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  Counterfeit Worlds - The...

  Brian J. Robb

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  Dive into the worlds of Philip K. Dick who inspired some of the most famous sci-fi movies of all time!
  
  Philip K. Dick struggled to make a living during his lifetime, but his work has since served as a deep seam of ideas to be mined by filmmakers such as Ridley Scott, Paul Verhoeven, Steven Spielberg, John Woo and Richard Linklater, resulting in some of the most successful and influential SF movies of all time.
  
  For the still-unequalled future world of Blade Runner to the mind-bending A Scanner Darkly, via the blockbusting action/adventure of Total Recall, Paycheck and Minority Report – not to mention the debt of gratitude films like The Matrix and The Truman Show owe to his work – the legacy of Philip K. Dick has revolutionised Hollywood.

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  19: The Musical - An American...

  Jennifer Schwed, Doug Bradshaw

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  19: The Musical is the dynamic and little-known story of Alice Paul, Ida B. Wells, Susan B. Anthony, Carrie Chapman Catt, Inez Milholland and the other suffragists who fought to get women the right to vote - The 19th Amendment. The inspirational story of these fearless women is brought to life through jazz, traditional musical standards style, spoken word, and hints of gospel. Alice Paul and the suffragist's fight for equality have been re-imagined for a new generation with a poignant and uplifting message that will resonate for years to come. 
  Originally created and performed on stage, 19: The Musical has been adapted for a new medium to reach a broader audience through audiobooks. 
  Book & Lyrics by Jennifer Schwed and Doug Bradshaw, ​​​​​​​Music Composed & Arranged by Charlie Barnett

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  Rockin’ in the Ivory Tower -...

  James M. Carter

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  Histories of American rock music and the 1960s counterculture typically focus on the same few places: Woodstock, Monterey, Altamont. Yet there was also a very active college circuit that brought edgy acts like the Jefferson Airplane and the Velvet Underground to different metropolitan regions and smaller towns all over the country. These campus concerts were often programmed, promoted, and reviewed by students themselves, and their diverse tastes challenged narrow definitions of rock music. 
   
    
   
  Rockin' in the Ivory Tower takes a close look at two smaller universities, Drew in New Jersey and Stony Brook on Long Island, to see how the culture of rock music played an integral role in student life in the late 1960s. Analyzing campus archives and college newspapers, historian James Carter traces connections between rock fandom and the civil rights protests, free speech activism, radical ideas, lifestyle transformations, and anti-war movements that revolutionized universities in the 1960s. Furthermore, he finds that these progressive students refused to segregate genres like folk, R&B, hard rock, and pop. Rockin' in the Ivory Tower gives listeners a front-row seat to a dynamic time for the music industry, countercultural politics, and youth culture.

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  Summary of Denise Kiernan’s The...

  Falcon Press

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  Buy now to get the main key ideas from Denise Kiernan’s The Last Castle 
    
  Nestled in the mountains of Asheville, North Carolina, Biltmore House is a 133-year-old architectural masterpiece commissioned by a Vanderbilt heir. The largest house ever built in America has attracted nobility, diplomats, and other visitors from all over the world. Known for its luxurious design, the mansion reflects a mixture of American and English aristocratic style. In The Last Castle (2017), Denise Kiernan traces the history of the house, the man who built it, and the family that has maintained it over the years. 
   

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  X Properties (EN) - Berlin...

  Joerg Franzbecker, Naomi Hennig,...

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  Berlin Journals—On the History and Present State of the City #11. X Properties negotiates the power of finance capital over the social and cultural production of the city, its relations and subjects.

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  NAZI MOVIES AS PROPAGANDA...

  Davis Truman

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  The German film industry transformed from a collection of independent studios into a division of the Nazi Party between 1933 and 1945. German film became a crucial component of the Nazi campaign to ideologically indoctrinate the German populace as part of the Ministry for Popular Enlightenment and Propaganda, led by Joseph Goebbels. However, the business kept up its prior commercial practices and made movies aimed at paying German consumers. Even though Goebbels worked hard to turn German cinema into an ideological weapon, the theater served as a popular consumer marketplace, and the various film tastes of German moviegoers continued to affect the kinds of films made. Therefore, filmmaking in Nazi Germany was influenced by popular taste and Goebbels' ideological objectives. 
  This book will look at several movies that demonstrate Goebbel's evolving propaganda objectives and the changing preferences of the German audience for movies during the Nazi era. Box office statistics from the years before and after the start of World War II offer unique insight into German film consumption and serve to highlight the extent to which the general public supported the war in Germany.

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