Outros livros que poderiam interessá-lo

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  Tales of the Five Towns

  Arnold Bennett

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  This is a selection of short stories recounting, with gentle satire and tolerant good humour, the small town provincial life at the end of the nineteenth century, based around the six towns in the county of Staffordshire, England, known as the Potteries. Arnold Bennett chose to fictionalize these towns by changing their names and omitting one (Fenton) as he apparently felt that “Five Towns” was more euphonious than “Six Towns”. The real town names which are thinly disguised in the novel are: Hanley, Longton, Burslem and Tunstal, the fifth, Stoke, became “Knype”.Arnold Bennett (1867-1931) was born in Hanley, the eldest child of a pawnbroker who subsequently became a solicitor. Bennett’s father wished him to become a solicitor too, but he failed his university entrance examination and instead became a solicitor's clerk, at first in his father's office and, from 1889, in London.He showed early promise as a writer winning a writing competition in a local newspaper as a boy. In London he began to see his writing published in popular magazines and he joined the staff of ‘Woman’ magazine in 1893.His first novel to be published, A Man from the North, appeared in 1898 and its success allowed him to give up other work to concentrate on writing. His first short story (A Letter Home) was written in 1893 and appears in Tales of the Five Towns. (Summary by Martin Clifton)

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  The Problem of the Superfluous...

  Jacques Futrelle

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  Jacques Futrelle's Inspector Lestrade joins Professor S.F.X. Van Dusen ("The Thinking Machine") in trying to solve a strange case involving self-mutilation. 
  Jacques Futrelle (April 9, 1875 - April 15, 1912) was an American journalist and mystery writer. He is best known for writing short detective stories featuring Professor Augustus S.F.X. Van Dusen, also known as "The Thinking Machine" for his application of logic to any and all situations. Futrelle died in the sinking of the RMS Titanic on April 15, 1912.

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  The Bet - From their pens to...

  Barry Pain

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  Barry Eric Odell Pain was born at 3 Sydney Street in Cambridge on 28th September 1864. He was one of 4 children. 
  He was educated at Sedbergh School and then Corpus Christi College, Cambridge where he read classics and contributed to and edited Granta. 
  Four years of service as an Army coach followed before he moved to London. In 1889, Cornhill Magazine published his short story ‘The Hundred Gates’.  This opened the way for Pain to advance his literary career on several fronts. He became a contributor to Punch and The Speaker, as well as joining the staff of both the Daily Chronicle and Black and White.  
  In 1897 he succeeded Jerome K Jerome as editor of To-Day but still contributed regularly, until 1928, to the Windsor Magazine. 
  It is often said that Pain was discovered by Robert Louis Stevenson, who compared his work to that of Guy de Maupassant.  It’s an apt comparison. Pain was also a master of disturbing prose but able to inject parody and light comedy into many of his works.  A simple premise could in his hands suddenly expand into a world very real but somehow emotionally fraught and on the very edge of darkness as many of these short stories demonstrate.   
  Despite applying his talents to several genres and forms today Pain is more readily thought of, especially during the first decade of the 20th Century, as perhaps the leading British humorist of his day.  These stories reveal a darker side and beg to differ. 
  Barry Pain died on 5th May 1928 in Bushey, Hertfordshire.

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  The Blind Accordionist

  C.D. Rose

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  In the novel Who's Who When Everyone Is Someone Else, the character "C. D. Rose" (not to be confused with the author C. D. Rose) searches an unnamed middle-European city for the long-lost manuscript of a little-known writer named Maxim Guyavitch. That search was fruitless, but in The Blind Accordionist, "C. D. Rose" has found the manuscript—nine sparkling, fable-like short stories—and he presents them here with an (hilarious) introduction explaining the discovery, and an afterword providing (hilarious) critical commentary on the stories, and what they might reveal about the mysterious Guyavitch. 
   
   
   
  The Blind Accordionist is another masterful book of world-making by the real C. D. Rose, absorbing in its mix of intelligence and light-heartedness, and its ultimate celebration of literature itself. It is the third novel in the series about "C. D. Rose," although the reader does not need to have read the previous two books. (The first in the series was The Biographical Dictionary of Literary Failure; the second was Who's Who When Everyone Is Someone Else.) 
   
   
   
  Like those books, The Blind Accordionist can be read both as a simple but wonderful collection of quirky stories, and as comedy—or as a beautiful and moving elegy on the nobility of writers wanting to be read.

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  A Touch of Realism

  Saki Saki

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  Lady Blonze is hosting a Christmas party and wants to try a new idea to make it original. Her guest Blanche Boveal suggests a game where each guest has to act as a specific character consistently throughout the visit. At the end, everyone tries to guess each other's characters, and the best actor wins a prize. 
  The story satirizes the upper-class society's attempts to create novel entertainment and their obliviousness to the potential consequences of their games. Saki's signature wit and dark humor are evident in the absurd situations the characters find themselves in while trying to act out their roles.

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  Two Timer

  Fredric Brown

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  What if time itself could betray you? In Fredric Brown's gripping short story "Two Timer", a man discovers the shocking consequences of time travel when an experiment goes terribly wrong. A single moment changes everything, leaving him trapped in an unsettling paradox with no way out. Known for his clever twists and sharp storytelling, Brown masterfully crafts a tale that is both thought-provoking and chilling. "Two Timer" is a must-listen for fans of classic science fiction, blending suspense, irony, and the unsettling mysteries of time in a way that only Fredric Brown can.

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