Outros livros que poderiam interessá-lo

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  Hollywood Said No! - Orphaned...

  Bob Odenkirk, David Cross, Brian...

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  Bob Odenkirk and David Cross, creators of HBO's classic sketch comedy show Mr. Show, present to you this collection of never-before-seen scripts and ideas that Hollywood couldn't find the gumption to green-light. Simply put...HOLLYWOOD SAID NO!Since Mr. Show closed up shop, Bob and David have kept busy with many projects--acting in fun, successful, movies and TV shows, directing things, and complaining about stuff that didn't turn out well to anyone who would listen, and even alone, in silence, inside their own heads.HOLLYWOOD SAID NO! reveals the full-length, never-before-seen scripts for Bob and David Make a Movie (fleshed out with brand-new storyboards by acclaimed artist Mike Mitchell) and Hooray For America!: a satirical power-house indictment of all that you hold dear. This tome also includes a bonus section of orphaned sketch ideas from the Mr. Show days and beyond, suitable for performance by church groups that aren't all koo-koo about religion. What you are looking at online, and are about to buy, is chock-full of comic twists, turns, and maybe a few hard truths. We said "maybe," but what we mean was "probably not."Now, for the first time, take a peek at the scripts that didn't get the go-ahead and ponder a world we can only dream about...and beyond!

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  Much Ado About Nothing

  William Shakespeare

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  Written around the middle of his career, Much Ado About Nothing is one of Shakespeare's great festive comedies.  The men are back from the war, and everyone is ready for romance.  The dashing young Claudio falls for Hero, the daughter of Leonato, governor of Messina, and his friend Don Pedro helps him secure her affection.  These youthful lovers are contrasted with the more experienced (and more cynical) Benedick and Beatrice, who have to be tricked into falling in love.  Don Pedro's bastard brother, Don John, provides the intrigue, and the dimwitted constable Dogberry provides the laughs.  (Summary by Elizabeth Klett)Cast:Don Pedro: JaniceDon John: Christie NowakClaudio: Lizzie DriverBenedick: Elizabeth KlettLeonato: StephenCAntonio: CalibanBalthazar: David O'ConnellBorachio: Troy BondConrade: James PritchardDogberry: Rosalind WillsVerges: Lamarr GulleyFriar Francis: SharontzuSexton: AleithiaBoy: Arielle LipshawHero: Karen SavageBeatrice: Kristin HughesMargaret: Gates MaruUrsula: Sibella DentonMessenger: Josh WilsonFirst Watch: Graham DaileySecond Watch: CalibanA Lord:Gilles LehouxNarrator: Laurie Anne WaldenAudio edited by: Elizabeth Klett

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  The Poetics of Aristotle

  Aristotle

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  The Poetics of Aristotle. Translated by S. H. Butcher
  
  libreka classics – These are classics of literary history, reissued and made available to a wide audience. 
  Immerse yourself in well-known and popular titles!

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  Dragnet: Big Betty

  Jack Webb

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  A bunco gang of petty swindlers have set up operations in the city. They work the obituary racket, selling worthless merchandise to the relatives of the deceased. They're experienced, cunning and they work fast.

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  How Do Rumors Get Started - The...

  Marcus A. Thompson

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  In the summer of 1986, the song "Rumors" by Timex Social Club dominated the radio airwaves, topping all Billboard magazine urban charts with the number position for Hot 100 Black Singles, Hot Black Singles - Sales, Hot Black Singles-Airplay, Hot Dance/Disco-Club Play, and Hot Dance/Disco-12 inch singles sales. 
  This was no small feat for four young men from Berkeley California (Marcus Thompson, Alex Hill, Michael Marshall, and Kevin Moore) who were unknown songwriters at the time. 
  Along with instant stardom came a treacherous ride through the music business. A journey filled with greed, broken friendships, and culminating with the group break up less than one year later. 
  How Do Rumors Get Started is a powerful, edgy, and amusing look behind the scenes of rap music in the mid-80s.

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  Why Bushwick Bill Matters

  Charles L. Hughes

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  In 1989 the Geto Boys released a blistering track, “Size Ain’t Shit,” that paid tribute to the group’s member Bushwick Bill. Born with dwarfism, Bill was one of the few visibly disabled musicians to achieve widespread fame and one of the even fewer to address disability in a direct, sustained manner. Initially hired as a dancer, Bill became central to the Geto Boys as the Houston crew became one of hip-hop’s most important groups. 
   
  Why Bushwick Bill Matters chronicles this crucial artist and explores what he reveals about the relationships among race, sex, and disability in pop music. Charles L. Hughes examines Bill's recordings and videos (both with the Geto Boys and solo), from the horror-comic persona of “Chuckie” to vulnerable verses in songs such as “Mind Playing Tricks On Me,” to discuss his portrayals of dwarfism, addiction, and mental illness. Hughes also explores Bill’s importance to his era and to the longer history of disability in music. A complex figure, Bill exposed the truths of a racist and ableist society even as his violent and provocative lyrics put him in the middle of debates over censorship and misogyny. Confrontational and controversial, Bushwick Bill left a massive legacy as he rhymed and swaggered through an often-inaccessible world.

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