Otros libros que te pueden interesar

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  The Field in Winter

  David Clarke

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  The Field in Winter, the third collection of poetry by David Clarke, winner of the Michael Marks Award, elegantly reflects on memory, time, and the very particular landscape of loss, in a calendar of poems, a 'charm of words' that track and loop through seasons of nature and living.
  The relationship between the environment, the human body and the self takes centre stage here in poetry that is concerned with being in the world - senses alive to the detail of things, the trunk of a linden tree , the shock of cold water, the frenzy of bees and blossom. But these remarkable poems also write towards the intangible in the late summer's dusk – an empty cage, a bird flown; history's slow grind and echo. Clarke's elegies reach out to touch what passes us fleetingly in a moment of time – 'before the tongue can catch them' – held for that second, precious, in his poised and finely weighted poetry.

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  Tomcat

  James Rushbrooke

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  In the not-too-distant future, the world is better than ever. Diseases and disorders have been wiped out. But Jess doesn't belong. She slipped through the net and there's something dangerous in her DNA, something that must be 'cured'. Charlie is watching Jess. He'll do whatever it takes to keep society safe.
  As debate over genetic screening rages, Tomcat asks how far will we go to keep humanity healthy? When you can learn everything about a person from a computer screen, is there anything left to discover?
  
  Tomcat by James Rushbrooke was the winner of the 2015 Papatango New Writing Prize in association with Southwark Playhouse, London, where it premiered in October 2015.

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  Toxic

  Nathaniel J Hall

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  'This is the story of how we met, fell in love, and fucked it up. But it's not just our story. It's his, and his and theirs. Maybe it's yours…'
  Manchester, 2017. During a hot and sweaty queer warehouse party, two damaged hearts collide. He is HIV+ and drowning in shame. They are one microaggression away from a full-on meltdown. Together, they form a bond so tight, they might just survive it all. But sometimes survival means knowing when to leave.
  Pulling back the glittery curtain of pride to reveal the devastating impact of generational HIV stigma, racism, homophobia and repressive gender norms, Nathaniel J Hall's Toxic is a powerful, passionate play celebrating survival and the resilience of the queer spirit.
  Inspired by true events, it was first performed at HOME, Manchester, in 2023, before touring the UK in 2025, directed by Scott Le Crass, and performed by the playwright alongside Josh-Susan Enright.
  'An intimate portrayal of queer love, aching with authenticity, pain and joy' Russell T Davies

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  The Matter of Little Losses -...

  Rachel Marie Kang, K.J. Ramsey

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  Life is full of love, but it is also full of loss. Like paper cuts to the heart, every big and seemingly insignificant loss—the loss of friendships, faith, dreams, health, community, and everything in between—grieves us more than we think it will, and often more than we let on. Why? Because they matter. 
   
   
   
  In this compassionate and deeply personal book, Rachel Marie Kang invites you to see and be seen in the midst of your sorrow, your suffering—your story. Through prose and poetry that gives voice to all the things we lose along the way, this gracious book will help you 
   
   
   
  ● ponder your loss without judgment 
   
   
   
  ● remember what was and make meaning of your memories 
   
   
   
  ● reflect on what is yet to be as you heal with hope 
   
   
   
  You don't have to bury your pain, and you don't have to pretend you're over it just because the world thinks you should be. Let Rachel walk hand in hand with you, giving space for sorrow and welcoming you as you find your way along the path to healing.

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  The Viewing Party

  Yong Shu Hoong

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  Singapore Literature Prize winner Yong Shu Hoong’s latest book features more than just poetry. There is also a ghostly tale at its core, complete with prose poems and micro fiction of exactly 100 words each, as well as annotated excerpts from an abandoned work. 
   
  In this viewing party, readers are invited to take a peek into the domain of death and cinema. You are part of a mob of dispassionate onlookers. Sometimes, you get to play the voyeuristic judge. 
   
  Winner of the 2014 Singapore Literature Prize for English Poetry 
   
  “There’s a warm easiness to Yong’s voice that’s balanced by a sharpness of insight. He cuts through the layers of familial and social habit to the unseen images and urges that give the mundane the sheen of the numinous. If the book is a viewing party, Yong is a genial and attentive host, inviting us in to absorbing scenes of everyday curiosity and surprise.” 
  -Jen Crawford, Assistant Professor and Coordinator of Creative Writing Programme at Nanyang Technological University, Singapore

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  National Gallery

  Jonathan Ball

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  A poetic collage of art in the modern world: from Rilkean elegies for an iPhone to a meditation on Melville's classic
  Jonathan Ball's fourth poetry book, the first in seven years, swirls chaos and confession together. At the book's heart is a question: Why create art? A series of poetic sequences torment themselves over this question, offering few answers and taking fewer prisoners. Loose sonnets that consider the artistic creations of Leatherface, monster-killer from The Texas Chain Saw Massacre, sit alongside Rilkean elegies for an iPhone. Surreal meditations on the collage work of Guy Maddin are followed by all of the lines from Melville's Moby-Dick that mention "salt." Politicians and painters jostle while absurdist humour crashes into stark admissions of vulnerability in the wake of having children. A startling diversity of styles and subjects feed into the maelstrom of The National Gallery, and its dark currents will draw you in to drown.

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