Other books that might interest you

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  Midget with a Chainsaw

  Derek Slaton

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  He's had it up to HERE!  
  Agent Rose is missing, and an Ancient Vampire is taking over a small town. Only TnT, the Midget with a Chainsaw, stands between him and his goal of a vampire army capable of destroying the country!  
  Midget with a Chainsaw is the second volume in the Grindhouse Chronicles series. These books are heavily inspired by Grindhouse Cinema and are filled with eclectic heroes, unique villains and over the top violence. If you love those movies then you’ll love the Grindhouse Chronicles.

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  Devil The - The Europeans - A...

  Anatole France, ETA Hoffmann,...

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  Where there is good there is Evil.  Whether you buy into that or not it makes for excellent literature.  Authors have always explored the subject with abandon, able to unleash dark fears from the page without summoning them into reality or hearing them in withering hegemonic tones from the pulpit at our local church.   
   
  Our fear of the Devil, whatever his temptations and rewards, is amplified by the thought of eternal damnation in his hell house service.    
   
  In this volume our authors are all from Europe and see the Devil in ways that we recognise and yet are culturally distinct to the European mainland. 
  1 - The Devil - The Europeans - A Short Story Collection - An Introduction 
  2 - Lucifer by Anatole France 
  3 - The Lost Reflection by E T A Hoffman 
  4 - Belphagor by Niccolo Machiavelli 
  5 - The Generous Gambler by Charles Baudelaire 
  6 - From the Memoirs of Satan by Wilhelm Hauff 
  7 - The Devil's Mother-in-Law by Fernan Caballeron 
  8 - The Devils Horse by Ion Luca Caragiale

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  I Don't Want to Kill You

  Dan Wells

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  Dan Wells introduced listeners to John Wayne Cleaver in the chilling audiobooks I Am Not a Serial Killer and Mr. Monster. In I Don't Want to Kill You, Cleaver faces his toughest challenge yet. 
  John Wayne Cleaver has called a demon—literally called it on the phone—and challenged it to a fight. He's faced two monsters already, barely escaping with his life, and now he's done running; he's taking the fight to them. As he wades through the town's darkest secrets, searching for any sign of who the demon might be, one thing becomes all too clear: in a game of cat and mouse with a supernatural killer, you are always the mouse. 
  In I Am Not a Serial Killer we watched a budding sociopath break every rule he had to save his town from evil. In Mr. Monster we held our breath as he fought madly with himself, struggling to stay in control. Now John Wayne Cleaver has mastered his twisted talents and embraced his role as a killer of killers.  I Don't Want to Kill You brings his story to a thundering climax of suspicion, mayhem, and death. 
  It's time to punish the guilty. 
  And in a town full of secrets, everyone is guilty of something.

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  Dead City

  Lee Isserow

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  Jon Gilligan is the only man with a pulse in a city of the undead.It’s his job to maintain order between the factions of walking corpses and disembodied spirits.The workload has been driving him a little insane, leading him to take on the persona of a noir detective. He narrates his adventures, casting himself as a hero to all those under his watch.But soon, it’s time for him to be a hero for real. Teaming up with a ghost and a woman they both love outside the walls, it’s up to the three of them to save Dead City from itself.

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  The White Wolf of the Hartz...

  Frederick Marryat

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  Shadowed by a dark past, a father seeks a new life with his three children in the wild Hartz mountains. After a time, he marries a mountain maid named Kristina. At first his new wife is friendly and accommodating. But soon it becomes evident that darker designs are in the wind.  
   
  Buried amongst the pages of his gothic novel, The Phantom Ship, this supernatural tale of lupine terror deftly blends many classic elements of horror with chilling aplomb. 

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  The Picture of Dorian Gray

  Oscar Wilde

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  Oscar Wilde brings his enormous gifts for astute social observation and sparkling prose to The Picture of Dorian Gray, his dreamlike story of a young man who sells his soul for eternal youth and beauty. This dandy, who remains forever unchanged-petulant, hedonistic, vain, and amoral-while a painting of him ages and grows increasingly hideous with the years, has been horrifying and enchanting readers for more than 100 years.Taking the reader in and out of London drawing rooms, to the heights of aestheticism, and to the depths of decadence, The Picture of Dorian Gray is not simply a melodrama about moral corruption. Laced with bon mots and vivid depictions of upper-class refinement, it is also a fascinating look at the milieu of Wilde's fin-de-siècle world and a manifesto of the creed "Art for Art's Sake."The ever-quotable Wilde, who once delighted London with his scintillating plays, scandalized readers with this, his only novel. Upon publication, Dorian was condemned as dangerous, poisonous, stupid, vulgar, and immoral, and Wilde as a "driveling pedant." The novel, in fact, was used against Wilde at his much-publicized trials for "gross indecency," which led to his imprisonment and exile on the European continent. Even so, The Picture of Dorian Gray firmly established Wilde as one of the great voices of the Aesthetic movement and endures as a classic that is as timeless as its hero.

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