Outros livros que poderiam interessá-lo

• 

  Music Lyrics and Life - A Field...

  Mike Errico

  • 0
  • 0
  • 0

  Music, Lyrics, and Life is the songwriting class you always wish you'd taken, taught by the professor you always wish you'd had. It's a deep dive into the heart of questions asked by songwriters of all levels, from how to begin journaling to when you know that a song is finished. With humor and empathy, acclaimed singer-songwriter Mike Errico unravels both the mystery of songwriting and the logistics of life as a songwriter. For years, this set of tools, prompts, and ideas has inspired students on campuses including Yale, Wesleyan, Berklee, Oberlin, and NYU's Clive Davis Institute of Recorded Music. 
   
   
   
  Alongside his own lessons, Errico interviews the writers, producers, and A&R executives behind today's biggest hits and investigates the larger questions of creativity through lively conversations with a wide range of innovative thinkers: astrophysicist Janna Levin explains the importance of repetition, both in choruses and in the exploration of the universe; renowned painter John Currin praises the constraints of form, whether it's within a right-angled canvas or a three-minute pop song; bestselling author George Saunders unpacks the hidden benefit of writing, and revising, authentically; and much more. The result is that Music, Lyrics, and Life ends up revealing as much about the art of songwriting as it does about who we are, and where we may be going. 
   
   
   
  This audiobook includes a bonus afterword not included in the print edition.

  Ver livro

• 

  Schoenberg - Why He Matters

  Harvey Sachs

  • 0
  • 0
  • 0

  An astonishingly lyrical biography that rescues Schoenberg from notoriety, restoring him to his rightful place in the pantheon of twentieth-century composers. 
   
   
   
  In his time, the Austrian American composer Arnold Schoenberg (1874–1951) was an international icon. His twelve-tone system was considered the future of music itself. Today, however, leading orchestras rarely play his works, and his name is met with apathy, if not antipathy. With this interpretative account, the acclaimed biographer of Toscanini finally restores Schoenberg to his rightful place in the canon, revealing him as one of the twentieth century's most influential composers and teachers. Sachs shows how Schoenberg, a thorny character who composed thorny works, raged against the "Procrustean bed" of tradition. Defying his critics—among them the Nazis, who described his music as "degenerate"—he constantly battled the anti-Semitism that eventually precipitated his flight from Europe to Los Angeles. Yet Schoenberg, synthesizing Wagnerian excess with Brahmsian restraint, created a shock wave that never quite subsided, and, as Sachs powerfully argues, his compositions must be confronted by anyone interested in the past, present, or future of Western music.

  Ver livro

• 

  Smash Hit - Race Crime and...

  David Curcio

  • 0
  • 0
  • 0

  David Curcio’s SMASH HIT: RACE, CRIME, AND CULTURE IN BOXING FILMS joins Armin Lear Press’ titles exploring the way key social issues surface in the arts.      Cinema emerged alongside the rules that ushered in boxing’s modern age and the “squared circle” proved the ideal stage for cinematic display. The public had its first taste of the new medium in 1894 through a heavyweight bout, recognized today as the world’s first feature film.     As the two attractions fast-grew into the country’s most popular entertainments, nascent Hollywood studios were quick to spot an opening for a surefire combo. Like a snap-jab to the teeth, the boxing film emerged as a popular genre wherein the fighter assumed his place among the private dicks, rebel cops, and desperate underdogs mired in America’s expanding urban landscape.     Devoting equal time to both mediums, SMASH HIT: RACE, CRIME, AND CULTURE IN BOXING FILMS uses twenty films as the basis of a hard-nosed exploration as to how the genre held a bloody mirror to twentieth century America’s most prominent social anxieties, elucidating two conjoined mediums that serve as bellwether to an ever-shifting cultural zeitgeist.     “David Curcio’s Smash Hit is a first-round knockout filled with strong writing and deep insight.”-Bob Batchelor, author of Roadhouse Blues: Morrison, the Doors, and the Death Days of the Sixties and Stan Lee: A Life     "David Curcio's absorbing, fascinating book sent me down a rabbit hole of so many memorable movies....and Smash Hit belongs in the company of the best of them."-Donald McRae, The Guardian     "Smash Hit is not about the sport of boxing so much as a view of American society in the context of boxing culture, film history, and Hollywood gossip. An entertaining, informative, lively read.”-Glen Sharp, author of Punching in the Shadows

  Ver livro

• 

  Lay It On The Line - A Backstage...

  Rik Emmett

  • 0
  • 0
  • 0

  From Triumph superstar Rik Emmett comes the thrilling, inspiring story of a life of rock and roll
  		 
  While describing the impulse driving his life and work, Rik Emmett explains, “I was never in it for the sex and drugs — ah, but the rock and roll. Creativity was, and still is, my it — the truth I bet my life on. It was also, always, about play. The play’s the thing …”
  		 
  Merging memoir, anecdotes, and masterclasses on guitar, songwriting, and the artist’s mindset, Lay It On The Line offers insight and perspective into the many roles Rik Emmett took on. “It” was always a parboiling, psychological gumbo: and this book attempts to finally share the recipe.
  		 
  It also includes photos from Emmett’s own archives, plus the definitive, detailed reasons behind why he walked from Triumph — and came back two decades later.
  		 
  Rock star, it seems, was a character for Rik Emmett to inhabit … a great gig, a catalytic door-opener … it was a role that led to other adventures — and these are the stories he’s chosen to tell.

  Ver livro

• 

  Life Belongs to the Loud

  Forrest Lonefight

  • 0
  • 0
  • 0

  Azul Morgan, a young Native / Indigenous woman is the next rock star to break. Trapped in M-town, Iowa during the "Next Seattle" Midwest Music Scene explosion during the aftermath of 9/11, she takes her guitar named, Mocha, & her composition notebook, The Bastard Chronicle, to write the greatest songs ever & form the perfect band. 
  Through the chaos she finds her tribe outside her native tribal roots in two amazing dudes, Rick, a womanizing drummer/singer, and Jesus, a cross-dressing guitarist. The three find the musical chemistry they've been looking for. Their unique new band are poised to take over the world-at-war. Azul writes about it all in The Bastard Chronicle, in her hilarious voice, as her past, present, & future collide in a coming-of-age story never told before in an era of the music scene when anything was possible. 
  This is author Forrest Lonefight's debut novel.

  Ver livro

• 

  Usual Suspects The - The...

  Film Trivia Metaverse

  • 0
  • 0
  • 0

  THE USUAL SUSPECTS 
  THE ULTIMATE TRIVIA COLLECTION 
    
  FROM THE MOVIE DIRECTED BY BRYAN SINGER 
    
  CREATED BY FILM TRIVIA METAVERSE 
    
  ABOUT THE FILM 
  The Usual Suspects is a 1995 neo-noir thriller directed by Bryan Singer. The film follows the interrogation of Roger "Verbal" Kint, a small-time con artist, after a violent heist on a docked ship leaves multiple criminals dead. Kint narrates the story of how he and his crew were manipulated by a mysterious and legendary crime lord, Keyser Söze. As the investigation unfolds, the narrative is built through flashbacks, unreliable narration, and intricate plot twists. The movie explores themes of deception, criminal manipulation, and the blurred lines between truth and lies, keeping viewers on edge until the final moments. 
    
  TRIVIA SAMPLES: 
    
  “Christopher McQuarrie had previously worked for a detective agency, and this influenced the depiction of criminals and law enforcement officials in the script.” 
    
  “Benicio Del Toro's bizarre dialect in the film was reportedly so unintelligible that during one scene, Stephen Baldwin actually forgot his cue due to being unable to understand what Del Toro had said.” 
    
  “The part of Verbal Kint was always intended for actor Kevin Spacey.” 
    
  “The idea for this movie started only with the concept of a movie poster of five men in a lineup.” 
    
  “All the actors were encouraged to ad lib perplexed reactions to Benicio Del Toro's oddball vocal stylings.”

  Ver livro