Outros livros que poderiam interessá-lo

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  The Truth About Conspiracy...

  Sebastian Brunow

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  THE TRUTH About CONSPIRACY THEORIES
  
  From the power, danger, and fascination of conspiracy theories: Why people believe what they shouldn't believe. What makes a conspiracy theory? Where do the myths come from, who spreads them, and why? Why are some people susceptible to obviously absurd things, and what mechanisms keep conspiracy believers so firmly in their grip? Dive into the world of outrageous stories, discover the most popular theories, and find out what really matters when confronting invented and unprovable things!

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  Me And My Friends At The Musical...

  Julie Kirchhubel

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  Me And My Friends  At the Musical PartyParties are always exciting, and especially when they aremusical parties! The news of this special party is rapidly spreading around the neighbourhood –but whose party is it?

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  Gladiators - History and...

  Kelly Mass

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  Gladiators were highly trained warriors who fought to the death for the entertainment of the Roman public. These brutal battles took place in large arenas throughout the Roman Republic and Empire, where gladiators would engage in combat with other fighters, wild animals, or even condemned criminals. The fights were often bloody and merciless, designed to showcase the might and martial prowess of the Roman world. While some gladiators volunteered, seeking fame and fortune in the arena, many were slaves or prisoners of war who were forced to fight. 
  The life of a gladiator was harsh and dangerous. Those who entered the arena did so at great personal risk, as their fights often meant risking their lives for the entertainment of the masses. Even voluntary gladiators, known as "auctorati," gambled with their personal safety and social standing. They had little to no rights and were subject to the whims of their owners or sponsors. Gladiators who survived and fought well could gain fame and admiration, but their lives were fraught with physical injury and emotional isolation. The training they underwent was grueling, often conducted in harsh conditions at special training schools known as "ludi," where they were forced to endure relentless drills and punishments. 
  Gladiators were not only fighters but also symbols of Roman martial virtues. Through their valor and resilience in the arena, they represented Rome's ideals of strength, honor, and discipline. Their performances were often immortalized in Roman art and artifacts, with their images appearing on coins, pottery, and sculptures. Despite the grim nature of their lives, gladiators could gain popular admiration for their ability to fight bravely or die with honor. Some even became beloved figures in Roman culture, celebrated in both elite and everyday art.

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  Circus Maximus and the Colosseum...

  Editors Charles River

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  The ambitious and fearless emperors that built the legendary Roman Empire from scratch, the broad-shouldered and bronzed gladiators with their iconic plume helmets and glinting swords, and elaborate parties attended by toga-wearing Romans fueled by alcohol, violence, orgies, and other godless acts all paint a picture of Roman life. 
  At the Circus Maximus, the guttural cheers of the spectators reverberated across the enormous open space, but their cries could hardly be heard over the rumble of the ground. On the ellipse-shaped track, 5 charioteers would skew their bodies and steer their magnificent vehicles around the curves. Gusts of sand and dirt flew up from the whizzing wheels and encircled the pounding hooves of the stunning stallions. Distracted personnel and guards dragging their feet were considered fair game. As one chariot careened to the side, preparing to collide with another chariot, a row of guards might have to try to duck out of the way in the nick of time. Some would be trampled by hooves. Chariot races were dangerous for participants too. A charioteer could become disoriented and fail to position himself as his horses moved instinctively, sending his body catapulting forward out of the chariot. Needless to say, chariot racing in Rome was a nail-biting spectacle. 
  When the Colosseum was built in the late 1st century A.D., the Romans, a people known for their architectural acumen, managed to amaze themselves. Martial believed the Colosseum was so grand a monument that it was even greater than the other Wonders of the Ancient World, which had been written about and visited endlessly by the Romans and Greeks in antiquity. The Colosseum was a spectacular achievement in architecture, something new and innovative, and therefore an amazing “Wonder” in its own way. The Colosseum is a large stadium even by today’s standards, and its great size conveys the power of the empire as it dominates the landscape and towers over nearby buildings.

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  Walk and Talk Therapy - A...

  LCSW-C Jennifer Udler

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  Feeling restricted by her office-bound clinical practice, licensed clinical social worker Jen Udler decided to take therapy outdoors. Walking on local nature trails with her clients proved to be the breakthrough Jen was looking for. The calming presence of nature provided a varied backdrop, offering natural metaphors for each client's experience, while the rhythmic movement cultivated deeper connections between mind and body. 
   
   
   
  In Walk and Talk Therapy: A Clinician's Guide to Incorporating Movement and Nature into Your Practice, Jen presents the many benefits of an outdoor psychotherapy practice and provides tools for clinicians to develop their own version, no matter where or with whom they practice. 
   
   
   
  Inside, you'll find answers for your questions about how to take your therapy practice outside, including: 
   
   
   
  ● Advice on foundational concerns such as ethics and safety 
   
   
   
  ● Tips to preserve confidentiality in a public setting 
   
   
   
  ● Practical considerations like timing, note taking, and the inherent unpredictability of the great outdoors 
   
   
   
  Learn how you can harness the unique beauty of each passing season to help your clients discover a healing sense of direction and meaning.

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  Magic from the Hilltops and...

  Leah Middleton

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  “This book stands as a valuable addition to the growing library of works on the lived experiences of Appalachians and how folk magic continues to be a valuable part of their cultural identity. I hope, after you read this, that you feel as in love with this land and its citizens, both human and more than human, as I do. Long live Appalachia!” —Rebecca Beyer, author of Wild Witchcraft   In an ode to her Appalachian roots and ancestors, known and unknown, of blood and kin, Leah Middleton, the Redheaded Witch, tells the stories of the grandfathers who had dirt under their fingernails from farming, the grandmothers who bled while sewing their garments, the relatives who decided to take a leap of faith and pave a new path, the ones who passed away too young, and the fellow practitioners and healers who showed her the way. It is a work of veneration to keep their spirits alive. If you share similar roots or find yourself creating new ones, this magical book is a hand to welcome you home.  Explore the superstitions of the mountains, the healing charms of doctors, and the folk beliefs of witchery.  Wander down shadowy paths lined with rhododendrons, uncovering the hidden corners where charms are whispered and prayers are spoken.  Uncover the superstitions captured in this region that have inspired magical workings for protection and healing.  Learn to walk the witch’s path as a rite conducted with reverence and solemnity.  Appalachia is a place where the lines between the mundane and the magical are blurred, and Magic from the Hilltops and Hollers offers readers exquisite insight into the enduring lore and magic of the region.  

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