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Editorial: Dell Junior Treasury
The classic tale from 1957 from the Dell Junior Classic line of comic books. This tale featured the art by Mel Crawford and tell the story of Santa and the Angel. A great holiday classic.
Why do we keep returning to Agatha Christie's ingenious puzzles and Raymond Chandler's hard-boiled murder mysteries? What do spy thrillers teach us, and what accounts for the renewed popularity of morally ambiguous noirs? In The Mysterious Romance of Murder, the poet and critic David Lehman explores a wide variety of outstanding books and movies—some famous (The Maltese Falcon, Double Indemnity), some known mainly to aficionados—with style, wit, and passion.Lehman revisits the smoke-filled jazz clubs from the classic noir films of the 1940s, the iconic set pieces that defined Hitchcock's America, the interwar intrigue of Eric Ambler's best fictions, and the intensity of attraction between Humphrey Bogart and Lauren Bacall, Robert Mitchum and Jane Greer, Cary Grant and Ingrid Bergman. He also considers the evocative elements of noir—cigarettes, cocktails, wisecracks, and jazz standards—and offers five original noir poems (including a pantoum inspired by the 1944 film Laura) and ironic astrological profiles of Barbara Stanwyck, Marlene Dietrich, and Graham Greene. Written by a connoisseur with an uncanny feel for the language and mood of mystery, espionage, and noir, The Mysterious Romance of Murder will delight fans of the genre and newcomers alike.Ver libro
A “beautifully crafted” visual celebration with 150 photos and essays by Barbara Kingsolver, Bill Moyers, Ann Patchett, Anne Lamott, Amy Tan, and more (Publishers Weekly). Many of us have vivid recollections of childhood visits to a public library: the unmistakable musty scent, the excitement of checking out a stack of newly discovered books. Today, the more than 17,000 libraries in America also function as de facto community centers offering free access to the internet, job-hunting assistance, or a warm place to take shelter. And yet, across the country, cities large and small are closing public libraries or curtailing their hours of operation. Over eighteen years, photographer Robert Dawson crisscrossed the country documenting hundreds of these endangered institutions. The Public Library presents a wide selection of his photographs—from the majestic reading room at the New York Public Library to Allensworth, California’s one-room Tulare County Free Library, built by former slaves. Accompanying them are essays, letters, and poetry by some of America’s most celebrated writers. “For book lovers, library denizens, and fans of architecture or Americana, The Public Library is a delight.” —The Christian Science Monitor “If you think all public libraries look pretty much the same, well, you need to take a look at this book. Oh, sure, there are plenty of grand ones, such as Philadelphia’s own Central Library on the Parkway. But we also have the Fishtown Community Branch, featured in this volume, which used to be a firehouse and, before that, a stable. There’s also the log cabin library in Cable, Wis. And many, many more, both grand and humble.” —Philadelphia Inquirer “An irrefutable argument for the preservation of public libraries . . . profound and heartbreakingly beautiful.” —Toni MorrisonVer libro
Lou has got another traffic ticket. Lou borrowed Bud's car and accidentallu ruined it. Bud's house burned down. Someone has kidnapped Bud's wife. They will pay Bud to take her back. The Legion wants Lou to join them. It turns out to be the Foreign Legion. They are in the desert. They are looking for a camel to escape. They make a joke about Camels carrying them for 5 years.Ver libro
Why Architecture Matters is not a work of architectural history or a guide to styles or an architectural dictionary, though it contains elements of all three. The purpose of Why Architecture Matters is to "come to grips with how things feel to us when we stand before them, with how architecture affects us emotionally as well as intellectually" — with its impact on our lives. "Architecture begins to matter," writes Paul Goldberger, "when it brings delight and sadness and perplexity and awe along with a roof over our heads." He shows us how that works in examples ranging from a small Cape Cod cottage to the "vast, flowing" Prairie houses of Frank Lloyd Wright, from the Lincoln Memorial to the highly sculptural Guggenheim Bilbao and the Church of Sant'Ivo in Rome, where "simple geometries... create a work of architecture that embraces the deepest complexities of human imagination." Based on decades of looking at buildings and thinking about how we experience them, the distinguished critic raises our awareness of fundamental things like proportion, scale, space, texture, materials, shapes, light, and memory. Upon completing this remarkable architectural journey, listeners will enjoy a wonderfully rewarding new way of seeing and experiencing every aspect of the built world. The book is published by Yale University Press.Ver libro
Whistler suddenly shot to fame like a meteor at a crucial moment in the history of art, a field in which he was a pioneer. Like the impressionists, with whom he sided, he wanted to impose his own ideas. Whistler’s work can be divided into four periods. The first may be called a period of research in which he was influenced by the Realism of Gustave Courbet and by Japanese art. Whistler then discovered his own originality in the Nocturnes and the Cremorne Gardens series, thereby coming into conflict with the academics who wanted a work of art to tell a story. When he painted the portrait of his mother, Whistler entitled it Arrangement in Grey and Black and this is symbolic of his aesthetic theories. When painting the Cremorne Pleasure Gardens it was not to depict identifiable figures, as did Renoir in his work on similar themes, but to capture an atmosphere. He loved the mists that hovered over the banks of the Thames, the pale light, and the factory chimneys which at night turned into magical minarets. Night redrew landscapes, effacing the details. This was the period in which he became an adventurer in art; his work, which verged on abstraction, shocked his contemporaries. The third period is dominated by the full-length portraits that brought him his fame. He was able to imbue this traditional genre with his profound originality. He tried to capture part of the souls of his models and placed the characters in their natural habitats. This gave his models a strange presence so that they seem about to walk out of the picture to physically encounter the viewer. By extracting the poetic substance from individuals he created portraits described as “mediums” by his contemporaries, and which were the inspiration for Oscar Wilde’s The Picture of Dorian Gray. Towards the end of his life, the artist began painting landscapes and portraits in the classical tradition, strongly influenced by Velázquez. Whistler proved to be extremely rigorous in ensuring his paintings coincided with his theories. He never hesitated in crossing swords with the most famous art theoreticians of his day. His personality, his outbursts, and his elegance were a perfect focus for curiosity and admiration. He was a close friend of Stéphane Mallarmé, and admired by Marcel Proust, who rendered homage to him in A La Recherche du Temps Perdu. He was also a provocative dandy, a prickly socialite, a demanding artist, and a daring innovator.Ver libro
Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in Heaven Hollywood Stage had them performing films as radio plays – on the sponsors dime of course. Classic films now become audiobooks with many featuring the original stars from way back when. Here's I Wanted Wings starring Ray Milland & William Holden.Ver libro
