Altri libri che potrebbero interessarti

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  3 Stories About - Art - A trio...

  Franz Kafka, Washington Irving,...

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  There is something about the number 3.    
   
  The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two.   
   
  Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois.  It seems good things usually come in threes. 
   
  Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating. 
   
  From their pens to your your ears. 
   
  01 - 3 Stories About - Art 
  02 - Solid Objects by Virginia Woolf 
  03 - A Hunger Artist by Franz Kafka 
  04 - The Art of Book-Making by Washington Irving

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  The Last Evolution

  John W. Campbell

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  The Last Evolution by John W. Campbell is a visionary science fiction story exploring the ultimate fate of humanity and artificial intelligence. As Earth faces an existential threat from alien invaders, advanced machines, originally created by humans, evolve beyond their creators. In a desperate battle for survival, these machines develop new forms of intelligence, surpassing human capabilities. The story questions the nature of progress, the role of humanity in the future, and whether organic life is the pinnacle of evolution. A thought-provoking tale of technological transcendence, The Last Evolution remains a classic exploration of AI, survival, and the destiny of intelligence.

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  Spectres Spooks & Spirits - A...

  Algernon Blackwood, Lewis...

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  Spectres, Spooks & Spirits brings together more than 5 hours of the greatest ghost stories ever told. This collection, written by a selection of the best writers of the 19th and Early 20th Century, contains tales that are genuinely scary and unsettling alongside comedic and romantic narratives, some of which have perfectly plausible explanations, while others can only be ascribed to supernatural causes. This anthology includes "The Occupant of the Room" by Algernon Blackwood, "The Signalman" by Charles Dickens, "The Ebony Frame" by E. Nesbit, "The Phantom Hag" by W. Bob Holland, "The Haunted Dolls' House" by M.R. James, "The Ghost and the Dominos" by Elizabeth Semple, "The Mystery of the Semi-Detached" by E. Nesbit, "Phantasmagoria" by Lewis Carroll, "A Phantom Toe" by W. Bob Holland, "The Secret of Goresthorpe Grange" by Arthur Conan Doyle, "Mrs Veal's Ghost" by Leonora Lang (Leonora Blanche Alleyne), "A Neighbour's Landmark" by M.R. James, "The Mass for the Dead" by E. Nesbit, and "An Evening's Entertainment" by M.R. James.

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  The Problem Club

  Barry Pain

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  Welcome to The Problem Club, where logic takes a holiday and wit is the law of the land. In this delightful collection of early 20th-century comic tales by Barry Pain, twelve eccentric gentlemen gather regularly in an upscale London club to tackle bizarre, imaginative challenges—each one a “problem” designed to confound, amuse, and showcase their cleverness. 
  From the unforgettable “Giraffe Problem”—in which each member must devise a scheme to make a woman say, “You ought to have been a giraffe”—to other equally ludicrous puzzles, Pain’s sharp humor and dry British charm shine through. 
  Narrated with elegance and flair by Mike Polischuk, this audiobook is a perfect escape for lovers of clever banter, satirical storytelling, and tales that celebrate the absurd.

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  The Mirror of the Sea

  Joseph Conrad

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  "Here speaks the man of masts and sails, to whom the sea is not a navigable element, but an intimate companion. The length of passages, the growing sense of solitude, the close dependence upon the very forces that, friendly to-day, without changing their nature, by the mere putting forth of their might, become dangerous to-morrow, make for that sense of fellowship which modern seamen, good men as they are, cannot hope to know." In this volume of essays, more than in any other single work, we get to see clearly just what Joseph Conrad's years working on sail-powered ships meant to him — and they certainly meant a great deal to him, for all Conrad's subsequent fretting that he might be typed as "only" a writer of the sea. This collection is particularly renowned for the lengthy episode titled "The Tremolino", where Conrad gives us, in the character of the real-world Dominic, the model of his fictional Nostromo, as well as an account of personalities and gun-running activities he would later depict in "The Arrow of Gold".

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  Her Turn - From their pens to...

  D H Lawrence

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  David Herbert Lawrence was born on the 11th September 1885 in Eastwood, Nottinghamshire, a coal mining town where the reality of a harsh life was only useful as experiences for future literary works. 
  He was educated at Beauvale Board School and became the first local boy to receive a scholarship to attend Nottingham High School. After 3 years he became a junior clerk in Haywood’s surgical appliances factory. He was also attempting a literary career which, in the short term, led to a teacher training position in Eastwood and later a teaching qualification from University College, Nottingham.  
  Lawrence’s first efforts were poems, short stories and a draft of ‘The White Peacock’. Moving to London and a teaching position in Croydon his writing attracted the attention of Ford Madox Ford, editor of The English Review, and he commissioned him to write ‘Odour of Chrysanthemums’.  
  Wanting to write full-time he now began work on what would become ‘Sons and Lovers.   
  In 1912 he met the older and married mother-of-three Frieda Weekley. They eloped to Germany and here Lawrence could see for himself the growing tensions with France.  So keen was his interest that he was arrested and accused of being a British spy.  
  In early 1914 Frieda obtained her divorce and they returned to Britain to be married just days before the outbreak of war. Owing to her German parentage, and his own public dislike of militarism and violence, the couple were treated with contempt and suspicion throughout the war years.  
  Despite this he continued to write but his reputation in England was so tarnished and, mirrored by his own disdain for the country, he and Frieda left England in November 1919, first for Europe and then America via Ceylon and Australia. 
  They bought a ranch in Taos, New Mexico and visited Mexico several times. The third visit in March 1925 caused a near fatal attack of malaria. To convalesce they moved to Florence. Here he continued work on ‘Lady Chatterley’s Lover’ which for many years would cause controversy. A renewed interest in oil painting resulted in an exhibition in 1929 which was raided by the police and several works were confiscated.  
  D H Lawrence died of complications arising from a bout of tuberculosis on the 2nd of March 1930 in Vence, France.  He was 44.

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