Outros livros que poderiam interessá-lo

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  Love Poems and other Stuff

  E. R. Vogel

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  This is a collection of what has brought me to who I am today, always reminding me of where I should be going. I do hope it helps you more.

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  The Poetry of Sarojini Naidu -...

  Sarojini Naidu

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  Sarojini Chattopadhyay was born into a Bengali family in Hyderabad, India on 13th February 1879, the eldest of the eight siblings. The family was well-respected in Hyderabad and were established artists. 
   
  Naidu passed her matriculation examination at the University of Madras and took a four-year break from her studies.  
   
  In 1895, H.E.H. the Nizam's Charitable Trust founded by the 6th Nizam, Mahbub Ali Khan, gave her the chance to study in England, first at King's College, London and later at Girton College, Cambridge.  
   
  Even in these early times she was a social activist.  It was whilst in England that she worked as a suffragist and was first drawn to the Indian National Congress' Hindu movement for India's independence from British Colonial rule.  
   
  She began writing at the age of twelve. Her play, ‘Maher Muneer’, written in Persian, impressed the Nawab of Hyderabad. It was an auspicious start. 
   
  Sarojini met Paidipati Govindarajulu Naidu, a physician, and after finishing her studies at age 19 married him. The couple would have five children.  Interestingly their families approved their marriage even though they were from different castes and society was not as tolerant as it might be today.  Additionally, Sarojini was from Bengal and Naidu from Andhra Pradesh and marriages between those from the north and south were frowned upon.  Happily, they overcame these problems and both marriage and careers thrived. 
   
  In 1905, her first collection of poems, ‘The Golden Threshold’ was published. 
   
  Naidu became a part of the Indian nationalist movement and was a follower of Mahatma Gandhi and his idea of swaraj (this was an India without its colonial administration systems).  Despite her growing political career she still found time to write and published several further volumes of poetry. Such was her eloquence that she became known as the ‘Nightingale of India’. 
  Sarojini was appointed the President of the Indian National Congress in 1925 and was a major influence and figure in the Independence movement.  
   
  Along with several other Congress leaders including Gandhi and Jawaharlal Nehru she was arrested for taking part in the 1930 Salt March.  Indeed Sarojini faced frequent arrest by the British Authorities and spent, in total, many months in prison. 
   
  Following India's independence from British rule in 1947, Sarojini was appointed as the governor of the present-day Uttar Pradesh in so doing she became India's first female governor. 
   
  Returning from work in New Delhi on 15th February, 1949 she was advised to rest by her doctors, and her official engagements were cancelled.  Her health deteriorated rapidly and on 1st March bloodletting was performed after she complained of severe headache.  
   
  Sarojini Naidu died of a cardiac arrest on 2nd March 1949.  She was 70.

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  Continuity

  Bess Wohl

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  A sheet of ice sits in the desert of New Mexico. A mad eco-terrorist plants a bomb in order to save humankind. A beleaguered film crew tries to get in one last shot before losing the light. Storytelling and science collide with hilarious and devastating consequences. 
   
  “Continuity” is part of L.A. Theatre Works’ Relativity Series of science-themed plays. Lead funding for the Relativity Series is provided by the Alfred P. Sloan Foundation, bridging science and the arts in the modern world. 
   
  Recorded at The Invisible Studios, West Hollywood in December 2022. 
   
  Directed by Anna Lyse Erikson 
  Producing Director: Susan Albert Loewenberg 
   
  An L.A. Theatre Works full-cast production starring: 
   
  Johnny Berchtold as Jake and George	 
  Seamus Dever as David Caxton	 
  Sarah Drew as Eve and Nicole 
  Mark Holden as Sound Guy 
  Desireé Mee Jung as First AD 
  Kurt Kanazawa as The PA 
  Stacey Martinez as Second PA 
  Bukola Ogunmola as Dr. Anna Gerber and Lily 
  Devon Sorvari as Second AD and Camera Op Stephen Tobolowsky as Larry 
  Liza Weil as Maria 
   
  Senior Producer: Anna Lyse Erikson 
  Audio Concept Design by Mark Holden  
  Recording Engineer and Editor: Neil Wogenson  
  Sound Design: Mark Holden, David Wilson and Charles Carroll 
  Mixing Engineer: Charles Carroll 
  Prepared for Audio by Mark Holden for The Invisible Studios, West Hollywood 
  Senior Radio Producer: Ronn Lipkin 
  Foley Artist: Jeff Gardner

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  The Lightest Element

  Stella Feehily

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  'Nothing compares with being the first person in the history of the world to see something, but timing is everything. The world has to be ready for you.'
  Boston, 1956. Cecilia Payne-Gaposchkin, one of the most eminent astronomers of the twentieth century, is about to be appointed Chair of Astronomy and the first woman to head a department at Harvard University. Only two things stand in her way: a covert investigation aimed at exposing her as a Communist sympathiser, and the entrenched conservatism of her male colleagues.
  When a student journalist asks to profile her, it feels like an opportunity to control her own narrative – assuming, of course, that the invitation is actually what it seems…
  Stella Feehily's play The Lightest Element is a taut drama exploring how a challenge to social norms can be almost as difficult as overturning scientific orthodoxy. It premiered at Hampstead Theatre, London, in 2024, directed by Alice Hamilton.

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  A Bit Much - Poems

  Lyndsay Rush

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  This program is read by the author.The debut poetry collection from Lyndsay Rush (aka @maryoliversdrunkcousin) is a humorous and joyful celebration of big feelings, tender truths, and hard-won wisdom, for fans of Maggie Smith, Kate Baer, and Kate Kennedy.At long last, a book of poetry for people who didn’t even know they liked poetry. And they’re in good company: author Lyndsay Rush didn’t know she liked it either. That is, until she embarked on an internet experiment under the Instagram username @MaryOliversDrunkCousin that turned into a body of work that struck a chord with women across the country; thanks to her signature wordplay, witticisms, and—against all odds—wisdom.With titles like "Shedonism", "Someone to Eat Chips With", "It’s Called Maximalism, Babe", and "Breaking News: Local Woman Gets Out of Bed", Rush’s debut collection of poetry uses humor to grapple with the female experience—from questioning whether or not to have children, to roasting the patriarchy, to challenging what it means to "age gracefully"—and each piece delivers gut-punching truths alongside gratifying punchlines. Readers walk away from Lyndsay’s work feeling seen, celebrated, and wholly convinced that joy is an urgent, worthwhile pursuit.With over 140 convention-bending poems—most of which are never-before-seen—this book is quite literally A Bit Much.A Macmillan Audio production from St. Martin’s Press.

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  Here in the (Middle) of Nowhere

  Anastacia-Renee

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  In this bold hybrid collection of poetry, flash fiction, and Afrofuturism sci-fi, the award-winning interdisciplinary writer and author of Side Notes from the Archivist explores what happens when god is a Black woman in a town. What happens when there are multiple universes in the middle of nowhere? 
  And what if in each universe there reigned other Black woman gods? One million versions of god, and one million saints to watch over us? And what if this Black woman god were placed here on earth? 
  These are just a few of the questions Anastacia-Reneé asks in this daring and mind-bending hybrid collection. Hers is a universe of striking variety—monsters, nontraditional saints, witches, zombies, the couple in the apartment next door, the wise elders from down the block, and gods watching over us all—as well as community and connectedness. 
  With a prose storyline and characters that connect through family, time, and place, Anastacia-Reneé paints world(s) rich with wonder and the paranormal as she peers into the lives of everyday people and spectacular creatures inhabiting not just our neighborhoods, but other dimensions. Here in the (Middle) of Nowhere is about interstellar ancestry, community and spirituality. It is about the things we invoke, conjure, and rely on to maintain joy as we keep it moving through difficult eras. Anastacia-Reneé’s power imbues her spellbinding storytelling with lovingly rendered characters brought to life in lyrical poetry. She builds worlds within worlds and dares us to fully see and love ourselves in all our complexity.

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