Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
Nocturnal House - cover

We are sorry! The publisher (or author) gave us the instruction to take down this book from our catalog. But please don't worry, you still have more than 500,000 other books you can enjoy!

Nocturnal House

Mike Greenacre

Publisher: Ginninderra Press

  • 0
  • 0
  • 0

Summary

'To read Mike Greenacre's poems is to be captivated in an engaging conversation about family, friends, Perth past and present, love, loss, memories and the maddening and intoxicating pursuit of poetry itself. Affection, love, passion infuse the whole of Nocturnal House by Mike Greenacre, as places, people, memories are called forth and shared with careful artistry and haunting nuances. Poetry is linked very tightly and movingly with life, with lived experience, in these arresting and beautiful poems.' - Shane McCauley 
'If you would delight in a meal with good friends sharing poetic word play and glasses of pale ale and cider, then Mike Greenacre's Nocturnal House is a must. In his straightforward egalitarian way, he uses a remarkably accessible clear-cut diction that is spiced with wit and subtle shifts of ambiguous vocabulary that develop his desire for the "good" community. To do this, he explores his neighbourhood, which he feels is a "pot slowly boiling" with its many aspects that are common to us all. In skilfully constructed sections, he shows his great and constant love of creative writing, family, friends, teaching. poetry, music. art, wholesome sex and sport. Over all these areas is the constant factor of Love and as such they certainly bond together towards community building in a morally ethical and egalitarian way. In short, the book has something for every one of us, so come to a meal with Mike.' - Peter Jeffery OAM 
'Master of the extended metaphor, recollections and reconnection are welcomed by-products of Mike Greenacre's writing process. From 'Trapped in Language' - writing poems is like wagging school, escaping from life's / curriculum  to reflect like a rear-vision mirror / anticipating what's already been. The nostalgia has a sweet edge, the acknowledgements to friends are always sincere and the style is unpretentious (folksy almost). Family is celebrated with a warm heart ('The Shape of Love' and 'Recipe of Love' sections). The reader learns that the suburb of Applecross, and south-of-the-river Perth more generally were fun places to be for a harmless scallywag like the youthful Mike Greenacre. What's most important at the core of this poetry book, however, is the poet's recognition of how much writing means to him' - Ross Jackson 
'The elegance of simplicity informs these poems, with nostalgia, family and love their prevalent themes. Suffused with the joy of writing, Greenacre's work is easy to relate to and always accessible. Sometimes tinged with the colours of loss but more often celebratory in tone, this collection is as wholesome and honest as homemade bread.' - Jan Napier
Available since: 11/01/2020.

Other books that might interest you

  • Poet To His Love - cover

    Poet To His Love

    Maxwell Bodenheim

    • 0
    • 0
    • 0
    Librivox volunteers bring you thirteen different readings of Poet To His Love, by Maxwell Bodenheim. This weekly poetry project was selected to celebrate Valentine’s Day.(Summary by Annie Coleman)
    Show book
  • Dara (NHB Modern Plays) - cover

    Dara (NHB Modern Plays)

    Shahid Nadeem

    • 0
    • 0
    • 0
    An intense domestic drama of global consequence - for India then and for our world now.
    1659. Mughal India. The imperial court, a place of opulence and excess; music, drugs, eunuchs and harems. Two brothers, whose mother's death inspired the Taj Mahal, are heirs to this Muslim empire. Now they fight ferociously for succession.
    Dara, the crown prince, has the love of the people - and of his emperor father - but younger brother Aurangzeb holds a different vision for India's future. Islam inspires poetry in Dara, puritanical rigour in Aurangzeb. Can Jahanara, their beloved sister, assuage Aurangzeb's resolve to seize the Peacock Throne and purge the empire?
    Originally performed by Ajoka Theatre, Pakistan, Tanya Ronder's adaptation of Dara premiered at the National Theatre, London, in 2015.
    Show book
  • Charm - cover

    Charm

    Rupert Brooke

    • 0
    • 0
    • 0
    To all who knew him, the man himself was at least as important as his work. "As to his talk" — I quote again from Mr. Somerset — "he was a spendthrift. I mean that he never saved anything up as those writer fellows so often do. He was quite inconsequent and just rippled on, but was always ready to attack a careless thinker. On the other hand, he was extremely tolerant of fools, even bad poets who are the worst kind of fools — or rather the hardest to bear — but that was kindness of heart."Of his personal appearance a good deal has been said. "One who knew him," writing in one of the daily papers, said that "to look at, he was part of the youth of the world. He was one of the handsomest Englishmen of his time. His moods seemed to be merely a disguise for the radiance of an early summer's day." (From Rupert Brooke: A Biographical Note by Margaret Lavington in THE COLLECTED POEMS OF RUPERT BROOKE, (from which this poem is taken.)
    Show book
  • Kitty McCrae - A Galloping Rhyme - cover

    Kitty McCrae - A Galloping Rhyme

    Barcroft Boake

    • 0
    • 0
    • 0
    LibriVox volunteers bring you 6 recordings of Kitty McCrae - A Galloping Rhyme by Barcroft Henry Boake. This was the fortnightly poetry project for April 19th, 2009.
    Show book
  • The Poetry of Kabir - cover

    The Poetry of Kabir

    Kabir

    • 0
    • 0
    • 0
    Kabir, meaning Great and one of the 99 names of God in Arabic, was a mystic and poet, born around 1440 in Varanasi to poor Muslim parents. Another account claims he was the child of a Brahmin widow. He himself said he was "at once the child of Allah and Ram." 
     
    Kabir grew up learning his father’s craft of weaving and overcame many obstacles to become a disciple of Saint, or Swami, Ramananda, the leading pioneer of the Bhakti movement, which promoted salvation for all.   
     
    Kabir did not renounce his worldly life; he married, had children, and was disdainful of professional piety, which led to his later persecution by religious authorities.  His progressive philosophy spoke of social equality and his spiritual synthesis combined Hindu tenets of karma and reincarnation with Muslim beliefs of one god and no idolatry or caste system.   
     
    We know that Kabir had no formal education and was almost illiterate. He expressed his poems as ‘b???s’ meaning utterances in Hindi. His songs and couplets were part of a strong oral tradition in the region and spread across northern India but were also written down by two of his disciples; Bh?god?s and Dharmad?s.  His inventive and imaginative style captured wide attention and provided a path to spiritual awakening which for Kabir was mainly the path of love and brotherhood and not to be divorced from daily life: “All our actions performed anywhere are our duties, and work is worship”, he said.  
     
    His works are still revered today by Muslims, Sufis, Sikhs and Hindus and Kabir remains one of the most quoted mystic poets of all time.    
     
    Kabir is thought to have lived an exceptionally long life and probably died in 1518.  It is said that his Hindu followers wanted him cremated and his Muslim followers wanted his body buried and a fight therefore ensued.  When they finally lifted the cloth that covered his body they found not flesh but flowers.
    Show book
  • Antigone - Full Text and Introduction (NHB Drama Classics) - cover

    Antigone - Full Text and...

    Sophocles Sophocles

    • 0
    • 0
    • 0
    The NHB Drama Classics series presents the world's greatest plays in affordable, highly readable editions for students, actors and theatregoers. The hallmarks of the series are accessible introductions (focussing on the play's theatrical and historical background, together with an author biography, key dates and suggestions for further reading) and the complete text, uncluttered with footnotes. The translations, by leading experts in the field, are accurate and above all actable. The editions of English-language plays include a glossary of unusual words and phrases to aid understanding.
    
    Antigonei s the first great 'resistance' drama - and perhaps the definitive Greek tragedy.
    
    Creon, the King of Thebes, has forbidden the burial of Antigone's brother because he was put to death as a traitor to the crown. Despite being engaged to Creon's son Haemon, Antigone disobeys the King and buries her brother. Enraged, Creon condemns Antigone to death and buries her alive in a cave. The prophet Teiresias warns Creon against such rash actions, and eventually Creon relents - but when he goes to release Antigone it is too late: she has already hanged herself.
    
    Translated and introduced by Marianne McDonald.
    Show book