To Do is a roller coaster ride through the sex, drugs and rock and roll of the ’60s and ’70s to the high-flying business world of the ’80s and into the ’90s and beyond—with someone who lived it all. 
  It is a book about ambition, hunger, desperation, success and the fruits thereof. Oh yes, it is also about failure and fighting back. 
  Charting the extraordinary life and times of Glenn Wheatley, from working class boy to rock star of the 1960s and 1970s as a member of one of Australia’s most successful early bands, the Masters Apprentices, now immortalised in the ARIA Hall of Fame. In their heyday, the Masters drew bigger crowds than the Beatles in Australia. 
  In the 1980s he soared from rock star to star manager of the Little River Band and Whispering Jack, John Farnham. He also pioneered the FM Radio industry with the first FM radio station to go to air in Australia, EON FM in Melbourne. He then went on to build the foundation of what is now the Triple M radio network. 
  It is a narrative littered with casualties and is an actual account of a self-protective society that has its own Kings and Queens, its own iconography, its own language. 
  After a meteoric rise in the fast lane, and an equally spectacular fall, he made it back to the top. Glenn was the ultimate rock and roll survivor.

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  The Stones of Venice Volume 3

  John Ruskin

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  The Stones of Venice is a three-volume treatise on Venetian art and architecture by English art historian John Ruskin, first published from 1851 to 1853. Intending to prove how the architecture in Venice exemplified the principles he discussed in his earlier work, The Seven Lamps of Architecture, Ruskin examined the city in detail, describing for example over eighty churches. He discusses architecture of Venice's Byzantine, Gothic and Renaissance periods, and provides a general history of the city as well. The book aroused considerable interest in Victorian Britain and beyond. The chapter "The Nature of Gothic" (from volume 2) was admired by William Morris, who published it separately in an edition which is in itself an example of Gothic revival. It inspired Marcel Proust; the narrator of the Recherche visits Venice with his mother in a state of enthusiasm for Ruskin. The Stones of Venice is considered one of the most influential books of the 19th century. (Summary adapted from the Wikipedia by Leni)

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  The Buried City - Unearthing the...

  Gabriel Zuchtriegel, Jamie Bulloch

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  The director of the Pompeii Archaeological Park offers a vivid view of daily life in the lost city, shares the latest discoveries, and reflects on preserving heritage. In The Buried City, Gabriel Zuchtriegel takes us on a behind-the-scenes tour of Pompeii and reveals new archaeological finds that are being unearthed at the site’s biggest dig in a generation. As director of the Pompeii Archaeological Park, Zuchtriegel presents a uniquely intimate perspective on this city that was tragically destroyed and frozen in time by the eruption of Mount Vesuvius in 79 CE. Among the ruins, we find unmade beds, dishes left drying, and bodies of victims encased in ash, but Zuchtriegel shows that we’ve only begun to understand this fascinating place, as a third of the site remains unexcavated. Zuchtriegel leads us into the heart of the city, reconstructing Pompeii as it would have been, showing us who lived there, what mattered to them, and what happened in their final hours. The Buried City reveals the latest discoveries unearthed at Pompeii—including a banquet hall with murals of Greek gods, a fresco of what appears to be a pizza, and the remains of individuals crushed by debris—all buried for almost two thousand years. Zuchtriegel offers a vivid portrait of this World Heritage site as a vibrant and diverse city, connecting us to a past that is much closer than we think and inviting us to reflect on our role as keepers of the site and its history.

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  Say Hello to My Little Friend -...

  Nat Segaloff

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  When Brian DePalma's operatically violent and profane Scarface debuted in 1983, the film drew almost as much fire as the relentless gunfire in the film itself. The movie was a remake of 1932's Scarface—revamped for a new era of drugs, sex, and graphic violence. Attacked as both a celebration of cocaine-fueled excess and a condemnation of it, the film's reputation only grew as the years went by. But the real story of its success started nearly a century ago—when Hollywood first fell in love with the American gangster . . . 
   
   
   
  Hollywood's infatuation with money, power, and organized crime has captured the public's imagination and made Scarface one of its most enduring modern myths. From a 1912 gangster film by D. W. Griffith to the 1932 hit Scarface starring Paul Muni, to Brian DePalma's 1983 shocker, the antihero's rise and fall exposes the dark side of the American Dream—whether it's Prohibition Era bootleggers or modern-day drug dealers. When actor Al Pacino got the idea of doing a remake of Scarface after screening the original, a legend was (re)born—and the rest is history. With guns blazing and chainsaws whirring, movie biz writer Nat Segaloff tears into this pop culture phenomenon with fascinating insights, stunning revelations, and a true fan's glee. This is a must-listen book for movie buffs, crime lovers, and culture vultures everywhere.

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  Harivansh Rai Bachchan

  Mitansh

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  His family name was Srivastav. He began using the pen name "Bachchan" (meaning child) instead of Srivastava when he wrote Hindi poetry.

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  Led Zeppelin's Led Zeppelin IV

  Erik Davies

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  In this wickedly entertaining and thoroughly informed homage to one of rock music's towering pinnacles, Erik Davis investigates the magic—black or otherwise—that surrounds this album. Carefully peeling the layers from each song, Davis reveals their dark and often mystical roots—and leaves the reader to decide whether [FOUR SYMBOLS] is some form of occult induction or just an inspired, brilliantly played rock album.Excerpt:Stripping Led Zeppelin's famous name off the fourth record was an almost petulant attempt to let their Great Work symbolically stand on its own two feet. But the wordless jacket also lent the album charisma. Fans hunted for hidden meanings, or, in failing to find them, sensed a strange reflection of their own mute refusal to communicate with the outside world. This helped to create one of the supreme paradoxes of rock history: an esoteric megahit, a blockbuster arcanum. Stripped of words and numbers, the album no longer referred to anything but itself: a concrete talisman that drew you into its world, into the frame. All the stopgap titles we throw at the thing are lame: Led Zeppelin IV, [Untitled], Runes, Zoso, Four Symbols.  In an almost Lovecraftian sense, the album was nameless, a thing from beyond, charged with manna. And yet this uncanny fetish was about as easy to buy as a jockstrap.

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