Outros livros que poderiam interessá-lo

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  The Walrus Has a Right to Adventure

  Billie Collins

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  'There was a moment... Where it looked at me. The stag. We looked at each other. And I had this feeling like... Like it was gonna show me something.'
  Meet Oskar, Rio and Hazel: three people getting on with their lives in different corners of the globe. They've never spoken. They've never met. But they're each about to experience a startling wild-animal encounter. One that will transform the way they think about their world.
  From Norway's glittering fjords to Colorado's stunning peaks via Halewood's majestic Tesco, The Walrus Has a Right to Adventure is a swooping, soaring play about instinct, expectation and identity – and what it means to be truly free.
  Inspired by real stories from around the world, Billie Collins's powerful and inventive play premiered at the Liverpool Everyman in 2025, directed by Nathan Crossan-Smith.

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  Symphonies - The first Southern...

  John Gould Fletcher

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  John Gould Fletcher was born in Little Rock, Arkansas on the 3rd of January 1886 to a socially prominent family.  
   
  He was educated at Phillips Academy, Andover before advancing to Harvard University, which he attended from 1903 to 1907, before dropping out after his father's death. 
   
  As a young man Fletcher spent many years in England where he became part of the influential Imagist group of poets together with Amy Lowell and Ezra Pound.   
   
  His first marriage came from a resumed relationship with the now married Florence Emily ‘Daisy’ Arbuthnot.  Her adultery with Fletcher was the grounds for her divorce.  They married on 5th July 1916 but later divorced.  
   
  Fletcher first published in 1912, with ‘The Dominant City’ to much praise and admiration and followed this with other well-regarded volumes such as ‘Irradiations: Sand and Spray’, and ‘Goblins and Pagodas’. 
   
  In the late 1920s and 1930s Fletcher became increasingly active with a group of Southern writers and poets known as the Southern Agrarians. They published the classic ‘I'll Take My Stand: The South and the Agrarian Tradition’. 
   
  Although he was highly regarded as a poet, he was not very prolific.  However, such was the undoubted quality that in 1939 he received the Pulitzer Prize for his work ‘Selected Poems’.  He was the first poet from the south to receive such an accolade.  Fletcher’s other passion and pursuit was as an authority on modern painting, a subject on which he also published. 
   
  A second marriage followed in 1936 to the children’s author, Charlie May Simon.  They built ‘Johnswood’, a residence on the bluffs of the Arkansas River and travelled frequently to New York for shots of modern culture and intellectual stimulation as well as to the American West and South for the climate after Fletcher developed chronic arthritis. 
   
  In 1937 he wrote his autobiography, ‘Life is My Song’. 
   
  His developing passion for his roots and background resulted in the writing of a history of his State and published in 1947; ‘Arkansas’. 
   
  By now Fletcher was suffering from bouts of depression and on 10th May 1950, he committed suicide by drowning himself in a pond near his home in Little Rock, Arkansas.  He was 64.

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  Meister Eckhart's Book of...

  Meister Eckhart, Jon M. Sweeney,...

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  “Within each of us is a divine treasure, and if we hope to discover it we need to go deep into the heart of who we are.”—Meister Eckhart Meister Eckhart has been a huge influence on spirituality for more than 800  years, including to philosopher Arthur Schopenhauer, Eckhart Tolle, Richard Rohr, D. T. Suzuki, Rudolf Steiner, and Matthew Fox—all crediting Eckhart as being an important influence on their thought.   This book of Meister Eckhart meditations is for people seeking the “wayless way.” It is not for those looking for a simple path. Many people in our time still go looking for a straight path toward a defined goal, without detours, led by a guide who tells them what to do and what not to do. They would be uncomfortable with Meister Eckhart—a Christian mystic from the century of Rumi and Francis of Assisi—who said to “take leave of God for the sake of God.” And, “Learn not to love in order that you may learn to love.” And, “All things are equal and alike in God and are God.”   These fresh, stunning renderings of his writings in poetic form bring life to one of the great spiritual voices of any age. They reveal what it means to love God and find meaning in darkness. In a culture that craved light—and what culture does not?—Eckhart dared to imagine that the darkness is what matters most. Not darkness in general, but your darkness, because it is the one thing you know something about, and without facing your darkness, you’ll never know what it means to desire the light. You’ll never even imagine what light is about. Only when you are in the darkness, Meister says, do you have even the possibility of seeing the light.

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  The Sunshine Kid - Sunday Times...

  Harry Baker

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  When Harry Baker first started writing rap infused poetry he was advised to "write about what you know" so instead of writing about killing people, or driving fast cars (over people), he wrote about mathematics.
  
  It is not all complex maths and algebra however but throughout Harry applies his mathematician's mind to conjuring complex rhythms that have to be read out loud to be believed.

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  Nothing to Do but Stay and Other...

  David Somerfleck

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  This audiobook is a collection of modern, adult poetry. Themes references include passion, love, loss, abuse, redemption, extrapolative woolgathering, humor, love of nature, and others.

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  Six Characters

  Luigi Pirandello

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  Six Characters by Luigi Pirandello is a groundbreaking theatrical masterpiece that revolutionized modern drama and challenged the very nature of reality, identity, and storytelling. Bold, innovative, and intellectually provocative, this seminal work dismantles the boundaries between fiction and life, drawing audiences into a world where characters demand to be heard and truth becomes a shifting, elusive force.
  
  The play opens in the midst of a theatrical rehearsal when six mysterious figures suddenly appear on stage. They are not actors but "characters"—abandoned creations of an author who never completed their story. Desperate for their drama to be realized, they interrupt the rehearsal and insist that the director and actors bring their tragic tale to life. What unfolds is a layered and self-reflective exploration of illusion and authenticity, as the characters argue that their emotional reality is more genuine than the artificial performances of the actors attempting to portray them.
  
  At the heart of the work lies a haunting family drama marked by betrayal, misunderstanding, guilt, and suffering. Each of the six figures carries a distinct perspective on shared events, exposing the instability of truth and the subjectivity of memory. As their story is reenacted and contested on stage, tensions escalate between the characters and the theatrical company, blurring the line between performance and lived experience.
  
  Pirandello's genius lies in his daring experimentation with form. By breaking the "fourth wall" and embedding a play within a play, he invites audiences to question the nature of authorship, the fluidity of identity, and the relationship between art and reality. The result is a meta-theatrical work that feels startlingly modern, anticipating later developments in existential and absurdist drama.
  
  Beyond its formal innovation, Six Characters offers profound philosophical insight. It suggests that individuals are trapped within the roles they inhabit, unable to escape the perceptions of others. Reality itself becomes fragmented—constructed through interpretation rather than fixed fact. In this way, Pirandello examines the human condition with both irony and compassion, revealing the fragile boundaries between truth and illusion.
  
  A cornerstone of 20th-century theatre, Six Characters transformed dramatic art and cemented Pirandello's legacy as one of the most influential playwrights of modern literature. Challenging, thought-provoking, and emotionally charged, this unforgettable work continues to captivate readers and audiences alike with its daring vision and timeless exploration of identity and existence.

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