Outros livros que poderiam interessá-lo

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  See What You're Missing - New...

  Will Gompertz

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  Taking us into the minds of artists—from contemporary stars to old masters—See What You're Missing shows us how to look and experience the world with their heightened awareness.Artists are expert lookers: they have learned to pay attention. The rest of us spend most of our time on autopilot, rushing from place to place, our overfamiliarity blinding us to the marvelous, life-affirming phenomena of our world. But that doesn't have to be the case.In his inimitable engaging style, Will Gompertz takes us into the minds of artists—from contemporary stars to old masters, the well-known to the lesser-so, and from around the world—to show us how to look and experience the world with their heightened awareness.In See What You're Missing we learn, for example, how Hasegawa Tohaku can help us to see beauty, how David Hockney helps us to see color, and how Frida Kahlo can help us see pain. In doing so we come to know the exhilarating feeling of being truly alive. See What You're Missing is at once entertaining and enlightening art history while delivering empowering new insights to its listener.

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  The Jazz Life of Dr Billy Taylor

  Bill Taylor, Teresa L. Reed

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  The autobiography of the celebrated American jazz pianist, composer, activist, educator, and Emmy Award–winning broadcaster. 
   
  Legendary jazz ambassador Dr. Billy Taylor’s autobiography spans more than six decades, from the heyday of jazz on 52nd Street in 1940s New York City to CBS Sunday Morning. Taylor fought not only for the recognition of jazz music as “America’s classical music” but also for the recognition of black musicians as key contributors to the American music repertoire. Peppered with anecdotes recalling encounters with other jazz legends such as Jelly Roll Morton, Duke Ellington, Art Tatum, Count Basie, Billie Holiday, and many others, The Jazz Life of Dr. Billy Taylor is not only the life story of a jazz musician and spokesman but also a commentary on racism and jazz as a social force. 
   
  “This book (including Dr. Teresa L. Reed’s eloquent introduction) captures with great clarity and accuracy the character of this man. Taylor not only always aspired to excellence, he was also humble and generous of word and deed. The Jazz Life of Dr. Billy Taylor provides the backstory of why he must be remembered as one of the major leading lights of America’s classical music.” —New York City Jazz Record 
   
  “In this excellent collaboration with author Teresa Reed, Dr. Billy Taylor, one of the most beloved and iconic figures in the jazz world, tells his extraordinary life story in his own words with characteristic humility, warmth, and eloquence. This is a book of major importance not only to the jazz field but also to the study of the African American social and cultural experience in the 20th and early 21st centuries. It is a must read—I couldn’t put it down!” —Dr. David N. Baker, Chair, Jazz Studies, Indiana University Jacobs School of Music; National Endowment for the Arts American Jazz Master 
   
  “An impeccable memoir by one of America’s most celebrated renaissance men. . . . The writing is as fluid as it is gorgeous, captivating and inspiring. This monumental memoir offers an in-depth and critical analysis of American history through the lens of one the most decorated African American creative artists of the 20th and 21st centuries. . . . From amazing details of interactions with Malcolm X, Rev. Dr. Martin Luther King, Jr., John Coltrane and Mary Lou Williams to the behind-the-scenes inspirations for compositions such as “I Wish I Knew How It Would Feel To Be Free,” “Don’t Go Down South” and “Peaceful Warrior”; this is a must read by anyone who claims to be remotely interested in American music, history, arts and culture.” —Emmett G. Price III, Ph.D, Executive Editor of Encyclopedia of African American Music

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  Dance Mix: Volume 1 - Team Sweat

  Antonio Smith

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  Smith Show Media presents Dance Mix: Volume 1 written by Antonio Smith. This collection of fitness music is perfectly mixed, set at just the right pace to help you perform a high-energy, body-moving workout.

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  Christmas Carol Collection 2015

  Various Various

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  This year's selection includes traditional favourites and lesser-known Christmas carols in English and French. (Summary by Ruth Golding)Bergers, qui êtes ici bas, author unknown; music by Ezwa.A Christmas Lullaby, words by John Addington Symonds  (1840 - 1893); music by BookAngel7.Go Tell it on the Mountain, words by John Wesley Work, Jr.(1873-1925); music African-American spiritual.Notre divin Maître, author unknown, music by Ezwa.Saw You Never, In the Twilight? words by Cecil F. Alexander (1818 - 1895); music Chartres, 15th century French melody.This Endris Night, 15th century English carol; author and composer unknown; music from the 1905 English Hymnal.Quittez, pasteurs, author unknown; music by Ezwa.Yule Returns, words by Rev. R. Watham; music by Vernon Bryan Crowther-Beynon (1866 - 1941).Christmas Carol No. 3, words by Christina Rossetti; music by Susan Hawthorne.Cradle Hymn: Hush, My Dear, Lie Still and Slumber, words by Isaac Watts (1674-1748); music traditional Welsh, arranged by Robert Bryan (1858-1920).Bergers, allons voir dans l'étable, author unknown, music by Ezwa.What Child is This?, words by William Chatterton Dix (1837 - 1898); Music: Greensleeves 16th century English traditional, setting from The Sunday School Hymnal and Service Book, 1871.O Come, O Come, Emmanuel, words translated from the Latin by John Mason Neale (1818 - 1866); music 15th century French.A Christmas Carol: Dry Your Tears, Ye Silent Mourners, words by Lady Catherine Petre (1831 - 1882); music by Robert Lucas Pearsall (1795 - 1856).The Twelve Days of Christmas, words and music traditional altered and arranged by Frederic Austin (1872 - 1952).Noël sur la circoncision, author unknown, music by Ezwa.Unto Us Is Born a Son, author unknown, from the 15th century Latin; music arranged by Geoffrey Shaw (1879-1943).In Dulci Jubilo, words 14th century German, translated by Robert Lucas Pearsall (1795 - 1856).I Sing the Birth Was Born Tonight, words by Ben Jonson (1573-1637); music by Dmitri S. Bortniansky (1751-1825).Deck the Hall, words traditional, possibly alt. Mrs. L. A. Bradbury; music Nos Galan, traditional Welsh melody, arranged by Sir Charles Villiers Stanford (1852 – 1924).Infant Holy, Infant Lowly, words from a traditional Polish carol translated by Edith M. Reed (1885-1933); music Polish carol W Zlobie Lezy, arranged by Edith M. Reed.Tomorrow Shall Be My Dancing Day, words and music traditional English, author and composer unknown.I Heard the Bells on Christmas Day, words: Henry Wadsworth Longfellow (1807 - 1882); music Waltham by John Baptiste Calkin (1827 – 1905).Silence Ciel, silence Terre, author unknown, music by Ezwa.Once in Royal David's City, words by Cecil F. Alexander (1818-1895) from Hymns for Little Children 1848; music Irby by Henry John Gauntlett (1805-1875).Christmas Carol (Nowell, Nowell), traditional carol from about 1460, author and composer unknown. Words of a traditional wassail song added by William Chappell (1809 - 1888).Coventry Carol, words by Robert Croo from the 15th Century Pageant of the

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  Liberace Extravaganza!

  Connie Furr Soloman, Jan Jewett

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  Known for his spectacular performances, the magnificent Wladziu Valentino Liberace was a world-renowned star in the entertainment industry for more than four decades, and his dazzling, often outrageous costumes are what made him most memorable. In Liberace Extravaganza! the entertainer's sequined, bejeweled, and rhinestone-studded outfits, as well as his extravagant collection of furs, feather capes, sparkling bow ties, and custom-made shoes are exhibited in book form for the very first time.These mesmerizing costumes grew from Liberace's humble beginnings when, as a young man, he would perform in his brother's hand-me-downs. From there, his suits, worth as much as twenty-four thousand dollars, featured layers of silk and satin ruffles, Swarovski crystal rhinestones, and fourteen-karat white-gold, diamond-encrusted buttons, culminating in his "electric" costumes with four thousand light bulbs weighing more than twenty-five pounds.Michael Travis, Liberace's principal designer, has written the foreword for this breathtaking volume. Jim Lapidus, another of Liberace's designers, furrier Anna Nateece, and Ray Arnett, his producer, have contributed original sketches used to design Liberace's costumes. The result is a book that is one of a kind: a celebration of the legendary performer and a visual feast of the most extraordinary costumes ever created.With more than 260 full-color photographs

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  Crime Classics: Coyle and...

  Elliott Lewis

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  A large, powerful gent of Scotland and his small companion engage in a nautical life of crime.

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