Outros livros que poderiam interessá-lo

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  Germany vs Great Britain in the...

  Editors Charles River

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  One of the most important breakthroughs in military technology associated with World War I, and certainly the one that continues to capture the public imagination, was the use of airplanes, which were a virtual novelty a decade before. While the war quickly ground to a halt in its first few months, the skies above the Western Front became increasingly busy. The great powers had already been acquiring aircraft for potential uses, but given that aerial warfare had never been a major component of any conflict, it’s understandable that few on either side had any idea what the planes were capable of doing. Furthermore, at the start of the war, all sides’ aircraft were ill-equipped for combat mostly because the idea that planes might somehow fight was still a novel one. 
  The Royal Air Force (RAF), Britain's legendary air arm, was born in the skies above the First World War. The British had previously used balloons for spotting and reconnaissance for decades, and in the years leading up to the war, planes started seeing military use. They mostly provided reconnaissance, though experiments were made in using them offensively. During the Boer War of 1899-1902, the British Army used the crews of helium-filled balloons to plot and help target artillery fire. But these were small, tentative steps. The first patent to fit a machine gun to a plane, taken out in 1910, had not yet led to active fighting vehicles, and there was no doctrine, no tactics, and no combat between massed air fleets.  
  The Third Reich's Luftwaffe began World War II with significant advantages over other European air forces, playing a critical role in the German war machine's swift, powerful advance. By war's end, however, the Luftwaffe had been decimated by combat losses and crippled by poor decisions at the highest levels of military decision-making, and it proved unable to challenge Allied air superiority despite a last-minute upsurge in German aircraft production.

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  The Time of My Life - Dirty Dancing

  Andrea Warner

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  An engaging exploration into the enduring popularity of Dirty Dancing and its lasting themes of feminism, activism, and reproductive rights
  		 
  When Dirty Dancing was released in 1987, it had already been rejected by producers and distributors several times over, and expectations for the summer romance were low. But then the film, written by former dancer Eleanor Bergstein and starring Jennifer Grey and Patrick Swayze as a couple from two different worlds, exploded. Since then, Dirty Dancing’s popularity has never waned. The truth has always been that Dirty Dancing was never just a teen romance or a dance movie — it also explored abortion rights, class, and political activism, with a smattering of light crime-solving.
  		 
  In The Time of My Life, celebrated music journalist Andrea Warner excavates the layers of Dirty Dancing, from its anachronistic, chart-topping soundtrack, to Baby and Johnny’s chemistry, to Bergstein’s political intentions, to the abortion subplot that is more relevant today than ever. The film’s remarkable longevity would never have been possible if it was just a throwaway summer fling story. It is precisely because of its themes — deeply feminist, sensitively written — that we, over 30 years later, are still holding our breath during that last, exhilarating lift.
  		 
  About the Pop Classics Series
  		 
  Short books that pack a big punch, Pop Classics offer intelligent, fun, and accessible arguments about why a particular pop phenomenon matters.

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  Codependency - Why do you...

  David Lawson PhD

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  Are you having trouble fostering healthy relationships? 
  Are you stressed, feeling drained and exhausted from giving too much in your relationships? 
  Do you know who you are? What you need? What you like? Or do you feel that you need to be validated and approved by a partner (or any other person) to feel good about yourself? 
  Codependency is notoriously difficult to combat because there is no precise definition of the disorder. The signs and symptoms also differ for everyone. It is often mistaken for narcissism or other personality disorders that do not reflect the true situation. 
  People who suffer from this disorder tend to mask what they really feel. At other times, they are not even aware of what they are doing. This only serves to cloud the overall picture by delaying positive interventions, which, sometimes will never come. 
  I RECOMMEND THAT YOU READ THIS BOOK IF: 
  • You are not aware of how you truly feel. 
  • You have difficulty identifying your feelings. 
  • You have difficulty expressing your feelings. 
  • You tend to minimize, modify or even deny the reality of what you feel. 
  • You tend to worry and/or fear how others may respond to how you feel. 
  • You give power over your feelings to others. 
  Act now before it's too late 
  If a codependent denies his destructive behavior, he can pass it on to his children. If the child does not realise the behavioural model of the parents, and its negative impact, it will generate the same patterns as an adult. An endless cycle can be established. 
  Commit to breaking this cycle and regain control of your life.

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  In Search of the Missing Eyelash

  Karen McLeod

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  'Both comic and moving as it explores ideas of self, of gender, identification and loneliness'.  Observer. First published in 2008 by Vintage this Betty Trask Award winning novel; a humorous LGBTQI+ coming of age story, is available for the first time in 17 years.  Lizzie is lonely.  Her parents have gone and her brother, who believes he is a woman, is missing.  Most of all, though, Lizzie misses Sally, her former lover, who has gone off with a man with a fat neck.  She starts to stalk Sally, collecting bathroom fluff, dust and pubes from Sally's bed – all the things that prove that somewhere life is taking place without her.

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  The Odd Fellows' Primer

  Michael Greenzeiger

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  The Odd Fellows' Primer is a work cut from the same cloth as the great 19th century manuals written by luminaries such as Rev. Aaron Grosh and Paschal Donaldson, designed to give the initiate everything they need to practice and live Odd Fellowship in the lodge and beyond.  
  This comprehensive work explores and explains concepts of fraternalism and parliamentary procedure and the deeper spiritual and ethical facets of this ancient and venerable tradition. 
  Expertly narrated by Toby Hanson and written by Michael Greenzeiger, the Odd Fellows' Primer is designed to both inform and inspire. It is sure to become a treasured addition to any fraternal library.

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  The Life of Jesus Critically...

  David Friedrich Strauss

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  Strauss was an early pioneer in the ongoing 'Quest of the Historical Jesus' movement, and his Life of Jesus is one of the few landmarks in the field. The first edition of Strauss' book was published in Germany in 1835, when he was only 27 years old. He focused his attention on battling two theological fronts which were current at the time - the biblical Literalists who believed the miracles in the Gospels were to be taken as literal history, and the Rationalists, who believed that the Gospel miracles were true but could be explained by natural and rational causes. Strauss rejected both camps and, in a historical analysis of the Gospels that was scrupulous and exhaustive, concluded that our knowledge of the Historical Jesus is hopelessly buried under layers of legend and myth. 
  The price that Strauss paid for publication was high – his book scandalized Europe, and cost him his job as Chair of Theology at the University of Zurich, and ultimately his career. Dozens of books, mostly from Germany, were written in rebuttal. The school of Rationalism died in the 19th century, due in no small part to Strauss' criticism. The school of Literalism that Strauss criticized evolved into Fundamentalism in the early 20th century, which was in large part a reaction to the groundbreaking path started by Strauss and his revolutionary book. 
  Medical missionary Albert Schweitzer described Strauss' Life of Jesus as, "one of the most perfect things in the whole range of learned literature. In over fourteen hundred pages he has not a superfluous phrase; his analysis descends to the minutest details, but he does not lose his way among them; his style is simple and picturesque, sometimes ironical, but always dignified and distinguished". (Introduction by JoeD)

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