Outros livros que poderiam interessá-lo

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  AC DC - High-Voltage Rock 'n'...

  Phil Sutcliffe

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  Formed in 1973 by brothers Angus and Malcolm Young, AC/DC has become one of the most popular rock ’n’ roll bands in history. This massive new title follows the band from its roots in Sydney, Australia, to its most recent releases and sold-out world tours. No stone is left unturned, from the AC/DC’s formation and early club gigs to its astounding worldwide success. A special cover incorporating Angus on a spinning disc gives way to more than 400 illustrations include handbills, posters, backstage passes, and vinyl from around the globe, as well as rare candid and performance photography. Sidebars from top rock scribes examine all studio releases and delve into the guitar gear of the Young brothers. The result is an awesome tribute to the band renowned for a live-wire stage show and a sonic attack that have attracted fans from all rock camps Contributors include: Phil Sutcliffe Joe Bonomo Danie Bukszpan Jen Jewel Brown Anthony Bozza Garth Cartwright Ian Christe David Dunlap Andrew Earles Dave Hunter James McNair Martin Popoff Sylvie Simmons Bill Voccia

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  Abbott and Costello: Boxing -...

  Bud Abbott, Lou Costello

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  Bud and Lou talk about boxing. Lou wants to be married. Bud tells Lou stories of his family and then Veloa joins in the fun.

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  Houston We Have a Narrative -...

  Randy Olson

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  Ask a scientist about Hollywood, and you'll probably get eye rolls. But ask someone in Hollywood about science, and they'll see dollar signs: Moviemakers know that science can be the source of great stories, with all the drama and action that blockbusters require.That's a huge mistake, says Randy Olson: Hollywood has a lot to teach scientists about how to tell a story — and, ultimately, how to do science better. With Houston, We Have a Narrative, he lays out a stunningly simple method for turning the dull into the dramatic.Drawing on his unique background, which saw him leave his job as a working scientist to launch a career as a filmmaker, Olson first diagnoses the problem: When scientists tell us about their work, they pile one moment and one detail atop another moment and another detail — a stultifying procession of "and, and, and". What we need instead is an understanding of the basic elements of story, the narrative structures that our brains are all but hardwired to look for — which Olson boils down, brilliantly, to "And, But, Therefore", or ABT. At a stroke, the ABT approach introduces momentum ("And"), conflict ("But"), and resolution ("Therefore") — the fundamental building blocks of story.As Olson has demonstrated by leading countless workshops worldwide, when scientists' eyes are opened to ABT, the effect is staggering: Suddenly, they're not just talking about their work — they're telling stories about it. And audiences are captivated.Written with an uncommon verve and enthusiasm, and built on principles that are applicable to fields far beyond science, Houston, We Have a Narrative has the power to transform the way science is understood and appreciated, and ultimately how it's done.

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  Dragnet: Big Light

  Jack Webb

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  Henry Wilson, a movie director, has been killed at the studio. A 250 pound lamp had fallen on him.

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  O'Keeffe

  Gerry Souter

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  In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with William Merritt Chase. During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz. In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow. In Bement’s class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes. They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements. It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction. During the 1920s O’Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George. With Stieglitz’s connections in the arts community of New York – from 1923 he organised an O’Keeffe exhibition annually – O’Keeffe’s work received a great deal of attention and commanded high prices. She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed “pop psychology”. The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries. She taught us there is poetry in nature and beauty in geometry. Georgia O’Keeffe’s long lifetime of work shows us new ways to see the world, from her eyes to ours.

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  Symposium The (Librovox)

  Plato

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  The Symposium is a philosophical book written by Plato sometime after 385 BCE. On one level the book deals with the genealogy, nature and purpose of love, on another level the book deals with the topic of knowledge, specifically how does one know what one knows. The topic of love is taken up in the form of a group of speeches, given by a group of men at a symposium or a wine drinking party at the house of the tragedian Agathon at Athens. Plato constructed the Symposium as a story within a story within a story. This architecture creates the space for Plato to build his philosophy of knowledge. The speech of Socrates points out that the highest purpose of Love is to become a Philosopher, or Lover of Wisdom. (Summary from Wikipedia)

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