Editorial: Phoemixx Classics Ebooks
Sentimental Education Vol 1 Gustave Flaubert - Sentimental Education is considered the most influential of the nineteenth century novel he describes the life of a young man and his love for an older woman during the revolution of 1848 and the founding of the Second French Empire.
This is the ideal way to quickly master the Cockney (British) accent using a combination of approaches from pronunciation and oral posture techniques to dialect development (Cockney rhyming slang) and practice exercises. The course also contains guidance on developing a basic British accent to underpin a Cockney accent if desired dependent on your native accent. This course can help you prepare for a Cockney role or audition on stage or screen. The exercises deconstruct the elements of a Cockney accent making in a simple step-by-step process to develop an effective and authentic Cockney accent, the discussion of Cockney dialog also makes it possible to use Cockney in an unscripted setting. This course combines expert linguistic instruction with a range of exercises and Cockney accents to help you perfect and refine the perfect accent.Ver libro
Way of Being: Indigenous Traditions for Canadian Youth is an insightful and inspiring audiobook that offers a deep dive into the rich cultural heritage of Indigenous peoples aiming to enlighten Canadian youth about the profound significance of these traditions. Through engaging narratives and authentic voices, listeners will discover the vital impact of Indigenous cultural norms on Canadian history, society, and our shared heritage.Ver libro
This fascinating audio program includes actual radio commercials from the 1960s and 1970s for the following classic movies: Barbarella (1968), directed by Roger Vadim, featuring Jane Fonda, John Phillip Law, Anita Pallenberg; Bunny Lake Is Missing (1965), directed by Otto Preminger, featuring Laurence Olivier, Carol Lynley, Keir Dullea; Chappaqua (1966), directed by Conrad Rooks, featuring Conrad Rooks, William S. Burroughs, Jean-Louis Barrault; Endless Summer (1965), directed by Bruce Brown, featuring Robert August, Michael Hynson, Lord James Blears; Seaside Swingers(1964), directed by James Hill, featuring John Leyton, Michael Sarne, Peter Birrell; The Green Slime (1968), directed by Finji Fukasaku, featuring Robert Horton, Luciana Paluzzi; Hells Angels On Wheels (1967), directed by Richard Rush, featuring Adam Roarke, Jack Nicholson; Help!(1965), directed by Richard Lester, featuring The Beatles; How I Won The War (1967), directed by Richard Lester, featuring Michael Crawford, John Lennon; I Am A Groupie (1970), directed by Derek Ford, featuring Esme Johns, Billy Boyle; Luv (1967), directed by Clive Donner, featuring Jack Lemmon, Peter Falk; Monterey Pop (1968), directed by D.A. Pennebaker, featuring Jimi Hendrix, The Mamas and the Papas; The Pied Piper (1972), directed by Jacques Demy, featuring Donovan, Donald Pleasence; Don't Make Waves (1967), directed by Alexander Mackendrick, featuring Sharon Tate, Claudia Cardinale; The Good, The Bad And The Ugly (1966), directed by Sergio Leone, featuring Clint Eastwood, Eli Wallach, Lee Van Cleef; The Producers (1967), directed by Mel Brooks, featuring Zero Mostel, Gene Wilder; Thunderball (1965), directed by Terence Young, featuring Sean Connery, Claudine Auger; Wild In The Streets (1968), directed by Barry Shear, featuring Christopher Jones, Shelley Winters; Yellow Submarine (1968), directed by George Dunning, featuring The Beatles.Ver libro
A gorgeous celebration of the beauty of Venice as conveyed in the paintings of Canaletto and his followers. Among the renowned Old Master paintings at the Wallace Collection in London is an important group of 27 eighteenth-century views of Venice, known as vedute, by Canaletto and his followers, including Francesco Guardi. They hang together in a dedicated gallery known as the Canaletto Room, but until recently the majority had not been cleaned since the nineteenth century and their original beauty was obscured by multiple layers of discoloured varnish. The paintings have now been restored and rephotographed, following a multi-year conservation and research project that has also led to a reappraisal of them. This book presents these pictures in their renewed splendour. It features essays and commentaries by Charles Beddington, the global expert on vedute, and by Wallace Collection curator Lelia Packer. Together they provide fresh insights into the artists' creative processes, the dating of pictures and their authorship.Ver libro
Between 1994 and 1996, music writer Paolo Hewitt spent the greater part of his life on the road with Oasis, in the U.K., Europe and America. He came back with tales that would cement the legend of the brawling, effing, hedonistic, charismatic, confessional and extraordinarily talented Gallagher brothers, Noel and Liam, and their group. Hewitt is a rare and perceptive fly-on-the-wall during the band’s hectic rise to the height of their powers, as their first two albums are released to the kind of excitement scarcely seen in British rock music since the sixties. Hewitt takes the Gallaghers’ story right back to their parents’ roots in Ireland, and the descriptions of Noel and Liam’s childhoods in working-class Manchester reveal the seeds of their determination to make Oasis the force it became. Getting High is an illuminating, funny, sometimes shocking reminder of how big a band can get, and how quickly the insanity sets in. Oasis have today sold in excess of 70 million records worldwide. Hewitt's intimate account of this explosive and beloved band, in their prime, is a rock classic and a riveting narrative. ‘Paolo is the only person to speak about what it was like on the road with us because he’s been there. He’s been there, he’s seen it, he’s done it.’ Noel Gallagher ‘By adopting a fly-on-the-wall approach and writing Oasis’s story as though it were a novel rather than a straight biography, he succeeds in entertaining, informing and occasionally putting you inside the head of the Gallagher brothers.’Hot Press ‘In Getting High we get closer to the real Oasis, not the tabloid fancies, the music press stereotypes of Noel the genius, Liam the wanker and three other blokes who don’t count. Hewitt paints an engrossing and uplifting portrait of one of the most important bands of the decade.’ The Word and IssueVer libro
It is a paradox that Marquet belongs more to the past and future than to the present. His art awaits the silence that is yet to fall. He nevertheless teaches us to appreciate the riches of meditation, directing us to that exalted place of peace so central to his vision.Ver libro
