Editora: BookRix
I often imagine myself as a lone wanderer in the desert, roaming from oasis to oasis and city to city. There, he meets people, listens to their stories, possibly becomes part of them, replenishes supplies, and sets off again. While he walks alone, he thinks a lot. And he learns. When he gets to the next city, maybe he also has a story to tell.
I currently reside in Texas where I have established my home and lead a solitary life. I am a 28-year survivor of HIV which I contracted through a blood transfusion while serving in the military in 1983, following an oral surgery procedure. In my retirement, I have dedicated my time to fishing, engaging in home improvement projects, and pursuing my long-standing passion for writing songs and poems which I have honed over a period of 35 years. As an individual imbued with a strong sense of spirit, I believe that all of us possess an innate potential for compassion, albeit to varying degrees. Through my poetry, I seek to convey this inherent quality to those who may not be fully aware of it, but who need gentle reminders that they too are capable of empathy. I trust that my literary works will bring peace of mind and awareness to individuals navigating the stresses of our fast-paced, ephemeral existence, and provide solace by imbuing hope for a better tomorrow, informed by my personal experiences. Ultimately, my objective is to leave behind a brief legacy that inspires others to connect with their humanity and the compassion that resides within them.Ver livro
‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 1 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - Spring - An Introduction 2 - Ode on the Spring by Thomas Gray 3 - Sonnet VIII - To Spring by Charlotte Smith 4 - Spring by Gerard Manley Hopkins 5 - I Have a Bird in Spring by Emily Dickinson 6 - Spring by Alfred Lord Tennyson 7 - Prairie Spring by Willa Cather 8 - In Springtime by Rudyard Kipling 9 - Spring in New Hampshire by Claude McKay 10 - Spring's Bedfellow by William Morris 11 - Spring Showers by James Thomson 12 - Spring Rain by Sara Teasdale 13 - These, I, Singing in Spring by Walt WhitmanVer livro
While Julian and Christian have been struggling to understand what their new Vampire lives will be going forward, they haven’t counted on their prior human lives being much more complicated. But that’s exactly the case as Christian’s parents come to dinner at Ravenscroft Manor. But the boys are not the only ones finding out that their pasts are going to interfere with their presents. Balthazar is struggling to accept that he is the Immortal Eyros reborn. But he may not be the only other Immortal that is back… or maybe never left. This is a FULL CAST audio drama with 12 actors, and all 9 books are complete.Ver livro
Abigail's mum is dead. But it turns out she can't afford her to be. Did you know how expensive it is to die? It's £4,000 for the funeral. Extra for flowers. And even more if you want sausage rolls. Otherwise, she'll get a council funeral and an unmarked grave. In her work as a playwright, Abigail has been asked to write about something raw, from her 'unique working-class lens'. Something that will make the audience feel gratifyingly bad about themselves. And so, to afford the funeral, she has to write about her mum. Kelly Jones's My Mother's Funeral: The Show playfully tackles the inequalities we face around death, and the cost of turning your loved ones into art. It was co-produced by Paines Plough; Mercury Theatre, Colchester; Belgrade Theatre, Coventry; Landmark Theatres and Royal & Derngate, Northampton – and premiered in 2024 at the Belgrade, before a UK tour including a run at Paines Plough's Roundabout at the Edinburgh Festival Fringe, where it won a Fringe First Award and a Summerhall Lustrum Award.Ver livro
As winter's first snow falls, there's not much Christmas cheer in Sherwood Forest. Cupboards are bare, the nights are cold, and the cruel Sheriff of Nottingham squeezes his citizens for every penny they're worth. But deep in the forest, in the heart of the Major Oak, Robin and Marian are plotting an audacious scheme to bring some festive joy to all… This charming retelling of the Robin Hood legend by Chris Bush, with music by Matt Winkworth, was first performed at Rose Theatre, Kingston upon Thames, in 2024, directed by Elin Schofield. Robin Hood and the Christmas Heist was commissioned by the Rose to be performed by members of the Rose Youth Theatre alongside four professional adult actors – and offers a wealth of opportunities for other theatre companies who want a merry Christmas classic that hits the target.Ver livro
Nerys Williams' new collection questions what makes a Republic? Machinations of power? The speeches of politicians? The broad sweep of official histories? This sequence of 80 prose-poems, each constructed in 20 sentences, has arisen from the author's need to tell a more intimate history, to commit an untold oral history to paper. Williams returns to the meaning of "republic" in its Latin origins which meant "wealth of the people". The poems tell the story of a young Welsh woman growing up and coming of age in the 1980s and 90s, a time that culminated with new devolutionary powers in Wales. The explosion of the arts and culture looms large, through bands from New Order to my bloody valentine, but it is explored specifically through Cŵl Cymru', and the power of Welsh-language bands like Datblygu. This story is also about class, as we explore a family history of hard work in jobs from retail to caregiving. The poems introduce us to family influences, from a father who urges the narrator as a child to 'own the stage' in an early school Eisteddfod, to a grandmother who worked long hours in her rural shop, and a mother who was the local midwife. There are stories told, overheard, handed down, sometimes translated from Welsh. Together, they create an expansive portrait of the era, including the challenges for women, Welsh-speakers, and other marginalized groups. Ferocious remarks about the Welsh in the popular media are dissected with satirical humour and appalled fascination, while other poems describe being a token woman and political outsider on a TV current affairs show panel, tolerated but ostracized. From her more recent home, the republic of Ireland, Williams poses the possibilities of a nation looking at itself and its history from afar. Wales has not been allowed to be a republic, but is subject to a state that has military claims on its landscape and a second home explosion which has a severe impact on its communities. There is rebellion to be found in the older meaning of "republic": since the wealth of the people is a wealth of sounded stories, culture, art, and history. 'Nerys Williams's Republic is a tour de force, a masterful account of the intellectual, political and personal development of a young woman from Welsh-speaking rural Wales and out in the world. Pitched against nostalgia, Nerys Williams's prose poems are tough-minded, shrewd and hugely evocative of the times she chronicles. She deploys details so vividly and with such a light a touch that she's created a new music all of her own. This book, like a waistcoat belt she describes, is a 'steel buckle, once harnessed to silk'.' —Gwyneth Lewis 'The poetry of Nerys Williams is both playful and sharply preceptive, drawing on a wide range of often unexpected influences. She brings a unique set of interests to bear not just poetry in Wales, but on poetry generally.'—Zoë Skoulding 'Nerys Williams brings precision, scrutiny, and synaesthesia to her terse, contemplative poems.' -Ben Wilkinson, The Guardian '…a strong imagism and an engaging 'I' voice that sometimes subverts expectations, allowing for a shift into more collective concerns. In addition, her deft handling of soundplay (especially the use of alliteration and assonance) greatly add to the experience of the poem as art.' -Michael S. Bengal Poetry IrelandVer livro
