Publisher: Ba en Ast Books
Jamie Guillaume is the man your mother warned you about, and South Africa’s wickedest man is about to raise more than hell. Haunted by the sinister Burning One and hunted by a pack of religious extremists, Jamie’s neck-deep in trouble. Who does a black magician turn to when it seems like his carefully constructed world’s about to disintegrate?
This course is not designed as a chronological survey of musical history and its many stylistic periods or moments, nor an exploration of the lives and output of individual composers. Instead, these lectures focus on the development of listening skills. Through this course you will develop new levels of aural awareness that will allow you to better appreciate the richness, complexity and excitement at the heart of all great concert music. Music is a performative art. It stresses movement through time and engages our suggestive sense of its passing. Music has tendency, it normally invokes goals of various sorts, both near and far. Music has closure, a sensation not just of ending, but of expecting no more. Music also has accent. It is a dynamic process of stresses and nuance that often varies in dimension from one performance to the next.My approach in this course will by design be thematic and eclectic. It will juxtapose styles and passages from different works designed to highlight a particular musical concept or aural effect. Don’t worry about definitions, those are provided in the glossary at the end of this guide. Instead, concentrate on the musical examples themselves.Show book
Bob Wiseman believes most things in life are universal or, as Lauryn Hill says, everything is everything. Bearing in mind that advice, Wiseman writes about finding the link between music and daily life, like what is common between Mary Margaret O’Hara, hiding around the corner with the lights turned off in order to record herself and his 5-year-old insisting he stop hurrying to her dance lesson and marvel at the fluff ball she is blowing toward the ceiling. Each entry is unique and compellingly written, but the themes throughout — on improvisational music, life lessons, and conflict — are ubiquitous.Show book
In Britain, pubs reopened over July 4th weekend after nearly three months of coronavirus lockdowns. Patrons expressed their desire to get out and socialize after the long period of isolation, and business owners took special precautions to prepare. But many revelers ignored appeals for social distancing, and police had to disperse drunken crowds. Special correspondent Malcolm Brabant reports.Show book
Tristan und Isolde centres around two lovers who dream of romantic love and yearn for oblivion. No composer had written such a work before. Turning his back on traditional tonality, Wagner changed the course of Western music with Tristan und Isolde. But there’s also fact behind the fiction: while he wrote his opera Wagner was in love with another’s man’s wife, Mathilde Wesendonk. So Tristan and Isolde are also Richard and Mathilde. Christopher Cook explores the making of a masterpiece, the story of lovers gripped by a passion that can only be consummated beyond the grave, a forbidden love that is blind to duty, honour and social obligation.Show book
Hollywood's survivors share their secrets to success -- where, they came from, how they made it, and how you can tooIn a heyday of reality television and overnight stardom, it's easy to forget that most players had to work hard to make it big. How I Broke into Hollywood brings together dozens of Tinseltown's greatest success stories, from legends Sydney Pollack and Lalo Schifrin to rising starlet Erika Christensen to über-producer Gavin Polone. Icons of their industry -- writers, actors, directors, designers, cinematographers, executives and more -- they were once outsiders themselves, and their beginnings have all the grit and glamour of the best Hollywood films. Among the figures profiled:Comedian Bernie Mac, whose earliest stand-up shows were on subway cars and at funeral parties.Actor Charles Dutton, who was convicted of manslaughter at age seventeen, then went on to the Yale School of Drama and a brilliant career on stage, screen, and television.Actor Peter Gallagher, who suffered a crippling bout of stage fright moments before leaping onstage as Snoopy -- but whose jitters moved him to a performance that brought the audience to its feet and launched his career.Superagent Jay Kanter, who started out as a mailroom guy -- before nabbing Marlon Brando as his first star client.Producer Caryn Mandabach, whose first job was making beer runs for the production guys at the Olympic Auditorium -- but who paid attention and soon was developing such hits as The Cosby Show, Roseanne, and That '70s Show.Director John Landis, who hunted down his first job as a production assistant by buying a one-way ticket to London, then hitchhiking and hopping trains all the way to the set . . . in Yugoslavia.How I Broke into Hollywood shares the voices of nearly fifty Hollywood survivors as they revisit the highs and lows of their careers in their own words, dishing dirt and imparting the wisdom they gained along the way. We learn what drew them to the industry and what made them stay, what inspired and appalled them, and what secrets propelled them to professional stardom. (Hint: a good attitude -- and an unflappable ego -- don't hurt.)The road to success is a bumpy, angst-ridden, star-studded thrill ride -- but for these insiders, at least, it was worth every pitfall and lesson learned. Often hilarious, always instructive, How I Broke into Hollywood is an irresistible read for anyone fascinated by those who've made it big . . . and for people everywhere hoping to make it big themselves.Show book
This is the story of a woman who wielded imagination and hope in the face of intolerance and who transformed everything she touched into art. In this compelling biography, author Marilyn Chase brings Ruth Asawa's story to vivid life. She draws on Asawa's extensive archives and weaves together many voices to offer a complex and fascinating portrait of the artist.Born in California in 1926, Ruth Asawa grew from a farmer's daughter to a celebrated sculptor. She survived adolescence in the World War II Japanese-American internment camps and attended the groundbreaking art school at Black Mountain College. Asawa then went on to develop her signature hanging-wire sculptures, create iconic urban installations, revolutionize arts education in her adopted hometown of San Francisco, fight through lupus, and defy convention to nurture a multiracial family.● Documents Asawa's transformative touch—most notably by turning wire—the material of the internment camp fences—into sculptures● Author Marilyn Chase mined Asawa's letters, diaries, sketches, and photos and conducted interviews with those who knew her to tell this inspiring story.Show book
