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  The Poetry of Robert Frost -...

  Robert Frost

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  Robert Lee Frost was born on the 26th March 1874 in San Francisco, California. 
  His father found providing for the family a constant challenge and he died, when Frost was 11, from tuberculosis and left an estate valued at only $8.  The family moved east to Lawrence, Massachusetts, and a better life with his grandfather. 
  After graduating from High School, and a few months at Dartmouth college, he returned home to take on a variety of menial jobs to help support his mother.  Their drudgery and poor money encouraged him to move in a different direction: a career as a poet. 
  He sold his first poem in 1894 for $15.  With this milestone he proposed to his high school sweetheart who declined as she was still studying at university.  The following year she graduated and they married.  A year later the first of their six children arrived.   
  After a stint at Harvard for two years he received the gift of a farm from his ailing grandfather.  Frost worked the farm and wrote unpublished poetry for several years before turning to a teaching position. 
  Upon the death of one of his children the grief-stricken family decided to quit everything and to live in England, moving across the Atlantic in 1912.  The following year he published his first poetry book and with it came critical acclaim.  He was now in his late thirties. 
  The onset of World War I saw Frost return to America with a glowing reputation, and here he launched himself into a career of writing, teaching and lecturing.  
  In 1924 he received the first of four Pulitzer Prizes, for his book ‘New Hampshire: A Poem with Notes and Grace Notes’.  He received a second Pulitzer in 1931 for ‘Collected Poems’.  A third Pulitzer Prize was presented in 1937 for ‘A Further Range’.  His fourth Pulitzer was awarded in 1943 for ‘A Witness Tree’. 
  Frost was also nominated for the Nobel Prize in Literature 31 times. 
  During these years personal tragedy had enveloped him.  A daughter had died in her late 20s from the effects of her puerperal fever at childbirth, his wife had died of breast cancer, and a son had committed suicide.  
  Then, at the age of 86, he was asked to read his poem ‘The Gift Outright’ at President John F Kennedy’s inauguration on the 20th January, 1961.  
  Robert Frost died on the 29th January 1963 in Boston of complications arising from prostate surgery.  He was 88.

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  In The Dark

  James Whitcomb Riley

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  James Whitcomb Riley was an American writer, poet, and best-selling author. During his lifetime he was known as the "Hoosier Poet" and "Children's Poet" for his dialect works and his children's poetry respectively. His poems tended to be humorous or sentimental, and of the approximately one thousand poems that Riley authored, the majority are in dialect. Riley began his career writing verses as a sign maker and submitting poetry to newspapers. Thanks in part to an endorsement from poet Henry Wadsworth Longfellow, he eventually earned successive jobs at Indiana newspaper publishers during the latter 1870s. Riley became a bestselling author in the 1890s. His children's poems were compiled into a book and illustrated by Howard Chandler Christy. Titled the Rhymes of Childhood, the book was his most popular and sold millions of copies. As a poet, Riley achieved an uncommon level of fame during his own lifetime.  - Summary by Wikipedia

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  Mystery

  Paul Laurence Dunbar

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  LibriVox volunteers bring you 22 recordings of The Mystery by Paul Laurence Dunbar. This was the Weekly Poetry project for August 12, 2012,Paul Laurence Dunbar was an African-American poet, novelist, and playwright of the late 19th and early 20th centuries. Much of his popular work in his lifetime used a Negro dialect, which helped him become one of the first nationally-accepted African-American writers. Much of his writing, however, does not use dialect; these more traditional poems have become of greater interest to scholars. (Summary by Wikipedia)

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  Tara - Cover Artist David Nepia...

  Kathleen Gallagher

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  Tara is Kathleen Gallagher's first published book of verse. The twenty-six poems in the collection were written between 1979 and 1986. during this period Kathleen participated in poetry readings and workshops throughout Aotearoa New Zealand, and in Sydney, Melbourne and San Francisco. Alongside this poetry, during this period Kathleen has also written plays for performance in Aotearoa New Zealand and Australia. 
  "The presentation of these poems is exquisite, the work itself is interesting and image laden, often delicate in style." Fiona Kidman, NZ Listener 09/04/1988. 
  "Kathleen Gallagher is not new to the poetry scene although this is her first published book, a promising collection. The poems illustrate a breaking free from the confines of the city and the return to the freedom of the coastline. Here the poet can feel free at ease with rocks and sea and gulls and at one with tangata whenua, as in the last poem - "I feel heavy with the sounds of tall buildings/ and hills/ hiding the sky/ and long for gulls/ and you/ easy in my heart/ holding my hand/simple as rain/washing the scars/ from my hair." Rangi Faith, The Press 20/7/1988

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  Salomé - A Tragedy in One Act

  Oscar Wilde

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  Come join me in reading the one of Oscar Wilde's only remaining tragedies, based on one of the most notorious recollections of the Bible. A story of gruesome ends for gruesome desires that shocked many of the theater goers in the late 1800's. 
  Salomé, the daughter of Herodious, has become utterly smitten with John the Baptist due to his rebuke of her advances. This causes her to desire him and only him, even unto death. ... His Death. 
  Come listen to the play that was the inspiration for the opera of the same name written by Richard Strauss, and one of the very first embodiments of the femme fatale.

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  Trace Evidence

  Charif Shanahan

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  A Chicago Review of Books Most Anticipated Chicago Book of 2023 
   
   
   
  "A truly magical achievement." —Ocean Vuong 
   
   
   
  In Trace Evidence, the urgent follow-up to his award-winning debut Into Each Room We Enter without Knowing, Charif Shanahan continues his piercing meditations on the intricacies of mixed-race identity, queer desire, time, mortality, and the legacies of anti-Blackness in the US and abroad. At the collection's center sits "On the Overnight from Agadir," a poem that chronicles Shanahan's survival of a devastating bus accident in Morocco, his mother's birth country, and ruminates on home, belonging, and the mysteries of fate. With rich lyricism, power, and tenderness, Trace Evidence centers the racial periphery and excavates the vestiges of our violent colonial past in the most intimate aspects of our lives. In a language yoked equally to the physical and metaphysical worlds, the poet articulates the need we all share for real intimacy and connection, and proves, time and again, that the true cost of our separateness is the love that our survival requires.

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