Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
Charleston - A Good Life - cover

We are sorry! The publisher (or author) gave us the instruction to take down this book from our catalog. But please don't worry, you still have more than 500,000 other books you can enjoy!

Charleston - A Good Life

Ned Brown

Publisher: Arcade Publishing

  • 0
  • 0
  • 0

Summary

Inspired by the legendary work of Slim Aarons, a photographic narrative tour of a beautiful, unique, historical city and the remarkable people who live there. 
 
Author Ned Brown kicks off the Good Life series with the story about what makes Charleston, South Carolina, so desirable to its residents and the five million visitors who seek it out each year. This book features stunning photographs by Gately Williams, whose work is regularly featured in Garden & Gun, Coastal Living, and other publications. 
 
With his signature ease, Brown profiles more than fifty “interesting Charlestonians, doing interesting things in a beautiful place.” Charleston: A Good Life highlights native Charlestonians and those who have made the southern Holy City their home during the past two decades. Some are wealthy, many not, but all enjoy the richness of a place that has been voted the best small city in the world by Travel + Leisure magazine. 
 
“This is an important book for and about Charleston.” —Joseph Riley, former Charleston mayor 
 
“Ned Brown is my true north understanding Charleston's culture.” —Michael Ware, National Geographic
Available since: 10/03/2017.
Print length: 281 pages.

Other books that might interest you

  • Los Angeles's Bunker Hill - Pulp Fiction's Mean Streets and Film Noir's Ground Zero! - cover

    Los Angeles's Bunker Hill - Pulp...

    Jim Dawson

    • 0
    • 0
    • 0
    An illustrated history of the iconic Hollywood neighborhood featured in numerous film noir classics—and the shadowy story of how it disappeared.   When postwar movie directors went looking for a gritty location to shoot their psychological crime thrillers, they found Bunker Hill, a neighborhood of fading Victorians, flophouses, tough bars, stairways, and dark alleys in downtown Los Angeles. Novelist Raymond Chandler had already used its real-life mean streets to lend authenticity to his hardboiled detective stories featuring Philip Marlowe.   But the biggest crime of all was going on behind the scenes, run by the city’s power elite. And Hollywood just happened to capture it on film. Using nearly eighty photos, writer Jim Dawson sheds new light on Los Angeles history with this grassroots investigation of a vanished place.
    Show book
  • Men Women and Chain Saws - Gender in the Modern Horror Film - cover

    Men Women and Chain Saws -...

    Carol J. Clover

    • 0
    • 0
    • 0
    From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented—notably the slasher movie's "final girls"—as they endure fear and degradation before rising to save themselves. The lesson was not lost on the mainstream industry, which was soon turning out the formula in well-made thrillers.Including a new preface by the author, this Princeton Classics edition is a definitive work that has found an avid fanbase from students of film theory to major Hollywood filmmakers.
    Show book
  • Roger Williams - cover

    Roger Williams

    Wink Martindale

    • 0
    • 0
    • 0
    Roger Williams stood alone in the world of popular music. He was just three years old when he first sat in front of a piano and played a song. He went on to study piano at Drake University and Julliard and had his first success with the single “Autumn Leaves.” Williams sat down for a conversation with Wink Martindale in 1972 to discuss his career and passion for playing music. He talks about his early life and musical journey, the importance of hard work and practice and the toll life on the road takes.
    Show book
  • The Fiery Angel - Art Culture Sex Politics and the Struggle for the Soul of the West - cover

    The Fiery Angel - Art Culture...

    Michael Walsh

    • 0
    • 0
    • 0
    Without an understanding and appreciation of the culture we seek to preserve and protect, the defense of Western civilization is fundamentally futile; a culture that believes in nothing cannot defend itself, because it has nothing to defend. The past not only still has something to tell us, but it also has something that it must tell us. 
    In this profound and wide-ranging historical survey, Michael Walsh illuminates the ways that the narrative and visual arts both reflect and affect the course of political history, outlining the way forward by arguing for the restoration of the Heroic Narrative that forms the basis of all Western cultural and religious traditions. Let us listen, then, to the angels of our nature, for better and worse. They have much to tell us, if only we will listen.
    Show book
  • Jerry Vale - cover

    Jerry Vale

    Wink Martindale

    • 0
    • 0
    • 0
    Jerry Vale always knew that he wanted to sing. His tremendous vocal talent and charismatic personality allowed the crooner to impress both in recording and in live performances as he toured all over the country and regularly topped the pop charts throughout the 1950s and 1960s.   In this conversation with Wink Martindale, Vale discusses his career as a performer, some of his most popular recordings and the people that helped him in his professional journey. He provides a personal look at his fantastic rise to success.
    Show book
  • Art and Faith - A Theology of Making - cover

    Art and Faith - A Theology of...

    Makoto Fujimura, N. T. Wright

    • 0
    • 0
    • 0
    From a world-renowned painter, an exploration of creativity's quintessential—and often overlooked—role in the spiritual life Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura's broad and deep exploration of creativity and the spiritual aspects of "making." What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God's being and God's grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman's words, "an accidental theologian," one who comes to spiritual questions always through the prism of art.
    Show book