Otros libros que te pueden interesar

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  We Had Fun and Nobody Died -...

  Amy T. Waldman, Peter Jest

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  This irreverent biography provides a rare window into the music industry from a promoter’s perspective. From a young age, Peter Jest was determined to make a career in live music, and despite naysayers and obstacles, he did just that, bringing national acts to his college campus at UW–Milwaukee, booking thousands of concerts across Wisconsin and the Midwest, and opening Shank Hall, the beloved Milwaukee venue named after a club in the cult film This Is Spinal Tap. This funny, nostalgia-inducing book details the lasting friendships Jest established with John Prine, Arlo Guthrie, and Milwaukee’s own Violent Femmes, among others. It also shines a light into the seldom-seen world of music promotion, as Jest attempts to manage a turbulent band on the road, negotiates with agents, deals with fires (both real and metaphorical), struggles through a pandemic, and takes pleasure in presenting music of all kinds—from world-famous acts to up-and-coming local bands. The book documents decades of rock, folk, and alternative shows that helped put Milwaukee on the live music map. As the music industry has become dominated by profit-driven corporations, We Had Fun and Nobody Died chronicles the career of a one-of-a-kind independent promoter whose hardheadedness and love of music have helped him keep it real and make it in the music business for more than forty years.  "[An] adventure-filled biography of music promoter Peter Jest. . . . Reflecting decades of changes to the music business, We Had Fun and Nobody Died is a fascinating biography of a passionate promoter’s work to transform Milwaukee’s music scene."  —Foreword Reviews  “Amy Waldman and Peter Jest weave a thrilling tale of fanhood gone pro. Dreams followed, dragons slain, and the roof of a venerable venue repeatedly blown sky-high. We’re proud to have provided the name [for Shank Hall]; it took men and women of sterner stuff to do the heavy lifting.”   —Michael McKean, actor and comedian, This Is Spinal Tap

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  Ancient Roots - Indigenous...

  Lillian Brooks

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  This book bundle offers a captivating journey through the rich and ancient histories of the Indigenous peoples of Australia and New Zealand. This three-part volume explores the deep cultural, spiritual, and historical roots that have shaped these lands long before European settlement.  
  The first section, Ancient Australia, delves into the 65,000-year history of Australia's First Nations, examining their deep connection to the land, complex social structures, and enduring cultural traditions.  
  The second section, Aotearoa New Zealand, explores the history of the Māori people, their migration to New Zealand, the development of powerful iwi (tribes), and their unique social, spiritual, and political systems.  
  The final section, The Dreamtime and Beyond: Aboriginal and Māori Myths, brings to life the vibrant oral traditions of both cultures, sharing the powerful creation stories, ancestral legends, and spiritual teachings that have been passed down through generations. Together, these three perspectives offer a profound understanding of the ancient foundations of Australia and New Zealand, celebrating the resilience, wisdom, and rich heritage of their Indigenous peoples.  
  This book is an essential resource for those seeking to uncover the deep-rooted histories and cultural legacies of these remarkable lands.

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  Shari Lewis and Lamb Chop - The...

  Mallory Lewis, Nat Segaloff,...

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  For over forty years, ventriloquist Shari Lewis and her sassy hand puppet Lamb Chop were the most beloved team in children's television. Together with her other puppets Charlie Horse and Hush Puppy, Shari raised three generations of kids and struggled to stay relevant in an industry that was constantly changing. In this audiobook, cowritten and recorded by Shari's daughter Mallory Lewis (who now performs with Lamb Chop) and producer-biographer Nat Segaloff, you'll hear how Shari survived using sheer will and talent, how she reinvented herself to meet new  challenges, and the never-before-told story of the origin of Lamb Chop. 
   
   
   
  Shari's story is not only that of a versatile and talented entertainer. It's the personalized history of children's television and of a gifted woman's lifelong struggle to remain on top of a tough profession. 
   
    
   
  Mallory tells her mother's story with intimacy and honesty as Nat fills in the narrative. There's even a guest appearance by Lamb Chop.

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  Greatest Mystery Shows Volume 6...

  Various Various

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  OASIS AUDIO CLASSIC RADIO SHOWCASE SERIES   Oasis Audio has gone into the vaults and dusted off the very earliest form of audio book, old time radio shows, for our listeners. Introduced episode by episode by Jim Engel, old time radio authority and board member of the Museum of Broadcast Communications in Chicago, this series of classic radio shows is sure to have something for everyone. Celebrity casts and top-notch writers made the 1920s through the early 1950s, the golden era of radio. The series features seven exciting themes with 100 episodes in each. That is 700 classic radio programs in all.   Greatest Mystery Shows   Before TV’s The Twilight Zone, there was radio’s The Inner Sanctum Mystery, Lights Out!, The Weird Circle, and so many other great mysteries starring Orson Welles, Jane Wyman, Dana Andrews, Edmond O’Brien, James Cagney and more. 100 great Mystery classics in ten volumes. Volume 6 The Lux Radio Theatre 12-3-51 Strangers on A Train with Ray Milland, Ruth Roman & Frank LovejoyThe Unexpected 8-8-47 Cargo Unknown with Lyle TalbotThe Mercury Summer Theatre 6-21-46 The Hitchhiker with Orson WellesThe Humphrey Bogart Theatre 9-17-49 Dead Man with Humphrey BogartMurder At Midnight 4-25-47 Nightmare with Elspeth EricMurder At Midnight 6-27-47 The Ace of Death with Karl SwensonMurder At Midnight 8-29-47 Murder Out of Mind with Charlotte HollandMurder At Midnight 9-5-47 Deaths Worshipper with Carl EmoryMurder By Experts 8-29-49 It’s Luck That Counts with Larry HainesMurder By Experts 9-12-49 I Dreamt I Died with Ann Shepherd

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  Is That True Or Did You Hear It...

  David Sedgwick

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  What exactly is the purpose of the BBC nowadays - to entertain, educate and inform? But is that all? The broadcaster itself claims to be a fearless and independent provider of news tasked with ‘speaking truth to power’ – a true champion of the underdog. 
   
  However, as David Sedgwick reveals in his new book the reality is somewhat different: not only does the BBC diligently protect power from scrutiny, it attacks and attempts to discredit those who dare to challenge the status quo. 
   
  Formed in 1922 by the British establishment, the BBC has always been a reliable ally of ultra-wealthy and powerful interests. Indeed, the broadcaster occupies a pivotal position within an international corporate-political alliance which promotes only those narratives which consolidate the ‘global order.’ 
   
  Using multiple examples of BBC reporting, the author argues that the tax-payer funded broadcaster is a proxy which acts on behalf of a tiny, but very powerful clique - a role which compels it to pump out disinformation on an industrial scale, misleading all those who consume its content.

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  Scripting Empire - Broadcasting...

  James Procter

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  Scripting Empire recovers the literary and cultural history of West Indian and West African writing at the BBC in order to rethink the critical mid-century decades of shrinking British sovereignty, late modernism, and mass migration to the metropole. Between the 1930s and the 1960s, a remarkable group of black Atlantic artists and intellectuals became producers, editors, and freelancers at the corporation. Operating at the interface of a range of literary and broadcast genres, this loose network of African Caribbean writers and thinkers prompt a reassessment of the aesthetic, formal, and political fallout of decolonization between the outbreak of World War II and the first airings of post-colonial independence. 
   
   
   
  Scripting Empire works comparatively across dozens of different programs spanning the General Overseas Service, Home Service, Light Program, and Third Program. Drawing upon a transnational archive of materials, including scripts, correspondence, periodicals, visual records, and sound recordings, it seeks to reposition the cultural contribution of West Indians and West Africans within a more pervasive and porous account of radio transmission, the legacy of which extends well beyond broadcasting.

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