Outros livros que poderiam interessá-lo

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  Poetics

  Aristotle

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  Aristotle's Poetics (Greek: Περὶ ποιητικῆς; Latin: De Poetica) is the earliest surviving work of dramatic theory and first extant philosophical treatise to focus on literary theory. In it, Aristotle offers an account of what he calls "poetry" (a term that derives from a classical Greek term, ποιητής, that means "poet; author; maker" and in this context includes verse drama – comedy, tragedy, and the satyr play – as well as lyric poetry and epic poetry). They are similar in the fact that they are all imitations but different in the three ways that Aristotle describes: Differences in music rhythm, harmony, meter and melody. Difference of goodness in the characters.Difference in how the narrative is presented: telling a story or acting it out. In examining its "first principles", Aristotle finds two: 1) imitation and 2) genres and other concepts by which that of truth is applied/revealed in the poesis. His analysis of tragedy constitutes the core of the discussion. Although Aristotle's Poetics is universally acknowledged in the Western critical tradition, "almost every detail about his seminal work has aroused divergent opinions". The work was lost to the Western world for a long time. It was available in the Middle Ages and early Renaissance only through a Latin translation of an Arabic version written by Averroes.Aristotle's work on aesthetics consists of the Poetics, Politics and Rhetoric. The Poetics is specifically concerned with drama. At some point, Aristotle's original work was divided in two, each "book" written on a separate roll of papyrus.

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  Stages - Poems

  Tramaine Suubi

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  “Tramaine Suubi is a visionary love poet, and stages makes a singular life feel vaster than the life cycle of a star. In this poetry of dissolution and re-making, of multiplications and expansion, embodied tenderness is a force capable of moving us “beyond the binary.” As it journeys from personhood to “people-hood,” Suubi’s music shimmers and flashes and connects.” — Mary Szybist, National Book Award winner for Incarnadine 
  ""This book presents a young person seeing the world with fresh, yet discerning eyes. In stages, Suubi is seeking centeredness in an unstable world. From personal journeys throughout and between continents, Suubi asserts the freedom to be themselves, on their own terms. stages is a thoughtful, rigorous and heartfelt collection of a loving voice."" — Tracie Morris, author of human/nature 
  ""Tramaine Suubi’s newest book, Stages, crafts new orbits to the oldest questions. As the poems circumnavigate homecomings, desires, and reclamations, the relay baton of sound and syntax passes seamlessly, always ready to hand the reader a line of true substance, a line of unexpected grace, a line of hard-won delight. Suubi insists on playfulness as a site of maturation and love as a protest against multiple erasures. And like celestial bodies, these poems can transfix, predict, and guide one through both dying and newborn light, reminding the reader, “civility is a performance you savage in your dreams.”  — Steven Leyva, author of The Opposite of Cruelty 
  ""So rarely do we come across a book like stages, which mirrors how a day, an hour, a moment--can engage every layer of our being. This collection will dazzle you with swirling musings which authentically ground and unground our desires, histories, and identities."" — Marisa Tirado, author of Selena Didn’t Know Spanish Either 
  ""Once, we are looking at a gaggle of geese punctuating the gradient sky, meanwhile, elsewhere we are in Kampala, in Suubi’s poem. Suubi navigates between the outwardly observed and the deeply internal, and the readers are at a crossroads, sometimes witnessing, other times noting the mechanical dance of our small, exiled lives. Suubi’s sharp, often unblinking, gaze renders each detail with striking precision. What a collection, what a book, what a way to reinvent what African poetry can do, what it will do. A second coming that deserves all the praise for its excellence.” — Adedayo Agarau, author of The Years of Blood 
  Critically acclaimed writer Tramaine Suubi follows up her debut phases, with stages. This powerful meditation, inspired by Lucille Clifton, focuses on choices and changes throughout life, from Yellow Dwarf to Protostar. 
  In this breathtaking companion poetry collection, inspired by the evolution of our brightest star, Tramaine Suubi offers poems alluding to the history of how it came to be and its effects on each human life. Readers will discover poems exploring everything from the gimmicks of capitalism to the false promises of tranquility. 
  This is another brilliant collection that will only reinforce Suubi as a rising star of her generation.

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  Home Burial - a poem

  Robert Frost

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  "Home Burial" is a poem about a man and woman whose baby has died. It tells of the burial, how the parents react to this death, particularly their lack of communication. 
  This piece is especially poignant given that Frost's son Elliot died at age 4, his daughter Elinor Bettina died when she was a few days old, his wife experienced a miscarriage, two of his daughters suffered mental breakdowns and died, and his son Carol committed suicide. 
  A Blackstone Audio production.

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  Sleeper

  Edgar Allan Poe

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  Edgar Allan Poe was an American writer, editor, and literary critic. Poe is best known for his poetry and short stories, particularly his tales of mystery and the macabre. Widely regarded as a central figure of Romanticism in the United States and American literature as a whole, he was one of the country's earliest practitioners of the short story. Poe is generally considered the inventor of the detective fiction genre and is further credited with contributing to the emerging genre of science fiction. He was the first well-known American writer to try to earn a living through writing alone, resulting in a financially difficult life and career. - Summary by Wikipedia

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  The Invincibles

  Amanda Whittington

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  1917: World War One is raging in Europe. In Britain, Sterling Ladies – known as the Dagenham Invincibles – are playing to win. For two whirlwind seasons, they never lose a game. Yet once peace is restored, the factory girls must hang up their boots and see triumph fade into obscurity.
  2023: Injured footballer Maya follows England's progress through the Women's World Cup. The world has changed, yet the roar of the Lionesses echoes the Invincibles' war-cry. Watching at home, Maya fears she'll never play again – but as she loses herself in the present, she hears the call of the past and finds fresh hope for the future.
  Amanda Whittington's play The Invincibles celebrates two generations of inspirational women, and their adventures on the football pitch a century apart. It was premiered at Queen's Theatre Hornchurch in 2023, and offers rich opportunities for other theatre companies looking to score a hit with their audiences.

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  Which Seeds Will Grow? - Poems

  Andrew Calis

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  A new collection of poems by Palestinian-American Catholic poet Andrew Calis, Which Seeds Will Grow? ​finds hope in the Holy Land.
  Grappling with his identity as a Christian Palestinian American, Andrew Calis recalls his father who saw Israeli jets swoop over his house in Jerusalem and a military helicopter fire bullets into his front yard. The same father who wouldn't teach his children Arabic, for fear that they would have accented English, who kept his past close to his chest—unknown to his son. He recounts the death of his grandfather, a grandfather who would beat his father, and for whom he could not fully mourn because Arab men don't cry.
  Andrew Calis digs through the pain of his family and of his homeland to find the fragile seed of contained life and delicate hope for the Holy Land—and reflects on how tenderly that seed must be nurtured.
  Steeped in wonder, Which Seeds Will Grow? explores the past and the present, from ancient Jerusalem to Baltimore's gardens and alleys through the lens of a Palestinian American. The poems are patient, waiting for seasons to end, waiting for space to expand outward, and waiting for light to touch the earth. Despite the difficulty of waiting, readers will find hope in hopelessness and comfort in the contemplation of the world and its sacred mysteries.
  From Which Seeds Will Grow?
  Planting a Garden 
  
  Stealing clippings from neighbors' yards
  
  And smiling as they grew their own blooms
  
  In the safe and hidden rooms where we
  
  Keep watch on them like they are our children.
  
  ***
  
  Nothing grew. We knew this was
  
  A possibility, had read
  
  It sometimes takes two years,
  
  And we hoped in spite of only dirt
  
  For the green that could be anything.
  Perhaps we dug too shallow or too close
  
  To the shade, or stepped where we had already planted,
  
  Either crushing roots or breaking their curled
  
  First shoots before they broke the surface.
  
  ***
  
  So when one survived, wove a green line
  
  Of its own, thinly sprouting something unknowable, I ran
  
  Inside and for a moment felt
  
  What John must have felt
  
  Leaving Peter, old and unsteadily running,
  
  And running breathlessly
  
  To tell everyone —
  
  Everyone
  
  What had happened
  
  And how you wouldn't believe your eyes.

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