Publisher: Planet editions
A spiritual self-help book by Neville Goddard showing how change of consciousness is the critical factor in life. This edition is unique The translation is completely original All rights reserved.
“Simon Wu manages to be both a shrewd critic and enthused aspirant of what passes for today’s cultural capital. . . . with a disarming lack of cynicism that is both keen and refreshing.” –Cathy Park Hong "A genius melding of art criticism, autobiography, personal essay, and travel writing. . . . Wu—an artist, curator, and writer—layers experiences like translucent curtains through which we see the landscape of a past in the present making its future." –Claudia Rankine An expansive and deeply personal essay collection which explores the aesthetics of class aspiration, the complications of creating art and fashion, and the limits of identity politics. In Robyn’s 2010 track Dancing on My Own, the Swedish pop-singer chronicles a night on the dance floor in the shadow of a former lover. She is bitter, angry, and at times desperate, and yet by the time the chorus arrives her frustration has melted away. She decides to dance on her own, and in this way, she transforms her solitude into a more complex joy. Taking inspiration from Robyn’s seminal track, emerging art critic and curator Simon Wu dances through the institutions of art, capitalism, and identity in these expertly researched, beautifully rendered essays. In “A Model Childhood” he catalogs the decades’ worth of clutter in his mother’s suburban garage and its meaning for himself and his family. In “For Everyone,” Wu explores the complicated sensation of the Telfar bag (often referred to as “the Brooklyn Birkin”) and asks whether fashion can truly be revolutionary in a capitalist system—if something can truly be “for everyone” without undercutting someone else. Throughout, Wu centers the sticky vulnerability of living in a body in a world where history is mapped into every choice we make, every party drug we take, and every person we kiss. Wu’s message is that to dance on your own is to move from critique into joy. To approach identity with the utmost sympathy for the kinds of belonging it might promise, and to look beyond it. For readers of Cathy Park Hong and Alexander Chee, Dancing on My Own is a deeply felt and ultimately triumphant anthem about the never-ending journey of discovering oneself, and introduces a brilliant new writer on the rise.Show book
Iris Grace is a beautiful little girl who, from a very young age, barely communicated, avoided social interaction with other people, and rarely smiled. Both before her diagnosis of autism and after, she seemed trapped in her own world, unable to connect with those around her. One day, her mother brought home a Maine Coon kitten for Iris. Thula immediately bonded with Iris, knowing right away how to assuage Iris when she became overstimulated, when to intervene when Iris became overwhelmed, and how to provide distraction when Iris started heading toward a meltdown. With Thula's companionship, Iris began to talk and interact with her family. Inspiring and touching, Iris Grace follows the struggles and triumphs of a family - and a miracle cat - as they learn to connect with an amazing child.Show book
A New York Times Notable Book, Journal of the Dead is “a taut, expertly researched true crime narrative” (Boston Herald) from reporter Jason Kersten. “A powerful story . . . one hell of a fascinating ride.” —National Geographic Adventure I killed and buried my best friend today . . . When authorities found Raffi Kodikian—barely alive—four days after he and his friend David Coughlin became lost in Rattlesnake Canyon, they made a grim and shocking discovery. Kodikian freely admitted that he had stabbed Coughlin twice in the heart. Had there been a darker motive than mercy? And how could anyone, under any circumstances, kill his best friend? Armed with the journal Kodikian and Coughlin carried into Rattlesnake Canyon, Jason Kersten re-creates in riveting detail those fateful days that led to the killing in an infamously unforgiving wilderness. “Wholly absorbing.” —New York Times Book Review “A fascinating case, a fascinating book.” —Anderson Cooper, CNN “A true American tragedy, beautifully written.” —New York Times bestselling author Tony Hillerman “Five stars. As tough to put down as Jon Krakauer’s Into the Wild.” —MaximShow book
SubsidenceA daughter longs to guide her mother through the hardest of journeys of memory loss, paving a way with her own remembrance; for memory is an actor’s most powerful tool. Before the settling and subsidence of life, Hayley prepares to perform a show to honour her mother, Joan. Death is never convenient and despite the theatre being booked, posters printed, and tickets sold, it comes for Joan just before opening night. Subsidence gives grace to deep wounds laid bare as memory fails but love endures; deep, fathomless, patient love. A love that has come full circle, filled with hope and promise. The actor strides across grey days of grief, into the all-conquering silver spotlight of centerstage, to share a life well-loved and lived. Endorsement: 'Subsidence is a beautiful and tender rendering of memoir, driven by the author’s need to remember and honour her mother, who lived with dementia. O’Leary pulls the threads of memory together in a mesmerising weave: a gossamer spell. Her lived experience of theatre and her childhood with her mother are woven across timelines both past and present in this stunning experimental work. Subsidence is vital reading for those with loved ones experiencing memory loss.'– Anna Jacobson (Author of Amnesia Findings)Show book
Those first four notes of its theme tune were instantly recognised and announced the start of perhaps the most famous police procedural in history. Set in Los Angeles and headed by police detective Sergeant Joe Friday the show has influenced all the many others that have followed in its illustrious footsteps. It was based on real cases from police files. It described the methods used to track down the culprits and its technical language added to its authenticity. It was a ratings hit year in, year out. Played and produced by Jack Webb its pared-down acting brought both the dull routine work and its acts of heroism and unselfishness into the living rooms of ordinary Americans, explaining a side of society that they only read about in the papers, heard in news bulletins or saw fabricated at the movies. It’s time for the truth and for Sergeant Joe Friday to set the record straight.Show book
Meet a man who actually listens to women. What She Said & What I Heard is the compulsively readable memoir of an investigative reporter who spent one whole career talking before finally learning how to listen. The story is told through a series of interactions with women in which the author stopped talking, really listened, and changed for the better as a result. With links to audio and video interviews with many of the women, each compelling chapter is an immersive experience that grabs hold and does not let go.Show book
