Other books that might interest you

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  The Making of the Potterverse -...

  Scott Thomas

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  Experience the magic again with this chronicle of the young wizard who took the world by storm!   From the moment that J. K. Rowling conceived the idea of Harry Potter during a train ride, until the 1997 UK publication of Harry Potter and the Philosopher’s Stone, The Making of the Potterverse tells the history of one of today’s most beloved sagas—in print, on screen, and in real life as waves of Pottermania swept fans young and old.   Covering the phenomenon through the theatrical release of Harry Potter and the Order of the Phoenix, this book covers all of the major and minor news events centering on the world of Harry Potter, interweaving quotes from the films’ cast and crew members—among them Daniel Radcliffe, Emma Watson, and Rupert Grint; directors Chris Columbus (The Sorcerer’s Stone, The Chamber of Secrets), Alfonso Cuarón (The Prisoner of Azkaban), and Mike Newell (The Goblet of Fire); producer David Heyman, and behind-the-scenes personnel who bring the magic to life.

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  Feels Like Christmas

  Kim Mitzo Thompson

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  Nothing makes it feel more like Christmas than beautiful music!

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  Goya and artworks

  Jp. A. Calosse

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  Goya is perhaps the most approachable of painters. His art, like his life, is an open book. He concealed nothing from his contemporaries, and offered his art to them with the same frankness. The entrance to his world is not barricaded with technical difficulties. He proved that if a man has the capacity to live and multiply his experiences, to fight and work, he can produce great art without classical decorum and traditional respectability. He was born in 1746, in Fuendetodos, a small mountain village of a hundred inhabitants. As a child he worked in the fields with his two brothers and his sister until his talent for drawing put an end to his misery. At fourteen, supported by a wealthy patron, he went to Saragossa to study with a court painter and later, when he was nineteen, on to Madrid. Up to his thirty-seventh year, if we leave out of account the tapestry cartoons of unheralded decorative quality and five small pictures, Goya painted nothing of any significance, but once in control of his refractory powers, he produced masterpieces with the speed of Rubens. His court appointment was followed by a decade of incessant activity – years of painting and scandal, with intervals of bad health. Goya’s etchings demonstrate a draughtsmanship of the first rank. In paint, like Velázquez, he is more or less dependent on the model, but not in the detached fashion of the expert in still-life. If a woman was ugly, he made her a despicable horror; if she was alluring, he dramatised her charm. He preferred to finish his portraits at one sitting and was a tyrant with his models. Like Velázquez, he concentrated on faces, but he drew his heads cunningly, and constructed them out of tones of transparent greys. Monstrous forms inhabit his black-and-white world: these are his most profoundly deliberated productions. His fantastic figures, as he called them, fill us with a sense of ignoble joy, aggravate our devilish instincts and delight us with the uncharitable ecstasies of destruction. His genius attained its highest point in his etchings on the horrors of war. When placed beside the work of Goya, other pictures of war pale into sentimental studies of cruelty. He avoided the scattered action of the battlefield, and confined himself to isolated scenes of butchery. Nowhere else did he display such mastery of form and movement, such dramatic gestures and appalling effects of light and darkness. In all directions Goya renewed and innovated.

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  This Town

  Sidney Blumenthal

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  This Town, by renowned author, New Yorker political analyst and White House presidential advisor Sidney Blumenthal, is a hilarious political satire. The play takes us inside the well-groomed Washington Press Corps, who yawn when they hear about peace treaties but snap to attention at the chance to uncover a little dirt about the First DogAn L.A. Theatre Works full-cast performance featuring Gerrit Graham, Richard Kind, Jane Lanier, David Lewman, Joe Liss, Gates McFadden, Paul Mercier, John Randolph, John Vickery and Alan Wilder.

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  The Third Man

  Graham Greene

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  Somewhere in shadowy post-war Vienna, where everyone has something to sell on the black market, lurks the third man who witnessed the murder of Harry Lime. Novelist Holly Martins is haunted by the death of his friend. His search for the killer makes electrifying drama, in this witty and sophisticated audio adaptation of the Graham Greene classic.An L.A. Theatre Works full-cast performance featuring Ian Abercrombie, Rosalind Ayres, Ethan Glazer, Kelsey Grammer, John Mahoney, Wolf Muser, Barry Philips, Andreas Renell, Bettina Spier, Slav Troyan, John Vickery, Tom Virtue and Nobert Weisser.

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  25 Minute Ride

  Lisa Kron

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  In 2.5 Minute Ride--winner of the Obie Award, The New York Press Award, and the L.A. Dramalogue Award—             Lisa Kron invites her audience on a roller coaster ride through the Kron family album. Kron's performance switches back and forth between a journey to Auschwitz with her septuagenarian father, a Holocaust survivor; her Michigan family's annual pilgrimage to a Sandusky, Ohio amusement park; and her brother's marriage to his Internet bride. By moving seamlessly between these three diverse events, Kron creates a complex meditation on how human beings make sense of tragedy, grief, and everyday life—             demonstrating with disarming simplicity that humor and horror can share the same human moment. This recording also features original music by Dan Fleet.

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