Outros livros que poderiam interessá-lo

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  Born in the USA - The...

  Stephen Vincent Benet, Louisa...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series we take a look through the prism of individual regions of the United States through the centuries and decades. 
   
  The United States may be many things: the world’s policeman, a bully, a shameless purveyor of mass market culture but it also, in its better moments, a standard bearer for truth, transparency, equality and the more positive qualities of democracy. 
   
  Little wonder that’s its poets are rightly acknowledged as wonders of their art.  Leading lights in the fight against slavery and for equality, even if the rest of the Nation is finding it problematic to catch up.   
   
  In this volume we have collected verse from poets born in Pennsylvania, one of the most famous states of the Union.  Its proud and illustrious history shines out through verse by such illustrious and venerated names as Stephen Vincent Benet, Louisa May Alcott, Wallace Stevens, Hilda Doolittle, Henry Van Dyke, and others as they explore its status, its nature and its role in shaping the world of verse.

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  Joy in the Belly of a Riot -...

  Barbara Fant

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  The acclaimed poetic force celebrates the practice of poetry as healing and prayer in this vital, life-affirming collection about surviving the void and touching the divine—the second book in a creative collaboration between Amistad and Moore Black Press. 
  At age fifteen, Barbara Fant tragically lost her mother, and her world was suddenly upended. “I became an angry teenager. I was mad at the world.,” she recalls. “I even stopped praying, but I began to write. Poetry became my way of communication, my way of processing . . . it became my way to pray.” 
  Rebirth, renewal, and healing are the heart of Joy in the Belly of a Riot. Fant’s monumental collection is a continuation of her lifelong project of using poetry as prayer; this is healing-informed poetry to restore herself, her community, and the world. Exquisitely lyrical and boldly resonant, Fant’s poems excavate the nightmares of a childhood marked by poverty, violence, racism, and the loss of countless loved ones. Suffering seemed endemic to neighborhoods like hers, and yet, in Fant’s own words, “I keep trying to write about the trauma, but the joy won’t let me.” 
  Steeped in a rich Black Christian tradition and drawing on Scripture for artistic inspiration, Fant’s verse offers solace and guidance for all, from the devout to the skeptical. In these poems Fant demands that we see her, and her community, throug more than our grief. As she closes this profound collection, Fant gently preaches that we choose life and reminds us that “wholeness is our birthright.” 
  Joy in the Belly of a Riot is a healing balm in times of sustained uncertainty and a rock upon which we can build and sustain a foundation of joy. Fant’s essential message demands to be heard, now more than ever.

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  Water Colour

  Milly Sweeney

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  'Your feet make the bridge creak as you wander and you wonder
  What if?
  What if?'
  Esme is at an all-time low, struggling with her studies and her art. Standing on a bridge, contemplating something she won't be able to take back, she meets Harris, a young chef whose own life is shifting beneath his feet. 
  They may never see each other again, but in that moment their lives begin to change direction.
  Set along the waters of the Clyde, Water Colour is a beautifully observed and tender play about what happens when we choose to reach out – and how even the briefest meeting can become a turning point.
  Milly Sweeney's play won the 2024-25 St Andrews Playwriting Award, was named Best New Play at the 2026 Critics' Award for Theatre in Scotland, and saw Milly Sweeney named Best Writer at the 2025 Stage Debut Awards. It was presented by Byre Theatre in partnership with Playwrights' Studio Scotland and Pitlochry Festival Theatre, and first performed at Pitlochry and St Andrews in 2025, before a run at the Traverse Theatre during the 2026 Edinburgh Festival Fringe.

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  Right of the Soil

  Yong Shu Hoong

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  The Latin phrase, jus soli (“right of the soil”), is an unconditional right of a person born within the territory of a country to be conferred citizenship. Singapore’s nationality law is based on jus sanguinis (“right of blood”, in which citizenship is determined by that of one or both parents) and a modified form of jus soli (with at least one Singaporean parent). 
   
  A two-time Singapore Literature Prize winner, Yong Shu Hoong contemplates how a person is invariably bound to the land on which he first sets foot. These poems address topics like belongingness and birthright by exploring the intermingling of the four fundamental elements of air, water, fire and earth. 
   
  Expanded from a 2016 chapbook published a year after the 50th anniversary of Singapore’s independence, this book also attempts to sharpen Yong’s understanding of his relationship with his homeland. A new sequence of poems then plunges readers into Hell, reimagined as Singapore’s third integrated resort that opens underground in the centennial year of 2065, with its concepts inspired by Haw Par Villa’s main attraction, the 10 Courts of Hell. 
   
  Beyond our earthly lives, is it soil – or another element or dimension – that will assert its right to claim us? 
   
  Shortlisted for the Singapore Literature Prize for Poetry 2020

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  The Legend of Ned Ludd

  Joe Ward Munrow

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  'They say work harder, strive harder. The machine strives for nothing.
  The loom does the work twice as fast and half as well.
  And they'll settle for that. They'll settle for that.'
  Machines can make our work easier. They can also make it vanish overnight. Joe Ward Munrow's play The Legend of Ned Ludd weaves together stories from around the world and takes us on a whirlwind global commute, from the Luddites' nineteenth-century war against new technology through to London, Liverpool, Lagos and beyond...
  But we're all at the mercy of The Machine. And, in this powerful exploration of work, automation and capitalism, The Machine selects the scenes for each performance, resulting in 256 possible versions of the play, spun from all the stories included in this published edition. It premiered at the Liverpool Everyman in 2024, directed by Jude Christian.

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  Encyclopaedia

  Chloe Elliott

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  Chloe Elliott's Encyclopaedia is playful and visceral, exploring boundaries of identity and the search for meaning in poems that delight with richly tactile language. Formally varied, these poems are unflinching in their physicality.

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