Other books that might interest you

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  Probably Inevitable

  Matthew Tierney

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  Winner of the Trillium Book Award for Poetry (2013)
   
  If it were necessary to tell someone where I am, I’d say the spheres of Kepler resonate like icicles.I’d say I have loved.
   
  These are high-energy poems, riddled with wit and legerdemain and jolted by the philosophy and science of time. 'Time's not the market, it's the bustle; / not the price but worth,'he muses, sailing through the rhythms and algorithms of a world made concrete by Samuel Johnson, before it was undone by Niels Bohr. Tierney's narrators grapple with the gap between what's seen and what's experienced, their minds tuned to one (probably) inevitable truth: the more I understand, the more I understand I'm alone.
   
  What continues to set Matthew Tierney's poems apart is their uncanny ability to find within the nomenclature of science not mere novelty but a new pathto human frailty, a renewed assertion of individuality, and a genuine awe at existence.
   
  'It smothers us with normal,' Matthew Tierney writes in his spangled third collection, 'though we cleave to standard deviations.' Deviant, yes; normal and standard, no. These poems are all quantum fluctuation and collapse, language folding in on itself in the gorgeous vacuum of contemporary culture. 'Every p-brane sweeps out a (p+1)-dimensional world volume as it propagates through spacetime,' says Wikipedia. I have no idea what that means, but Matthew Tierney does. Let him school you.' – Michael Robbins

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  The Wider Earth (NHB Modern Plays)

  David Morton

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  In 1831, Charles Darwin, a twenty-two-year-old aspiring naturalist, stepped on board HMS Beagle. Little did he realise that the voyage would last five years, changing not only his own life – but also the history of the entire world.
  The Wider Earth brings this era-defining adventure to life, from traversing the dizzying heights of the Andes to diving into the depths of the Brazilian rainforest, through weathering the storms of Tierra del Fuego, to exploring the endless wonders of the Galápagos Islands.
  It's a coming-of-age story about science and faith – of how one inquisitive young man asked a question of Mother Nature, and was set on course to discover the answer to one of the greatest mysteries of life on Earth.
  David Morton's play received its widely acclaimed premiere at Queensland Theatre in Australia in 2016, before transferring to the Natural History Museum, London, in October 2018, presented by Trish Wadley Productions, Dead Puppet Society and Glass Half Full Productions, in a partnership project with the Natural History Museum.
  Originally performed in a dazzling state-of-the-art production with remarkable puppetry and cinematic animations, the powerful story at the heart of The Wider Earth will inspire schools, colleges and amateur theatre companies to create simpler – but no less spectacular – stagings of their own.
  This edition includes 4 pages of colour production photos from the 2018 Sydney Festival and Sydney Opera House production.
  'A voyage of extraordinary theatrical discovery' - Sydney Morning Herald
  'No praise could be too high for The Wider Earth' - The Australian

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  Edgar A Poe: The True Story of...

  Liam Dale

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  “Once upon a midnight dreary, while I pondered, weak and weary, 
  Over many a quaint and curious volume of forgotten lore, 
  While I nodded, nearly napping, suddenly there came a tapping, 
  As of some one gently rapping, rapping at my chamber door. 
  "'Tis some visitor," I muttered, "tapping at my chamber door - 
  Only this, and nothing more." 
   
  Ah, distinctly I remember it was in the bleak December, 
  And each separate dying ember wrought its ghost upon the floor. 
  Eagerly I wished the morrow; vainly I had tried to borrow 
  From my books surcease of sorrow - sorrow for the lost Lenore - 
  For the rare and radiant maiden whom the angels name Lenore, 
  Nameless here for evermore.” 
   
  These are the first two verses of ‘The Raven’, a poem full of dark and disturbing images, rife with tension, fear, paranoia, terror and a yearning for a lost love that has returned to this earth as a ghost. As a poem ‘The Raven’ is without doubt more famous and widely known than the troubled author who penned it. His name was Edgar Allan Poe, and his work was directly responsible for shaping the modern horror industry as we know it. He was the Godfather of Gore, the Father of Fear, the Master of the Macabre, and the Guardian of the Gruesome. Poe was also one of the best mystery writers of all time, however the most fascinating puzzle he left us was that of his own life, and in this journal, we will follow in the great man’s footsteps to turn detective. 
   
  Edgar Allan Poe was born early in the 19th Century, yet still his legacy lives on. Throughout this celebration of his life and work, you’ll also get the opportunity to read extracts from his poetry and prose, some of which will be very familiar but just as terrifying all the same!

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  Oedipus the King

  Sophocles

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  In Sophocles' tragedy, Oedipus discovers that he has been caught in his terrible destiny, unknowingly murdering his father and marrying his mother.
  
  This perfomance features a new translation from the original Greek by director Nicholas Rudall.
  
  Starring (in alphabetical order):
  
  Spencer Garrett as Shepard, Chorus
  Francis Guinan as Messenger, Chorus
  Gregory Itzin as Creon
  Charles Kimbrough as Priest of Zeus, Chorus
  Harry J. Lennis as Oedipus
  Rod McLachlan as Second Messenger, Chorus
  Carolyn Seymour as Jocasta
  W. Morgan Sheppard as Teiresias, Chorus
  (P)2003 L.A. Theatre Works

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  Hobson's Choice

  Harold Brighouse

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  Willie Mossop has an uncanny ability at shoemaking, but not much else. Teamed with shrewd businesslady and daughter of the town's leading cobbler, Maggie Hobson, the couple disrupt her father's life. As they rise to success and the other Hobson daughters are married off, Willie and Maggie make the best of their situation in this delightful classic, English country comedy. 
   STARRING: BAIBRE DOWLING as Maggie Hobson, IAN ABERCROMBIE as Henry Hobson, JAMES LANCASTER as Willie Mossop, KATHLEEN FREEEMAN as Mrs. Wepworth, RICHARD ERDMAN as Fred Beenstock, SEAN McCLORY as Dr. MacFarlane, LINDA HENNING as Ada Figgins, ELLIOTT REID as Jim Heeler, LEON ADAMS as Albert Prosser, TOM WILLIAMS as Tubby Wardlow, CORNELIA HAYS O'HERLIHY as Vicky Hobson, FRANCISCA BEACH as Alice Hobson; AND and CART's Announcer,  JOHN HARLAN.

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  Our Europe

  Laurent Gaudé

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  This “urgent, epic” poem exploring the history of Europe “encourages both lucidity and humility, to try and save what beauty is left in the world” (Les Echos, FR). 
   
  “For some time now, Europe seems to have forgotten it is the daughter of epics and utopia. It has been drained by its inability to remind its citizens of this. Too distant, disembodied, the concept often arouses nothing more than disillusioned boredom. And yet, the history of Europe is one of constant upheaval. So much fire and death; inventions and art, too. Literature, perhaps, can remind us of this: that the European history is one of muscle, vigour, passion, anger and joy.”—Laurent Gaude, from the introduction 
   
  In Our Europe, Prix Goncourt-winning author Laurent Gaude makes an impassioned plea for Europeans to remember their history and heritage. From the industrial revolution through two world wars and to the birth of the European Union, Our Europe sets in free verse the story of 150 years of growth, confrontation, hope, defeat and passion. It is both “an Iliad for our times” and a heartfelt appeal for a Europe that celebrates difference, solidarity, and freedom (L’Echo de Bruxelles, FR).

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