Outros livros que poderiam interessá-lo

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  CABIN - Off the Grid Adventures...

  Patrick Hutchison

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  This program is read by the author.“This is a great audiobook for nature lovers, carpenters, and people who dream of their hobby becoming their day job.”—AudioFileA memoir of the author's journey from an office job to restoring a cabin in the Pacific Northwest, based on his wildly popular Outside Magazine piece.Wit’s End isn’t just a state of mind. It’s the name of a gravel road, the address of a rundown, off-the-grid cabin, 120 shabby square feet of fixer-upper Patrick Hutchison purchased on a whim in the mossy woods of the Cascade Mountains in Washington state.To say Hutchison didn’t know what he was getting into is no more an exaggeration than to say he’s a man with nearly zero carpentry skills. Well, used to be. You can learn a lot over six years of renovations. CABIN is the story of those renovations, but it's also a love story; of a place, of possibilities, and of the process of construction, of seeing what could be instead of what is. It is an audiobook for those who know what it’s like to bite off more than you can chew, or who desperately wish to.A Macmillan Audio production from St. Martin’s Press.

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  British Invasion (The Bands) The...

  PJ Chambers

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  The best time machine is a song! 
  If you wanna escape this current crazy world and go back in time to the 60s British pop/rock scene of free-wheelin’,  music fueled love-energy that overtook America by storm … stop everything and get this book now! 
  Let this informal, chatty little book take you back there!  
  This fun, factual, and fast paced Top 10 countdown is a perfect tool to indulge your needy-nostalgia-nerves for a fun and groovy, easy-ridin’ weekend read … thru a daddy-cool cross-section of poignant music biographies of the best pop and rock bands ever.  
  The sex, the drugs, the rock’n’roll, the friendships, the fun, and the fights … these important stories are all here to make you laugh out loud, say “hmmm and ahhh,” and maybe even cry a little! 
  Inside The British Invasion: The Best ‘60s Pop & Rock Music (The Bands), you’ll find: biographies of the most significant British bands of the ‘60s, including Cream, The Rolling Stones, and The Beatleshow these bands changed the course of music history and which artists were influenced by these music legendschatty facts and stats for the die-hard fans and newbies to the ‘60s music sceneselected salacious details of their onstage and behind-the-scenes antics 
  AAAAND DON’T FORGET THE FREE STUFF!  
  Go to my website to get your FREE BONUS Chapter on the next 10 awesome bands who just missed the top 10. 
  These bands impacted society mass-ive-ly (they impacted you—that’s why you’re here) and still inform so much of what modern pop music is today. Pick up your copy of The British Invasion: The Best ‘60s Pop & Rock Music (The Bands) today!

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  Monsters on the Couch - The Real...

  Brian A. Sharpless

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  From psychologist, researcher, and horror film enthusiast Brian A. Sharpless comes Monsters on the Couch, an exploration into the real-life psychological disorders behind famous horror movies. Accounts of clinical syndromes every bit as dramatic as those on the silver screen are juxtaposed with fascinating forays into the science and folklore behind our favorite movie monsters. 
   
   
   
  Horror fans may be obsessed with vampires, werewolves, zombies, and the human replacements from Invasion of the Body Snatchers, but even many medical professionals may not know about the corresponding conditions of Renfield's syndrome, clinical lycanthropy, Cotard's syndrome, and Capgras syndrome. 
   
   
   
  Some of these disorders are surprisingly common in the general population. For instance, a number of people experience isolated sleep paralysis, a disorder implicated in ghost and alien abduction beliefs. Fascinations with sleep paralysis have led to its own brimming subgenre of horror. 
   
   
   
  As these tales unfold, listeners not only learn state-of-the-art psychological science but also gain a better understanding of history, folklore, and how Hollywood often—but not always—gets it wrong when tackling these complex topics.

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  Southern Song Dynasty - Art...

  Rolf Hedger

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  The Southern Song Dynasty emerged in 1127 after the fall of the Northern Song to the Jurchen-led Jin Dynasty. This period marked a time of resilience, adaptation, and cultural flourishing, despite ongoing threats from external forces. The dynasty’s establishment in the southern region of China reshaped political, economic, and artistic developments that would leave a lasting impact on Chinese history. 
  Following the invasion of the Jin forces, the Song court was forced to abandon its northern capital, Kaifeng. The remnants of the ruling family, led by Emperor Gaozong, retreated southward, eventually establishing a new capital in Lin’an (modern-day Hangzhou). This move signified not only a geographical shift but also a fundamental transformation in governance and strategy. Without control over the traditional heartland of Chinese civilization, the Southern Song had to develop new approaches to survival and stability. The dynasty focused on strengthening its bureaucracy, relying on a sophisticated civil service system that emphasized merit and Confucian ideals. Unlike the Northern Song, which had struggled with military weaknesses, the Southern Song sought to bolster its defenses by investing in naval power and fortifications along the Yangtze River. 
  The loss of northern territories meant that the Southern Song had to rely heavily on its southern provinces, which were rich in agricultural resources and well-positioned for trade. The economy shifted toward maritime commerce, with ports such as Quanzhou and Guangzhou becoming vital centers for international trade. Merchants expanded connections with Southeast Asia, India, and the Middle East, ensuring a steady flow of goods, wealth, and cultural exchanges. This economic shift allowed the Southern Song to sustain itself despite territorial losses and military pressures from the Jin and, later, the Mongols.

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  Kendrick Lamar's To Pimp a...

  Sequoia Maner

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  Breaking the global record for streams in a single day, nearly 10 million people around the world tuned in to hear Kendrick Lamar’s sophomore album in the hours after its release. To Pimp a Butterfly was widely hailed as an instant classic, garnering laudatory album reviews, many awards, and even a canonized place in Harvard’s W. E. B. Du Bois archive. Why did this strangely compelling record stimulate the emotions and imaginations of listeners?This book takes a deep dive into the sounds, images, and lyrics of To Pimp a Butterfly to suggest that Kendrick appeals to the psyche of a nation in crisis and embraces the development of a radical political conscience. Kendrick breathes fresh life into the Black musical protest tradition and cultivates a platform for loving resistance. Combining funk, jazz, and spoken word, To Pimp a Butterfly’s expansive sonic and lyrical geography brings a high level of innovation to rap music. More importantly, Kendrick’s introspective and philosophical songs compel us to believe in a future where, perhaps, we gon’ be alright.

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  Drawing the Line - What to Do...

  Erich Hatala Matthes

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  Recent years have proven rife with revelations about the misdeeds, objectional views, and, in some instances, crimes of popular artists. Given more access than ever thanks to social media and the internet in general, the public has turned an alert and critical eye upon the once-hidden lives of previously cherished entertainers. But what should we members of the public do, think, and feel in response to these artists' actions or statements? It's a predicament that many of us face: whether it's possible to disentangle the deeply unsettled feelings we have toward an artist from how we respond to the art they produced. As consumers of art, and especially as fans, we have a host of tricky moral question to navigate: do the moral lives of artists affect the aesthetic quality of their work? Is it morally permissible for us to engage with or enjoy that work? Can we separate an artist from their art? 
   
   
   
  In Drawing the Line, Erich Hatala Matthes offers insight and clarity to the ethical questions that dog us. He argues that it doesn't matter whether we can separate the art from the artist, because we shouldn't. Matthes argues both that the lives of artists can play an important role in shaping our moral and aesthetic relationship to the artworks that we love and that these same artworks offer us powerful resources for grappling with the immorality of their creators.

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