Otros libros que te pueden interesar

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  Elizabeth Barrett Browning and...

  Elizabeth Barrett Browning

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  Elizabeth Barrett Browning (1806–1861) and Christina Rossetti (1830–1894) were both regarded as the female poet laureates of their time, and between them their writings spanned almost the entire Victorian age, from the end of Romanticism to the beginnings of Modernism. This selection of their shorter works contains all the major themes that animated them – social justice, faith, love and mortality – and some of the best-loved poetry in English, including In The Deep Midwinter and How Do I Love Thee? These poems reflect the changing world in which they were composed, but they also reflect the complex passions of two extraordinary women.

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  Female Poet The: Volume 1

  Various Authors, Eliza Acton,...

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  The gentler sex or the deadlier of the species.  Between these two definitions of the female gender lies a collection of some of the most beautiful verse ever written.  For much of history women have been seen rather than heard.  In this volume poets of great depth and feeling express themselves on a range of topics and in ways that perhaps only a woman can. Here in Volume 1 we bring you the works from Eliza Acton to Charlotte Bronte by way of Jane Austen, Aphra Behn, Anne Bradstreet, Anne Bronte and many others. Our readers include Ghizela Rowe and Richard Mitchley.

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  Favour (NHB Modern Plays)

  Ambreen Razia

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  Leila is happy living at home with Noor, her loving but traditional grandmother. But when Aleena, her fiercely independent mother, returns home from prison determined to deliver a new world of fun and excitement, their calm lives are upended in a blur of nail varnish and sweet treats.
  Family secrets come tumbling into the light, and Leila finds the task of deciding on her future more difficult than she first thought.
  Ambreen Razia's play Favour is a touching and hopeful family drama about a working-class Muslim family, tackling duty, addiction and the challenge of pulling yourself back together after it all falls apart. It was a Bush Theatre and Clean Break co-production and premiered at the Bush, London, in 2022, directed by Róisín McBrinn and Sophie Dillon Moniram.

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  A Chesterton Calendar

  G.K. Chesterton

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  Go through the year, day by day, with the wit and wisdom of G.K. Chesterton! Compiled from the writings of 'G.K.C', both in verse and in prose, each day of the year is provided with a generally short quotation from one of his many works. Also includes a section apart for the moveable feasts. (Summary by Maria Therese)

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  In the Seven Woods

  William Butler Yeats

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  In the Seven Woods (1904) is Yeats's first twentieth-century poetry collection. Its fourteen poems show him moving steadily away from the decisively Romantic diction of his earlier work. Here we hear a poetic voice that is at once more individual, colloquial and dramatic than previously. In addition, several poems sound a note of bitter lamentation over the marriage in 1903 of Maud Gonne, Yeats's great love and muse, to John MacBride. (Summary by Kasper Nijsen)

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  My Ariel

  Sina Queyras

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  A poem-by-poem engagement with Sylvia Plath's Ariel and the towering mythology surrounding it.
  When I am a bitch I feel in such good company.
  Nice girls never gave me anything but trouble,
  Eating the ground out from under me, then waving
  As I fall. Pity one has to die to see how liberating
  Bad can be. But what news had I of my own self?
  Words landed like razors, hours tinkled, suitors arrived.
  Listen, you'll think otherwise, but I tell you, betrayal
  Is your Get Out of Jail Free card. Take it,
  Don't look back. Of course you will. Look back.
  We always do, we who adore the muscle
  Of our cashmere cells, a cock that makes
  Our knees weak. Darlings, don't be sweet,
  Or serviceable. Don't accommodate,
  Write in blood or don't bother ...
  
  Where were you when you first read Ariel? Who were you? What has changed in your life? In the lives of women? In My Ariel, Sina Queyras barges into one of the iconic texts of the twentieth century, with her own family baggage in tow, exploring and exploding the cultural norms, forms, and procedures that frame and contain the lives of women.

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