Outros livros que poderiam interessá-lo

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  Cellophane - Dramatic story

  Amr Mounir

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  How can a man live if he loves a woman who does not reciprocate his feelings and marries him for his money? And how will he face the blame he feels when she goes through a health crisis that makes him think he is responsible?

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  Takeaway

  Nathan Powell

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  'We have to keep up with the times. We're a business, not a soup kitchen, we might be busy but we're basically giving the food away for free.'
  Hyltons' Caribbean takeaway is a much-loved restaurant in the heart of Liverpool. Built by Carol and her late husband into a bustling hub with a mouth-watering menu, it serves great food with a huge side-order of love.
  But in a world of delivery apps, street-food markets and gourmet curry goat, the old ways are changing. Liverpool is changing too, with a luxury apartment block about to be built over a local playing field. Anger is rising, nobody can agree on anything any more, and things are getting spicy...
  A feast of big laughs, family tensions and delicious food, Nathan Powell's play Takeaway premiered at Liverpool Everyman in 2025, directed by Amanda Huxtable.

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  Otherland

  Chris Bush

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  'Jo and Harry are changing.
  Harry is changing more than most, undeniably.
  And change is beautiful. Necessary. Terrifying.'
  Break-ups aren't just about who gets the CD collection. As Jo and Harry begin to untangle themselves from each other, new worlds start to open up – worlds filled with new partners, new identities, new possibilities…
  What kind of women do they want to be, and do they have the courage, or the permission, to get there?
  Chris Bush's play Otherland is a bold and beautiful exploration of what it means to be true to yourself in the face of unstoppable change. It premiered at the Almeida Theatre, London, in 2025, directed by Ann Yee.
  Otherland was a finalist for the 2025 Susan Smith Blackburn Prize.
  'A writer of great wit and empathy'The Times
  'One of our most prolific and arresting writers'Evening Standard

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  The Top 10 Poets – Playwrights -...

  William Shakespeare, W B Yeats,...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
  In this volume we explore those playwrights who within a few lines could turn and express their words as very distinguished verse and so become as known for poetry as were for their plays.

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  Space Girl (NHB Modern Plays)

  Helen Stanley

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  An action-packed play bursting with songs and imagination, celebrating curiosity, resilience and exploration.
  Mary Moon is nine years old and dreams of travelling across the galaxy, just like her brave and brilliant astronaut father. But Mary hasn't seen her dad since last week, and nobody will tell her where he is…
  Follow Mary on her journey through the solar system, as she faces meteors, monsters and the Sea of Sorrow in her mission to bring her dad back home.
  Helen Stanley's play Space Girl was first staged at the Broadway Theatre, London, performed by Lewisham Youth Theatre. It is especially suitable for younger audiences and performers, including those under twelve years old.
  The Nick Hern Books Multiplay Drama series features large-cast plays specifically written to be performed by and appeal to older teenagers and young adults.

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  On Malice

  Ken Babstock

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  One of The Globe and Mail's Globe 100: Best Books of 2014
     
  The fairground screamed. The mountains and valley were gone. The fire was gone too. The hanging ‘because’
     
  was gone too. The men were away and my heart already dead and the fairground monkey dead in my mouth.
     
  A spectre haunts a derelictNSA surveillance station on a hill in Berlin. Our posthumous selves cry to us from the Cloud. We’ve internalized the panopticon, but it still feels good to buy.
     
  On Malice assembles evacuated forms, polysemy, undirected prayer and meta-chatter into a quartet of delirious song, a diorama of our new, totalized and ubiquitous armour. Channelling Spicer and Berryman, data-mining and inverting Hazlitt, Donne and Walter Benjamin’s son, these extended ghost-essays are lyric in their sonic and affective register but coldly methodological in their invented structures and repurposed illusions.
     
  'Ken Babstock is a wonderful and spirited poet, his work is full of musicality, syncopation, wit, and formal acuity, it's all good.' – Peter Gizzi
     
  'The flavor of this poetry is complex – it will have to be consumed in small amounts like a sipping tequila. It inebriates quickly. It imparts a convivial brilliance to life. Andit is not without its sinister edge.' – Ange Mlinko
     
  ‘[Babstock] has not only irrevocably altered our poetic climate but briskly evolved multiple new ecosystems in which his fellow songsters can work and flourish. In the wake of On Malice, I think we should prepare ourselves for a raft of source-text experiments and procedural treatises. Because as Canadian poets, it’s Babstock’s planet we’re walking on.’
     
  – Partisan

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