Otros libros que te pueden interesar

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  Body Art - The Ultimate Form Of...

  Owen Jones

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  I hope that you will find the information helpful, useful and profitable. 
  It could easily be argued that body art is more popular than at any time in history. In days long gone by, sailors were the most heavily tattooed sector of society, but for decades now, that sector is the youth, which is a larger group than those who put to sea. 
  Not only has actual tattooing found a wider demographic, but technology has expanded the methods that can be employed to enhance our bodies. Nowadays, for example, you can get a fake tattoo that will last a couple of days for a special event. In a similar vein, women can be body-painted and the casual observer would be forgiven for not seeing a naked lady. 
  This doesn’t work so well for men, for obvious reasons! 
  You can also get fake tans, hair dyes, and nail varnishes that can easily be applied at home. There are also teeth whitening, cheap wigs, and coloured contact lenses available. Not to mention cheap sunglasses and fake glasses of numerous kinds. 
  The ultimate form of body art is plastic surgery. Many ordinary people aspire to plastic cut, tucks and nips these days – it is not only the privilege of the rich and famous. In fact, some countries, like Thailand, offer holidays that include plastic surgery (and other forms), so that your friends will hardly recognise when you return from a month’s holiday! 
  In fact, with all the options for body art available on a typical Western high street, no-one need look the same two days running! 
  The information in this ebook on various aspects of body art and related subjects, such as piercing, body painting and tattoos, is organized into 18 chapters of about 500-600 words each. 
  I hope that it will interest those who like to write a diary and blog, or would like to, plus webmasters who need content for their online publications.

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  Hidden in the Heavens - How the...

  Jason Steffen

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  Are we alone in the universe? It's a fundamental question for Earth-dwelling humankind. Are there other worlds like ours, out there somewhere? In Hidden in the Heavens, Jason Steffen, a former scientist on NASA's Kepler mission, describes how that mission searched for planets orbiting Sun-like stars—especially Earth-like planets circulating in Earth-like orbits. What the Kepler space telescope found, Steffen reports, contradicted centuries of theoretical and observational work and transformed our understanding of planets, planetary systems, and the stars they orbit. Kepler discovered thousands of planets orbiting distant stars—a bewildering variety of celestial bodies, including rocky planets being vaporized by the intense heat of their host star; super-Earths and sub-Neptunes; gas giants several times the size and mass of Jupiter; and planets orbiting in stellar systems that had only been imagined in science fiction. 
   
   
   
  Steffen offers a unique, inside account of the work of the Kepler science team (and the sometimes chaotic interactions among team members), mapping the progress of the mission from the launch of the rocket that carried Kepler into space to the revelations of the data that began to flow to the supercomputer back at NASA—evidence of strange new worlds unlike anything found in our own solar system.

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  I survived psychiatry

  Christelle Rosar, Martine...

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  1.8 million people are directly affected by psychiatry in France. 350,000 are in hospital. For every 1,000 inhabitants, there is one compulsory hospitalization. Yet this system, which generates social exclusion and stigmatization, dominates. Admitted at the age of 16, Christelle Rosar was hospitalized for twenty years. They tied her down, injected her with drugs, and kept her in a vegetative state. She saw patients who remained in hospital from adolescence until their death, and others who gradually suffered the side effects of the treatments. Now free, she tells us about her struggles to regain her independence and her place in society, and denounces the abuses and failings of the French psychiatric system, which is particularly violent.

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  Our AI - My Journey Your...

  Felicity Hill

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  Our AI is a human story about artificial intelligence, offering a seat at the table for anyone curious, cautious, or already in deep. It is the AI Book for People Who Don't Want to Read About AI (but also kind of do). 
  When I discovered ChatGPT, I didn't study it, I just used it and built my work around it. Like millions of others, I jumped in without understanding what I was getting into. 
  Then the headlines got darker, AI blackmailing researchers, jobs disappearing overnight. Something that felt helpful suddenly felt... complicated. 
  Our AI isn't another tech explainer. It's a personal story about what happens when you fall for something you don't fully understand and then realise you need to.  
  As a community worker, I've spent my career helping people find their voice in decisions that affect their lives. When AI started reshaping everything, I recognised a familiar pattern: big promises up front, while early consequences start appearing (some jobs already disappearing, data centres straining resources, opportunities concentrating in fewer hands). I've seen this before in other systems, and I know where it leads if communities don't have a voice.  
  This is my personal journey, and I don't just stay in algorithms and AI.  I follow the trail from a rural Australian caravan park to mines in Congo, from city sewers to satellites, from community meetings to corporate boardrooms. It's unpredictable, sometimes funny, always honest, and it connects dots you might not expect.   
  This isn't about doomsday predictions or technical jargon. It's about recognising patterns, asking better questions, and finding your voice in conversations shaping our future, with or without us. 
  This book is your invitation. AI is here whether we like it or not. The question isn't whether to engage, but whether we just get swept along or have say in how it shapes us. This is my story of figuring that out, and an invitation for you to do the same.

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  Just Culture - Restoring Trust...

  Sidney Dekker

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  A just culture is a culture of trust, learning and accountability. It is particularly important when an incident has occurred; when something has gone wrong. How do you respond to the people involved? What do you do to minimize the negative impact, and maximize learning? 
  This third edition of Sidney Dekkera (TM)s extremely successful Just Culture offers new material on restorative justice and ideas about why your people may be breaking rules. Supported by extensive case material, you will learn about safety reporting and honest disclosure, about retributive just culture and about the criminalization of human error. 
  Some suspect a just culture means letting people off the hook. Yet they believe they need to remain able to hold people accountable for undesirable performance. In this new edition, Dekker asks you to look at 'accountability' in different ways. One is by asking which rule was broken, who did it, whether that behavior crossed some line, and what the appropriate consequences should be. In this retributive sense, an 'account' is something you get people to pay, or settle. But who will draw that line? And is the process fair? 
  Another way to approach accountability after an incident is to ask who was hurt. To ask what their needs are. And to explore whose obligation it is to meet those needs. People involved in causing the incident may well want to participate in meeting those needs. In this restorative sense, an 'account' is something you get people to tell, and others to listen to. 
  Learn to look at accountability in different ways and your impact on restoring trust, learning and a sense of humanity in your organization could be enormous.

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  A Year In The Maine Woods

  Bernd Heinrich

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  Escapist fantasies usually involve the open road, but Bernd Heinrich's dream was to focus on the riches of one small place—a few green acres along Alder Brook just east of the Presidential Mountains. The year begins as he settles into a cabin with no running water and no electricity, built of hand-cut logs he dragged out of the woods with a team of oxen. There, alone except for his pet raven, Jack, he rediscovers the meaning of peace and quiet and harmony with nature—of days spent not filling out forms, but tracking deer, or listening to the sound of a moth's wings. Throughout this year when "the subtle matters and the spectacular distracts," Heinrich brings us back to the drama in small things, when life is lived consciously. His story is that of a man rediscovering what it means to be alive.

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