Otros libros que te pueden interesar

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  No Beethoven - An Autobiography...

  Peter Erskine

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  NO BEETHOVEN chronicles the life and times of drummer Peter Erskine, with the legendary band Weather Report being the nexus to this first-hand account. Erskine was in the midst of the modern American jazz music scene as it underwent its most dynamic change. Peter Erskine is a musician of his times with incredibly rich stories to tell in this autobiography. 
  NO BEETHOVEN includes chapters dedicated to Weather Report and the musicians Joe Zawinul, Jaco Pastorius and Wayne Shorter, plus the bands Steps Ahead, Steely Dan, and artists such as Elvin Jones, Joni Mitchell, Freddie Hubbard, Diana Krall, Steve Gadd, producer Manfred Eicher, composers John Williams and Mark-Anthony Turnage, et al. The book provides a revealing look at the creative process involved in performing music on-stage and in the recording studio, as well as a behind-the-scenes look at how the musical instrument industry operates. This is a book for all musicians and fans of music. As famed drummer and Rush founder Neil Peart writes: "NO BEETHOVEN is among the best musical autobiographies I have read. Peter's story is absorbing and compelling, full of well-drawn characters and incidents both humorous and serious. It flows with the same ease and naturalness as his drumming, and under that good-humored gloss, it conveys the same profundity of experience and ideas. This book should be read not only by every drummer, but by every musician. Even dedicated amateurs of music will find it entertaining and worthwhile." 
  Special Bonus: This audiobook features 11 bonus music tracks—more than an hour—of Peter with some "very special friends."

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  Lives of the Most Eminent...

  Giorgio Vasari

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  The Lives of the Most Excellent Italian Painters, Sculptors, and Architects, from Cimabue to Our Times, or Le Vite delle più eccellenti pittori, scultori, ed architettori, as it was originally known in Italian, is a series of artist biographies written by 16th century Italian painter and architect Giorgio Vasari, which is considered "perhaps the most famous, and even today the most- read work of the older literature of art", "some of the Italian Renaissance's most influential writing on art", and "one of the founding texts in art history".Vasari's work has been described as "by far the most influential single text for the history of Renaissance art" and "the most important work of Renaissance biography of artists". Its influence is situated mainly in three domains: as an example for contemporary and later biographers and art historians, as a defining factor in the view on the Renaissance and the role of Florence and Rome in it, and as a major source of information on the lives and works of early Italian artists.(Summary by Wikipedia)

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  Warhol

  Eric Shanes

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  Andy Warhol was an artist who undoubtedly put his finger on the pulse of modern culture. Through pioneering a variety of techniques, but principally by means of the visual isolation of imagery, its repetition and enforced similarity to printed images, and the use of garish colour to denote the visual garishness that is often encountered in mass culture, he threw much direct or indirect light upon modern anomie or world-weariness, nihilism, materialism, political manipulation, economic exploitation, conspicuous consumption, media hero-worship, and the creation of artificially-induced needs and aspirations. Moreover, in his best paintings and prints he was a very fine creator of images, with a superb colour sense and a brilliant feel for the visual rhythm of a picture which resulted from his intense awareness of the pictorial potentialities inherent in forms. Initially, his images might appear rather simple. Yet because of that very simplicity they not only enjoy a high degree of immediate visual impact, but also possess the rare power of projecting huge implications through the mental associations they set in motion. For example, the visual repetition that Warhol employed within a great many of his images was intended, associatively, to parallel the vast repetition of images that are employed in a mass-culture in order to sell goods and services. This includes vehicles of communication such as movies and TV programmes. By incorporating into his images the very techniques of mass production that are central to a modern industrial society, Warhol directly mirrored larger cultural uses and abuses, while emphasising, to the point of absurdity, the complete detachment from emotional commitment that he saw everywhere around him. Moreover, in addition to employing imagery derived from popular culture in order to offer a critique of contemporary society, Warhol also carried forward the assaults on art and bourgeois values that the Dadaists had earlier pioneered; by manipulating images and the public persona of the artist he was able to throw back in our faces the contradictions and superficialities of contemporary art and culture. Ultimately, it is the trenchancy of his cultural critique, as well as the vivaciousness with which he imbued it, that will surely lend his works their continuing relevance long after the particular objects he represented – such as Campbell’s Soup cans and Coca-Cola bottles – have perhaps become technologically outmoded, or the outstanding people he depicted, such as Marilyn Monroe, Elvis Presley and Mao Zedong, have come to be regarded merely as the superstars of yesterday.

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  Chronicling Stankonia - The Rise...

  Regina Bradley

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  This vibrant book pulses with the beats of a new American South, probing the ways music, literature, and film have remixed southern identities for a post–civil rights generation. For scholar and critic Regina N. Bradley, Outkast's work is the touchstone, a blend of funk, gospel, and hip-hop developed in conjunction with the work of other culture creators—including T.I., Kiese Laymon, and Jesmyn Ward. This work, Bradley argues, helps define new cultural possibilities for black southerners who came of age in the 1980s and 1990s and have used hip-hop culture to buffer themselves from the historical narratives and expectations of the civil rights era. Andre 3000, Big Boi, and a wider community of creators emerge as founding theoreticians of the hip-hop South, framing a larger question of how the region fits into not only hip-hop culture but also contemporary American society as a whole. 
   
  Chronicling Stankonia reflects the ways that culture, race, and southernness intersect in the late twentieth and early twenty-first centuries. Although part of southern hip-hop culture remains attached to the past, Bradley demonstrates how younger southerners use the music to embrace the possibility of multiple Souths, multiple narratives, and multiple points of entry to contemporary southern black identity.

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  Drawing: Animals - Learn How to...

  Deborah Kauffman Yaun

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  An easy to read, how-to guide with complete instructions for creating lifelike portraits of wild and domestic animals using colored pencils. 
   
  In this comprehensive, thirty-two–page book, accomplished artist Debra Kauffman Yaun shares her artistic insights and techniques for creating strikingly realistic animal drawings in colored pencil. The book opens with essential information on choosing tools and materials, understanding color theory, and creating basic pencil strokes. It then covers special colored pencil techniques, such as hatching, burnishing, layering, and blending. Finally, the author demonstrates how to accurately depict an assortment of adorable animals—including favorite family pets, wildlife, and birds—in a series of clear, step-by-step lessons. In-depth, easy-to-follow instructions allow aspiring artists to develop their drawing skills, guiding them from simple sketches to the final flourishes.

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  Here for the Wrong Reasons

  Annabel Paulsen, Lydia Wang

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  Krystin knows exactly what she wants: a husband, a horse, and a place to hang all her competitive rodeo blue ribbons. But when none of the eligible bachelors in Montana end up being right for her, she turns to reality TV. On Hopelessly Devoted, Krystin will compete against dozens of other women for the heart of this season’s Hopeless Romantic, Josh Rosen. She’s determined to win the perfect life she came here for—if she can just ignore the glossy brunette whose crimson smile gives her goosebumps. Lauren has never done anything for the right reasons—and she’s definitely not on Hopelessly Devoted to win Josh’s heart. Lauren’s plan is simple: stay on the show long enough to build her social media following, and then gracefully leave when it's her turn to be eliminated. With enough followers, she’ll finally have the clout to do whatever she wants—including come out of the proverbial walk-in closet. But the longer she stays on the show, the more she finds herself tangled up in a certain blonde’s lasso. But neither contestant expects a heteronormative dating show to challenge their own deeply-ingrained ideas of who they are—and what they want. Fans of The Charm Offensive and Love Island will swoon for this sparkling debut romcom.

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