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  The Poetry of Claude McKay - A...

  Claude McKay

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  Festus Claudius McKay was born in Sunny Ville, Jamaica on the 15th September 1890, He was the youngest son to parents who had gathered enough assets to secure them the right to vote. 
   
  As a boy he was fascinated by English Poetry and literature, although at 17 he took on work as an apprentice woodcutter for two years before becoming a police constable in the capital, Kingston.  In this mainly white and affluent town racism was rife and its nature awakened his political instincts and pursuit of social justice.  He soon returned home and published his first two poetry collections in 1912. 
   
  By the early 1920’s he had travelled extensively across the United States and parts of Europe and was recognised as a very talented poet and an essential founding component of the Harlem Renaissance.   
   
  As well as poetry he also wrote several novels and was a dedicated activist for social reform.  
   
  By the late 1930s he had developed a deep interest in Catholicism and several years later moved to Chicago as a teacher for a Catholic organisation. 
   
  By the mid 1940’s several illnesses has further debilitated his health. 
   
  Claude McKay died of heart failure on the 22nd May 1948.  He was 57.

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  Ode - The Age of Dryden' is a...

  John Dryden

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  John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. As a boy Dryden lived in the nearby village of Titchmarsh, Northamptonshire. In 1644 he was sent to Westminster School as a King's Scholar.  
  Dryden obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year.  
  Returning to London during The Protectorate, Dryden now obtained work with Cromwell's Secretary of State, John Thurloe. 
   At Cromwell's funeral on 23 November 1658 Dryden was in the company of the Puritan poets John Milton and Andrew Marvell.  The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. 
  The start began later that year when Dryden published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death.  
  With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric. 
   With the re-opening of the theatres after the Puritan ban, Dryden began to also write plays. His first play, The Wild Gallant, appeared in 1663 but was not successful. From 1668 on he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income.  
  In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London in 1666. It established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate (1668) and then historiographer royal (1670). 
  This was truly the Age of Dryden, he was the foremost English Literary figure in Poetry, Plays, translations and other forms. 
  In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event.  
  John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later.

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  Dance of Death

  August Strindberg

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  'He's a vampire. He sucks the life out of people because his own life bores him so much.'
  A plague rages across Europe. On a remote island, former actress Alice and army officer Captain Edgar are quarantined together – locked in a bitter, brutal and compulsive marriage.
  When an old friend arrives to help celebrate their wedding anniversary, it's the perfect excuse for the couple to take their games to a terrifying new level.
  Filled with wit and savagery, Richard Eyre's thrilling version of August Strindberg's Dance of Death is a darkly comic portrait of psychological warfare. It premiered at the Orange Tree Theatre, London, in 2026.

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  Are You There

  Samantha Fain

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  In Are You There, Indiana poet Samantha Fain refracts contemporary melancholia into iridescent lyricism. Fain delights in breaking rules, the serendipity of autocorrect incantations, testing how far, in space and time, a connection will travel, and where it ends—quoting sources including Schrödinger, Ask Jeeves and Kim Kardashian. In Fain's haunting poetics, grief, mania, pop culture, faith, quantum physics and digital relationships collide, alive with the spiky humour of brutal self-awareness, aglow with startling new language.
  
  "These poems are like Neosporin; they sting and they heal." Raphael Bob-Waksberg, Creator of Bojack Horseman.
  
  
  "The most lyrically provoking debut I've ever read. Samantha Fain articulates the complex contemporary manifestations of grief and desire, while still giving us possibility instead of foreclosure." C.T. Salazar, Headless John the Baptist Hitchhiking

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  A Doll's House

  Henrik Ibsen

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  A door slams, and the echoes never fade. Henrik Ibsen's A Doll's House (1879) is a play that doesn't shout—it lingers, unsettling and undeniable. Beneath the surface of a seemingly ordinary household lies a quiet storm, gathering strength with every polite exchange, every carefully placed smile.
  Nora Helmer is a wife, a mother, a woman adored. Her home is warm, her life is comfortable, her husband sings her praises. But when a long-kept secret begins to unravel, so does the delicate balance of her world. What happens when the roles we play no longer fit? When the words we speak don't match the voices inside us?
  Ibsen doesn't lecture, doesn't plead—he simply opens a door and lets us look inside. What we see is up to us. Is it a tale of liberation or betrayal? A tragedy or a beginning? More than a century later, the questions still stand, just as urgent, just as sharp.
  With A Doll's House, Ibsen didn't just write a play. He set a stage for countless conversations, forcing audiences to lean in, to question, to wonder. And when the final moment comes, when the door closes behind Nora, it isn't just her world that shifts. It's ours, too.

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  Complete Writings Poems and Letters

  Phillis Wheatley

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  "Phillis Wheatley: Complete Writings. Poems and Letters" is a comprehensive collection that celebrates the life and literary legacy of Phillis Wheatley, one of the most significant figures in African American literature. This anthology features a wide range of Wheatley's works, including her celebrated poems and insightful letters.
  As the first African American woman to publish a book of poetry in the United States, Wheatley's writings reflect her remarkable talent, intelligence, and resilience in the face of adversity. Her poetry encompasses various themes, including religion, freedom, race, and the human experience, showcasing her mastery of form, language, and imagery.
  In addition to her poetry, this collection includes Wheatley's personal letters, providing readers with intimate glimpses into her life, thoughts, and relationships. Through her correspondence, Wheatley reveals her experiences as a slave, her struggles for recognition and respect, and her unwavering commitment to her craft.
  "Phillis Wheatley: Complete Writings" is a testament to Wheatley's enduring legacy as a trailblazing poet and a pioneering voice in American literature, whose words continue to inspire and resonate with readers across generations.
  Table of Contents:
  POEMS ON VARIOUS SUBJECTS, RELIGIOUS AND MORAL
  EXTANT POEMS NOT PUBLISHED IN POEMS ON VARIOUS SUBJECTS
  LETTERS

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