Otros libros que te pueden interesar

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  Learning to Be a Popular Music...

  Brendan Anthony

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  Learning to Be a Popular Music Producer takes everything typically taught in university-level Popular Music Production programs and opens it up to anyone who wants to build a career as a producer — no formal study required. 
  Drawing on the author's three-decades-plus career as a working music producer alongside 26 years in music education, the book starts by breaking down the core knowledge every producer needs. The first part untangles technical territory like audio sculpting, vocal production, and mixing and mastering, while also making sense of more conceptual ground — semiotic meaning, musical aesthetics, and producer psychology. From there, the focus shifts to the soft skills — the decision-making, communication, and creative direction that matter far more than any piece of gear — that separate a professional music producer from someone who simply knows a lot about music production; the two are not the same thing. The final stretch draws on real industry experience to walk through what building — and sustaining — a career in music production actually looks like day to day. Every chapter includes hands-on exercises listeners can apply straight to their own practice, and there are downloadable e-resources — videos and additional information — to support that. 
  Whether you're studying production formally or carving out your own path outside the classroom, this book is built to be useful either way. 
  A companion PDF is available alongside the audiobook, containing the Acknowledgements, Figures, Tables, and full reference section. You can download it from the Routledge page: https://www.routledge.com/9781032758404. It's worth grabbing and keeping on hand while you listen, since it covers the visual and reference material the audio format can't carry on its own. All other e-resources, including videos, are available at the same link. 
  Cover Image Image 306851609 © Yulia Ryabokon | Dreamstime.com

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  Fantasies of Nina Simone

  Jordan Alexander Stein

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  Since her death in 2003, Nina Simone has been the subject of an astonishing number of rereleased, remastered, and remixed albums and compilations as well as biographies, films, viral memes, samples, and soundtracks. In Fantasies of Nina Simone, Jordan Alexander Stein examines the space between our collective and individual fantasies about Simone the performer, civil rights activist, and icon, and her own fantasies about herself. Stein outlines how Simone gave voice to personal fantasies through releasing dozens of covers of her white male contemporaries. With her covers of George Harrison, the Bee Gees, Bob Dylan, and others, Simone explored and claimed the power and perspective that come with race and gender privilege. Looking at examples from Simone's four-decade genre-bending career—from songbook standards, jazz, and pop to folk, junkanoo, and reggae—and at her work's many uptakes and afterlives, Stein mobilizes the psychoanalytic concept of fantasy to build a black feminist history with and for this multifaceted performing artist.

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  Hallelujah Junction - Composing...

  John Adams

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  John Adams is one of the most respected and loved of contemporary composers, and "he has won his eminence fair and square: he has aimed high, he has addressed life as it is lived now, and he has found a language that makes sense to a wide audience" (Alex Ross, The New Yorker). Now, in Hallelujah Junction, he incisively relates his life story, from his childhood to his early studies in classical composition amid the musical and social ferment of the 1960s, from his landmark minimalist innovations to his controversial "docu-operas." Adams offers a no-holds-barred portrait of the rich musical scene of 1970s California, and of his contemporaries and colleagues, including John Cage, Steve Reich, and Philip Glass. He describes the process of writing, rehearsing, and performing his renowned works, as well as both the pleasures and the challenges of writing serious music in a country and a time largely preoccupied with pop culture.Hallelujah Junction is a thoughtful and original memoir that will appeal to both longtime Adams fans and newcomers to contemporary music. Not since Leonard Bernstein's Findings has an eminent composer so candidly and accessibly explored his life and work. This searching self-portrait offers not only a glimpse into the work and world of one of our leading artists, but also an intimate look at one of the most exciting chapters in contemporary culture.

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  Globo arte March 2023 issue -...

  Globo Arte Team

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  Hi guys this is the March 2023 Magazine issue, s contains artists interviews to inspire artists, and so much more to help the artist in their art career,it contains artist interviews, art-related topics articles and question of the month, step of the month and social media updates

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  Globo arte July 2023 issue - AN...

  Globo Arte Team

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  Hi guys this is the July 2023 Magazine issue, s contains artists interviews to inspire artists, and so much more to help the artist in their art career,it contains artist interviews, art-related topics articles and question of the month, step of the month and social media updates

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  Emotional Design - Why We Love...

  Don Norman

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  Why attractive things work better and other crucial insights into human-centered design 
   
   
   
  Emotions are inseparable from how we humans think, choose, and act. In Emotional Design, cognitive scientist Don Norman shows how the principles of human psychology apply to the invention and design of new technologies and products. In The Design of Everyday Things, Norman made the definitive case for human-centered design, showing that good design demanded that the user's must take precedence over a designer's aesthetic if anything, from light switches to airplanes, was going to work as the user needed. In this book, he takes his thinking several steps farther, showing that successful design must incorporate not just what users need, but must address our minds by attending to our visceral reactions, to our behavioral choices, and to the stories we want the things in our lives to tell others about ourselves. Good human-centered design isn't just about making effective tools that are straightforward to use; it's about making affective tools that mesh well with our emotions and help us express our identities and support our social lives. From roller coasters to robots, sports cars to smart phones, attractive things work better. Whether designer or consumer, user or inventor, this book is the definitive guide to making Norman's insights work for you.

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