Editora: Nick Hern Books
Published to celebrate twenty-five years of Nick Hern Books, the royalties from the sale of this magical collection of sixty-six miniature autobiographies will be donated to the Theatre Section of the Writers' Guild.
Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in Heaven Hollywood Stage had them performing films as radio plays – on the sponsors dime of course. Classic films now become audiobooks with many featuring the original stars from way back when. Here's Stage Door starring Ginger Rogers & Rosalind Russell.Ver livro
This is the first play of Friedrich Schiller's Wallenstein Trilogy. Set in a Bohemian camp during the Thirty Years War, it introduces the major characters of the rest of the trilogy, like Albrecht von Wallenstein and Max Piccolomini, from their subordinates' point of view. (Summary by Libby Gohn) Cast List:Narrator: Libby GohnPeasant, Dragoon, Second Cuirassier: alanmapstonePeasant Boy: Charlotte DuckettSergeant-Major: Larry WilsonTrumpeter: KHandA Hulan: David OlsonA Sharpshooter, Schoolmaster, Recruit: Kristin GjerløwA Croat: BeniaminoMassimoAn Artilleryman: Arnaldo MachadoFirst Yager: ToddHWSecond Yager: balaSoldier-Boy, First Arquebusier: TriciaGSutler-Woman: Julia NiedermaierServant Girl: SavannahCitizen: AvailleCapuchin: Peter TuckerFirst Cuirassier: Algy PugSecond Arquebusier: Rosslyn CarlyleSecond Sharpshooter: Anna SimonEdited by Libby GohnVer livro
The Lyme Letters is epistolary verse that spells out a memoir. R, a non-binary femme character, narrates their experience of disease and recovery through recurrent letters to doctors, pets, family members, lovers, and a “Master.” R, in letter form and repurposed religious texts, also explores the paradoxical experiences of queer non-reproductivity, chronic illness and disability, and the healing that can be found in the liminal spaces between.Ver livro
Lovers' Vows (1798), a play by Elizabeth Inchbald arguably best known now for having been featured in Jane Austen's novel Mansfield Park (1814), is one of at least four adaptations of August von Kotzebue's Das Kind der Liebe (1780; literally "Child of Love," or "Natural Son," as it is often translated), all of which were published between 1798 and 1800. Inchbald's version is the only one to have been performed. Dealing as it does with sex outside marriage and illegitimate birth, Inchbald in the Preface to the published version declares herself to have been highly sensitive to the task of adapting the original German text for "an English audience." Even so, she left the setting as Germany.The play was first performed at Covent Garden on Thursday, 11 October 1798, and was an immediate success: it ran for forty-two nights, "making it by some distance Covent Garden's most successful venture of that season," and went on to be performed in Bristol, Newcastle, Bath, and elsewhere. It was likewise successful as a print publication, though it also aroused controversy about its "levelling" politics and moral ambiguity. Anne Plumptre, who translated Kotzebue's play as The Natural Son, wrote (perhaps not disinterestedly as the production of Inchbald's work effectively precluded the production of her own) that Inchbald had transformed the character of Amelia into a "forward country hoyden." Others, however, defended the morality of the play. And indeed, various characters indulge in considerable moralizing about charity, honour, and forgiveness. (Summary by wikipedia) Cast: Baron Wildenhaim, Countryman, and Prologue: Algy PugCount Cassel: John FrickerAnhalt and Narrator: AlanFrederick: Peter BishopVerdun the Butler and Epilogue: Ernst PattynamaLandlord: Martin GeesonCottager: David LawrenceFarmer: Dale BurgessGentleman: Ric FServant and Cottager's Wife: Amy GramourAgatha Firburg and Dramatis Personae: Sandra GAmelia Wildenhaim: Elizabeth BarrCountry Girl and Preface: rigbyjmNarrator: Paul AndrewsAudio edited by: Algy PugVer livro
Lessing's 18th-century masterpiece, a passionate plea for religious tolerance. Jerusalem, 1192. An uneasy stalemate exists between the Muslim forces of Saladin and the western Crusaders. Caught in the middle are the Jews. All sides respect Nathan for his wisdom and his wealth. But in a war-zone, no one is secure. This acclaimed English version of Gotthold Ephraim Lessing's 1779 play Nathan the Wise by Edward Kemp was premiered at Chichester Festival Theatre in 2003, and was revived at Hampstead Theatre in 2005. 'This is a play whose time has come again... brilliantly lucid translation... eminently worth seeing... a seminal piece of world drama written in 1779 and banned by the Nazis in 1933, its theme speaks urgently and forcefully to us today' - Guardian 'An important work... even more eloquent today' - The Times 'Edward Kemp's fine translation... combines Germanic seriousness with a winning English wit... Not only is Nathan the Wise both relevant and resonant, it is also one of those rare plays where you genuinely want to know what will happen next' - Daily Telegraph 'Edward Kemp's terrific translation balances German gravitas with a comic deftness' - Financial TimesVer livro
Julius Caesar is one of Shakespeare’s most compelling Roman plays. The plot against Caesar and the infamous assassination scene make for unforgettable listening. Brutus, the true protagonist of the play, is mesmerising in his psychological state of anguish, forced to choose between the bonds of friendship and his desire for patriotic justice.Ver livro
