Otros libros que te pueden interesar

• 

  15: Jhalak: Tinderella in...

  Storytel India

  • 0
  • 0
  • 0

  First episode of Original series now available exclusively on storytel.in
  
  Neha Chawla, has kissed many a frogs but none that turned into her Prince Charming. On her 27th birthday when her current boyfriend dumps her, she makes a vow to get married in 3 months flat!

  Ver libro

• 

  A Rare Recording of Film Icon...

  Sharon Tate

  • 0
  • 0
  • 0

  Sharon Marie Tate Polanski (January 24, 1943 - August 9, 1969) was an American actress and model who appeared in advertisements and small television and film roles. After receiving positive reviews for her comedic and dramatic acting performances, Tate was hailed as one of Hollywood's most promising newcomers, being compared favorably with the late Marilyn Monroe. Her first major role was as Jennifer North in the 1967 American drama film Valley of the Dolls, which earned her a Golden Globe Award nomination. On August 9, 1969, Tate and four others were murdered by members of the Manson Family in the home she shared with Polanski, while he was away. She was eight-and-a-half months pregnant. The following audio clips are from 1966 and 1967.

  Ver libro

• 

  Old Time Radio: Golden Age of...

  Various Various

  • 0
  • 0
  • 0

  2 comedy classics in 1 amazing bundle! Experience some of the most hilarious radio serials to release in the twentieth century in this incredible bundle! My Favorite Husband: Liz's Mother Has Second Thoughts My Favorite Husband: Literary Club's Speaker Came to Dinner My Favorite Husband: Liz and The General My Favorite Husband: Is There A Baby in the House My Favorite Husband: Liz Has Her Fortune Told My Favorite Husband: The Elves My Favorite Husband: Baseball My Favorite Husband: Mrs. Cooper Thinks Liz is Pregnant My Favorite Husband: Is There Another Woman My Favorite Husband: Liz Becomes a Sculptress Our Miss Brooks: Babysitting for Three Our Miss Brooks: Grudge Match Our Miss Brooks: Student Banking Our Miss Brooks: Poetry Mix-Up Our Miss Brooks: Key to School Our Miss Brooks: Photo Mix Up Our Miss Brooks: Working in the Stockroom Our Miss Brooks: Taxidermy Our Miss Brooks: Mr. Boyington's Parents Our Miss Brooks: Wishing Well School Dance

  Ver libro

• 

  Hoysala Empire - The...

  Rolf Hedger

  • 0
  • 0
  • 0

  The Hoysala Empire was one of the most influential dynasties in South Indian history, known for its patronage of art, culture, and architecture. Flourishing between the 10th and 14th centuries, the empire left an indelible mark on the Deccan region, particularly in present-day Karnataka. The Hoysalas emerged as a powerful force after the decline of the Western Chalukyas, establishing their capital first at Belur and later at Halebidu. Their rule was characterized by military conquests, administrative efficiency, and an enduring legacy of architectural splendor that continues to captivate historians and art enthusiasts. 
  The origins of the Hoysala dynasty are traced to a chieftain named Sala, who, according to legend, was instructed by a Jain monk to kill a tiger that was attacking them. This act of bravery led to the adoption of the royal emblem depicting a warrior slaying a tiger, symbolizing the valor of the Hoysala rulers. Over the centuries, the dynasty expanded its influence through strategic alliances and military campaigns, gaining control over vast territories in the Deccan. Prominent rulers such as Vishnuvardhana and Veera Ballala II played a crucial role in consolidating the empire and fostering a rich cultural heritage. 
  A significant aspect of Hoysala rule was its deep connection with religious and artistic traditions. The dynasty was known for its support of Hinduism, Jainism, and, to some extent, Buddhism, leading to the construction of numerous temples and religious institutions. These temples were not just places of worship but also centers of learning and artistic expression. The Hoysalas employed skilled artisans and sculptors who developed a distinctive architectural style, characterized by intricate carvings, star-shaped temple layouts, and finely detailed sculptures depicting gods, celestial beings, and mythological narratives.

  Ver libro

• 

  Theatre of the Unimpressed - In...

  Jordan Tannahill

  • 0
  • 0
  • 0

  How dull plays are killing theatre and what we can do about it.
  		 
  Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendencethat kept me coming back. But why did they come so few and far between?
  		 
  A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form.
  		 
  Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination.

  Ver libro

• 

  How to Be Avant-Garde - Modern...

  Morgan Falconer

  • 0
  • 0
  • 0

  Reacting to the tumultuous crises of the twentieth century, especially the horrors of World War I, avant-garde artists and writers sought to destroy art by transforming it into the substance of everyday life. Following the evolution of these revolutionary groups, How to Be Avant-Garde charts its pioneers and radical ideas. 
   
   
   
  Avant-gardists challenged the confines of the definition of art along with the confines of the canvas itself. Art historian Morgan Falconer starts with the Futurist founder Filippo Tommaso Marinetti, whose manifesto seeded avant-gardes across Europe. In turn, Dadaists Hugo Ball and Emmy Hennings sought to replace art with political cabaret, and the Surrealists tried to exchange it for tools to plumb the unconscious. He guides us through the Russian Constructivists with their adventures in advertising and utopianism and De Stijl with the geometric abstractions of Piet Mondrian. The Bauhaus broke more boundaries, transmuting art into architecture and design. Finally, the Situationists swapped art for politics, with their ideas inspiring the 1968 Paris student protests. 
   
   
   
  How to Be Avant-Garde is a journey through the interlocking networks of these creative lives with their visions of a better world, their sometimes sympathetic but often strange conversations, and their objects and writings that defied categorization.

  Ver libro