Editora: BookRix
This shorty story tries to describe the phenomenon of an artist of a moment and furthermore tries to explain why this phenomenon occurs, that has been around since the dawn of mankind. Please review this book, if you liked it!
Kalėdinės giesmėsDirector: Alexandras Stankevičius (Alexandre Stanké)Accoustic & Electric guitars: Marc O'FarrelBass guitar: Claude MénardDrums & Percussions: Pierre RinguetWurlitzer electric piano, Rhodes electric piano, Steinway acoustic piano, Arp solina string ensemble, Prophet 5 synthesizer, Mark 5 bell tree, Hand bells, and tambourine: Alexandras Stankevičius (Alexandre Stanké)Produced by: Guy Rhéaume and Alexandras Stankevičius (Alexandre Stanké) for Vilnius Records of CanadaExecutive producer: Éric Ghédin and Alexandras Stankevičius (Alexandre Stanké)Recorded and mixed by: Guy Rhéaume at Studio Marco Inc. in Montréal, June 1982.Musical advisor: Antanas KeblysCover painting by: André BerthounesqueChoir photograph: PhotolexGraphic production: Ad HocVer livro
"Art" has always been contested terrain, whether the object in question is a medieval tapestry or Duchamp's Fountain. But questions about the categories of "art" and "art history" acquired increased urgency during the 1970s, when new developments in critical theory and other intellectual projects dramatically transformed the discipline. The first edition of Critical Terms for Art History both mapped and contributed to those transformations, offering a spirited reassessment of the field's methods and terminology. Art history as a field has kept pace with debates over globalization and other social and political issues in recent years, making a second edition of this book not just timely, but crucial. Like its predecessor, this new edition consists of essays that cover a wide variety of "loaded" terms in the history of art, from sign to meaning, ritual to commodity. Each essay explains and comments on a single term, discussing the issues the term raises and putting the term into practice as an interpretive framework for a specific work of art. For example, Richard Shiff discusses "Originality" in Vija Celmins's To Fix the Image in Memory, a work made of eleven pairs of stones, each consisting of one "original" stone and one painted bronze replica. In addition to the twenty-two original essays, this edition includes nine new ones—performance, style, memory/monument, body, beauty, ugliness, identity, visual culture/visual studies, and social history of art—as well as new introductory material. All help expand the book's scope while retaining its central goal of stimulating discussion of theoretical issues in art history and making that discussion accessible to both beginning students and senior scholars. Contributors: Mark Antliff, Nina Athanassoglou-Kallmyer, Stephen Bann, Homi K. Bhabha, Suzanne Preston Blier, Michael Camille, David Carrier, Craig Clunas, Whitney Davis, Jas Elsner, Ivan Gaskell, Ann Gibson, Charles Harrison, James D. Herbert, Amelia Jones, Wolfgang Kemp, Joseph Leo Koerner, Patricia Leighten, Paul Mattick Jr., Richard Meyer, W. J. T. Mitchell, Robert S. Nelson, Margaret Olin, William Pietz, Alex Potts, Donald Preziosi, Lisbet Rausing, Richard Shiff, Terry Smith, Kristine Stiles, David Summers, Paul Wood, James E. YoungVer livro
2 BOOKS IN 1Book 1 - Vladimir Putin: Tsar Of The 21st Century: Ex-KGB Agent To President - Putin’s Dictatorship And RegimeBook 2 - KGB History: 100 Years Of Soviet Terror: The Secret Police Of Russia: Cheka, GPU, OGPU, NKVD, KGB, FSK & FSB ★ BUY THIS BOOK NOW AND DISCOVER MORE ABUOT RUSSIA TODAY! ★ In book 1 you will discover;The Rise of Vladimir Putin – 1999How can a KGB agent become PresidentThe Truth About Vladimir Putin's Time In The KGBVladimir Putin’s RelationshipsVladimir Putin’s MindsetVladimir Putin’s Inner CircleVladimir Putin’s Way to Deal with OppositionMilitary Power & Invading UkraineNarcissistic BehavioursPutin is RussiaWho might be Putin’s Successor? In book 2 you will discover;Why KGB is so fearedThe Early Years of KGB - ChekaThe Early Years of KGB - GPUThe Early Years of KGB - OGPUOGPU & The Soviet StateThe NKVD and the Forming of KGBThe new KGB: FSK & FSBHow Stalin's NKVD Spies Took Down TrotskyHow Novichok used as Political Instrument ★ BUY THIS BOOK NOW AND DISCOVER MORE ABUOT RUSSIA TODAY! ★Ver livro
Lisa Wolf interviews actress and 4-time Emmy winner, Rhea Perlman about her new play "Stella & Lou", which made its debut this month in the Chicagoland area. We'll also present some great classic radio, including Duffy’s Tavern, Boston Blackie, and Orson Welles starring in the Third Man.A Falcon Picture Group audio production.Ver livro
John, Paul, George and Ringo still rule! The music of the most important and popular group ever fills the airwaves to this day, winning a new generation of fans to the fold almost thirty years after the quartet disbanded. For everyone who has ever been entranced by the Beatles' joyful, electrifying magic, Every Little Thing offers a treasury of fascinating facts, trivia and remarkable behind-the-scenes revelations—from the wild days and wilder nights at Germany's Cavern Club to their last day together in the recording studio. Here is a book packed with choice, little-known tidbits about the "Fab Four:" the groundbreaking album they recorded in one session; the famous faces that were removed from the "Sgt. Pepper" cover; the misunderstanding that sparked an explosive political melee in Manila. Aficionados will flock to this incomparable volume, which provides everything you ever wanted to know—and more—about the phenomenal group that changed popular music forever.Ver livro
Dürer is the greatest of German artists and most representative of the German mind. He, like Leonardo, was a man of striking physical attractiveness, great charm of manner and conversation, and mental accomplishment, being well grounded in the sciences and mathematics of the day. His skill in draughtsmanship was extraordinary; Dürer is even more celebrated for his engravings on wood and copper than for his paintings. With both, the skill of his hand was at the service of the most minute observation and analytical research into the character and structure of form. Dürer, however, had not the feeling for abstract beauty and ideal grace that Leonardo possessed; but instead, a profound earnestness, a closer interest in humanity, and a more dramatic invention. Dürer was a great admirer of Luther; and in his own work is the equivalent of what was mighty in the Reformer. It is very serious and sincere; very human, and addressed the hearts and understanding of the masses. Nuremberg, his hometown, had become a great centre of printing and the chief distributor of books throughout Europe. Consequently, the art of engraving upon wood and copper, which may be called the pictorial branch of printing, was much encouraged. Of this opportunity Dürer took full advantage. The Renaissance in Germany was more a moral and intellectual than an artistic movement, partly due to northern conditions. The feeling for ideal grace and beauty is fostered by the study of the human form, and this had been flourishing predominantly in southern Europe. But Albrecht Dürer had a genius too powerful to be conquered. He remained profoundly Germanic in his stormy penchant for drama, as was his contemporary Mathias Grünewald, a fantastic visionary and rebel against all Italian seductions. Dürer, in spite of all his tense energy, dominated conflicting passions by a sovereign and speculative intelligence comparable with that of Leonardo. He, too, was on the border of two worlds, that of the Gothic age and that of the modern age, and on the border of two arts, being an engraver and draughtsman rather than a painter.Ver livro
