Editorial: Babelcube
108: the eyes of the Soul by Norma Bertalmio How far would you go to catch a dangerous killer? 108: the eyes of the soul A phantom killer commits a series of murders and an impromptu detective tries to chase him ... anywhere and by any means.
“In poetic prose, I revisit the scars of childhood abuse, molding me into a hollow shell of womanhood. Navigating immigrant pressures, cultures clash, tugging me in divergent paths. Unraveling buried trauma, self-destruction consumed, shattering false identities. Intuition emerges as my guide, leading through mystical realms to rebirth. From unworthiness to purpose-seeking, I rise, embracing happiness, truth, and destiny’s dance.” —From the author This is the author’s poetic recollection of being abused as a child and how the aftermath shaped her to live her life as a shell of a woman. She takes the reader through the front seat of her mind as she navigates the pressures of being the daughter of brown immigrants and how the clash of cultures pushed and pulled her in different directions. Discovering the trauma stored in her body, self-destruction from the inside led to the inevitable death of her false self. Learning to trust her intuition and the universe, getting lost and found in the world of magic and her prophetic dreams, ultimately guided her to the rebirth of an awakened identity. She went from not feeling worthy enough to live, to searching for her purpose, pulling herself out of the hole, finding her happiness, and never looking back. She learned to live her truth, love herself, and instinctively play with her fate.Ver libro
Reaching higher than the Tower of Babel, shining brighter than the Golden Calf, such is the idol of the future man will raise to worship. A rocketship of immense size and power, the culmination of the best efforts earth has to offer. By compulsion or chicanery, all have been forced to build it. And all will be changed by the Apocalypse its fiery crash from orbit ushers in... In the Wasteland, where ignorant armies continue to fight, a small community is spared, eking out a meagre existence amidst the peril and threat. Always on the edge of disaster, they persevere in hope, with skills honed in the old world. After all, had not terrifying angels, visiting out of the dust, promised all would soon change again in the blink of eye? But, the young cannot wait, and a daughter of the tribe takes matters into her own hands... The journey of man is the journey of earth, for all was made for us, and for us to destroy. And it is not just some men, but all who must choose, what is to be their highest value, the Ultimate. Will it be the rocket, in orbit high above, or what all men can share in equally: the love which uplifts every hand, every heart, and every soul it touches. Man's enemy might tempt us to lies and idols, but in the end we learn he who endures will be saved. Bio His mind corrupted by childhood exposure to horror movie matinees, but equally enthralled by the atmosphere of old churches, Simon Pole writes cosmic poetry from the location of Kingsville, Ontario. A graduate of Harvard University, Simon has continued his studies of what is hidden in the dark. Writing is also in his blood, being the great-great-grandson of early Canadian poet Susie Drury.Ver libro
It's 1671, and the charismatic and unpredictable Colonel Blood is planning the greatest heist of all time: stealing – in plain sight – the Crown Jewels from the Tower of London. With an audacious plan and a gang of misfits by his side, can he possibly pull it off? And is King Charles II in any mood to have his crown jewels handled? Based on the scarcely believable true story, Simon Nye's play The Crown Jewels is a riotous and uproarious royal affair. It opened at the Garrick Theatre in London's West End in 2023 before touring, and was directed by Sean Foley with a star-studded cast including Al Murray, Mel Giedroyc, Carrie Hope Fletcher, Aidan McArdle, Neil Morrissey, Joe Thomas and Tanvi Virmani. It will appeal to any amateur theatre company – monarchists and republicans alike – who want to get their hands on a royally funny caper to perform.Ver libro
John Gould Fletcher was born in Little Rock, Arkansas on the 3rd of January 1886 to a socially prominent family. He was educated at Phillips Academy, Andover before advancing to Harvard University, which he attended from 1903 to 1907, before dropping out after his father's death. As a young man Fletcher spent many years in England where he became part of the influential Imagist group of poets together with Amy Lowell and Ezra Pound. His first marriage came from a resumed relationship with the now married Florence Emily ‘Daisy’ Arbuthnot. Her adultery with Fletcher was the grounds for her divorce. They married on 5th July 1916 but later divorced. Fletcher first published in 1912, with ‘The Dominant City’ to much praise and admiration and followed this with other well-regarded volumes such as ‘Irradiations: Sand and Spray’, and ‘Goblins and Pagodas’. In the late 1920s and 1930s Fletcher became increasingly active with a group of Southern writers and poets known as the Southern Agrarians. They published the classic ‘I'll Take My Stand: The South and the Agrarian Tradition’. Although he was highly regarded as a poet, he was not very prolific. However, such was the undoubted quality that in 1939 he received the Pulitzer Prize for his work ‘Selected Poems’. He was the first poet from the south to receive such an accolade. Fletcher’s other passion and pursuit was as an authority on modern painting, a subject on which he also published. A second marriage followed in 1936 to the children’s author, Charlie May Simon. They built ‘Johnswood’, a residence on the bluffs of the Arkansas River and travelled frequently to New York for shots of modern culture and intellectual stimulation as well as to the American West and South for the climate after Fletcher developed chronic arthritis. In 1937 he wrote his autobiography, ‘Life is My Song’. His developing passion for his roots and background resulted in the writing of a history of his State and published in 1947; ‘Arkansas’. By now Fletcher was suffering from bouts of depression and on 10th May 1950, he committed suicide by drowning himself in a pond near his home in Little Rock, Arkansas. He was 64.Ver libro
Tired of life in a noisy city, a group of magicians gathers together and POOF! -- they create their very own town. Being rather self-centered, they elect themselves to various positions in the town. When the voting is over, every magician has been elected to office; everyone, that is, except young Abracadabra Bartholomew Brown. Why not Bartholomew? Because he stutters, which causes some people to tease him and think less of him. As a result, Bartholomew is terribly shy and afraid to speak up. When the town's first birthday arrives, people realize that the town was never named when it was made. And since everyone else in town already holds office, the role of Namer of Towns falls to young Mr. Brown, despite the objections of one mean old magician. Now Bartholomew must think up a name and say it out loud to the assembled crowd, a task that fills him with dread. Will he come up with a name that pleases his fellow magicians? Will he be able to say it out loud? How will folks respond? Using cleverly rhymed couplets, The Stuttering Magician tells a humorous, heartfelt, and ultimately uplifting story that not only helps build self-esteem in young people people who stutter, but encourages greater empathy towards and understanding of the affliction among their peers and adults alike. Proceeds from the sale of this audiobook benefit the National Stuttering Association.Ver libro
"Harvey" by Mary Chase is a whimsical and heartwarming tale that follows the life of Elwood P. Dowd, an amiable eccentric who claims to have a peculiar friend—an invisible six-foot-tall rabbit named Harvey. Set against the backdrop of 1940s America, the play explores the consequences of Elwood's unconventional friendship on his relationships with his family and society. As Elwood's sister, Veta, attempts to have him committed to a mental institution, misunderstandings and comedic chaos ensue, challenging the perceptions of what is real and the importance of embracing life's enchanting mysteries. Mary Chase skillfully weaves humor, warmth, and a touch of the fantastical to create a timeless story that delves into the acceptance of uniqueness and the transformative power of unconventional connections. "Harvey" is a delightful exploration of the human spirit and the unexpected sources of joy that can enrich our lives.Ver libro
