Otros libros que te pueden interesar

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  A Terrible Beauty - Poetry of 1916

  Mairéad Ashe FitzGerald

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   'A terrible beauty is born' 
   WB Yeats's poignant words have come to immortalise the complex legacy of the Easter Rising, 1916. The poetry that emerged at this time of upheaval in Ireland gave voice to the thoughts of a generation. Yeats's poem, 'Easter 1916', sits alongside selected works of other major poets of the era. These include Patrick Pearse, Thomas MacDonagh and Joseph Plunkett, who were executed for their part in the Rising. 
   In the aftermath of the Rising an outpouring of poetry also expressed the shock and grief of literary figures such as Padraic Colum, Francis Ledwidge, Eva Gore-Booth, James Stephens, Dora Sigerson Shorter and Seán O'Casey. Rebels, soldiers, honorary Irishmen, sympathisers and exiles all held up a mirror, in verse, to the events, beliefs and desires bound up in 1916. 

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  Little Women - Book Two

  Louisa May Alcott

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  With the four March daughters grown into womanhood, discover the rest of the story with the death of Beth, Meg's twin babies, the introduction of Professor Baer for Jo, and Amy's romantic travels to Europe's art schools.  
  STARRING: SHELLY LONG as Jo, BEVERLY GARLAND as Marta, BAIBRE DOWLING as Mae, CORNELIA HAYES O'HERLIHY as Beth, JOHN ASTIN as Professor Baer, JANET WALDO as Amy, JOANNE WORLEY as Aunt Marsh, LEON ADAMS as Lorrie, WILLIAM WINDOM as Mr. Lawrence, THOMAS MacGREEVY as John Brooke; AND, CART's Announcer, JOHN HARLAN.  
  (For More Details Visit: www.cartradio.com)

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  England & Son (NHB Modern Plays)

  Ed Edwards

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  'A nation that devours another will one day devour itself.'
  Set when the Great Devouring comes home, England & Son is a kaleidoscopic odyssey, where disaster capitalism, empire, Thatcherite politics, stolen youth and stolen wealth merge into the tale of a working-class boy who just wants his dad to smile at him.
  With some deep, dark laughs – and some deep, dark love – England & Son is a one-man play by Ed Edwards, first performed by the celebrated political comedian Mark Thomas.
  It was first produced by HOME Manchester and Tin Cat Entertainment, and premiered in Paines Plough's Roundabout during the 2023 Edinburgh Festival Fringe, directed by Cressida Brown, where it won a Fringe First Award.
  This edition also features an illuminating essay by the author, 'Writing the End of Empire'.
  'A triumph… Ed Edwards' play has a terrifying force as it charts the story of a homeless man… it unfolds in fragmentary snapshots, kaleidoscopic images that build a picture in shards… The play's observations are fierce and sharp; its empathy, profound and moving' - WhatsOnStage
  'A funny and ferocious telling of a lost childhood that frames the story of a juvenile offender through the lens of colonialism… powerful and moving' - Guardian
  'Tremendous energy and real pathos' - The Stage

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  Catastrophic Molting

  Amy Shimshon-Santo

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  CATASTROPHIC MOLTING (FlowerSong Press) Amy Shimshon-Santo uses the tools of language to remind readers there is power in repudiation, comfort in collective mourning, and possibility in reimagining. The book title is inspired by the molting ritual of sea elephants (Mirounga Angustirostris) along the California coast. The mirounga rest together on the shore as social protection from violence when they are the most vulnerable. Only through these periods of dramatic change can they grow sleek new coats. The book’s journey begins with “Contagion,” revealing a world split in half like a calabash by a virus. “Beating, trembling,” a woman pleads for mercy while the poems confront the liminality of profound change. “A new cycle had begun / I would never be the same again.” The second section, Sangue, gives voice to mourning and rage. “when you murder the future of music / you are conjuring extinction.” Dysfunction on planet Earth reverberates from the street into the expansive galaxy. Refusing to normalize violence, the poet gathers war inside her own body to detonate it, then blows “tsunami-wind / to rattle clear the desks.” With the verve of Oya, the goddess of ancestral and radical change, the book claims ground for empathy and inter-being. The collection asks readers to imagine: “what if we were a part of a whole / that loved us without ceasing?” Catastrophic Molting breaks from inertia and seeks new ground. Our “foremothers greet the unborn” and are “betrothed to a story that doesn’t wish us dead.” Shimshon-Santo suggests that “stepping off might actually be, stepping in / turning away might actually be, turning toward.”

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  The Best American Poetry 2014

  Terrance Hayes, David Lehman

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  National Book Award–winning poet Terrance Hayes selects the poems for the 2014 edition of The Best American Poetry, “a ‘best’ anthology that really lives up to its title” (Chicago Tribune).The first book of poetry that Terrance Hayes ever bought was the 1990 edition of The Best American Poetry, edited by Jorie Graham. Hayes was then an undergrad at a small South Carolina college. He has since published four highly honored books of poetry, is a professor of poetry at the University of Pittsburgh, has appeared multiple times in the series, and is one of today’s most decorated poets. His brazen, restless poems capture the diversity of American culture with singular artistry, grappling with facile assumptions about identity and the complex repercussions of race history in this country. Always eagerly anticipated, the 2014 volume of The Best American Poetry begins with David Lehman’s “state-of-the-art” foreword followed by an inspired introduction from Terrance Hayes on his picks for the best American poems of the past year. Following the poems is the apparatus for which the series has won acclaim: notes from the poets about the writing of their poems.

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  The Other Side of Sleep -...

  Kate Foley, Adrienne Silcock,...

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  What started as a complaint about the '40-line rule' in much of the poetry world has turned into an anthology that not only breaks that rule, but stomps all over it. Featuring 25 poems which break the rules - these are long, narrative, but by no means traditional poems, by contemporary voices.
  
  Themes both great and small are explored in narrative poems that pack a punch. Human interactions from conversation, storytelling, lending and borrowing, theft, prayer, memory, shopping and a long walk, right through to sexuality, time travel, truce negotiations, disappearance, natural disaster, violence and death are all explored, many of them rooted in landscape and place. These lie alongside equally rooted mythological and historical tales drawn from Greece, Turkey, Africa, Scandinavia and Britain.
  
  What draws all these themes together is the strength of the storytelling. Emotions as diverse as frustration, disappointment, embarrassment, hope, nostalgia, anger, and fear are channelled through spectacular poetry in many different forms into truly satisfying work.

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