Otros libros que te pueden interesar

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  The American Jewish Story...

  Eric A. Goldman

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  “A superb, thought-provoking analysis tracing the metamorphosis of the image of the Jew as portrayed through 80 years of American cinema.” —Library Journal   Like the haggadah, the traditional story of the Israelites’ exodus from Egypt read at the Passover seder, cinema offers a valuable text from which to gain an understanding of the social, political, and cultural realities of Jews in America. In an industry strongly influenced by Jewish filmmakers, the complex, evolving nature of the American Jewish condition has had considerable impact on American cinema and, in particular, on how Jews are reflected on the screen.   This groundbreaking study analyzes select mainstream films from the beginning of the sound era to today to provide an understanding of the American Jewish experience over the last century, from the time when Hollywood’s movie moguls, most of whom were Jewish, shied away from asserting a Jewish image on the screen, to a period when Jewish moviemakers became more comfortable with the concept of a Jewish hero and with an overpowered, yet heroic, Israel, and the way that the Holocaust assumed center stage as the single event with the greatest effect on American Jewish identity. Recently, as American Jewish screenwriters, directors, and producers have become increasingly comfortable with their heritage, we are seeing an unprecedented number of movies that spotlight Jewish protagonists, experiences, and challenges. This is “a wonderful book for any lover of American films” (Hadassah Magazine).

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  Stage Land

  Jerome K

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  A comic look at the curious habits and customs of the inhabitants of 'Stage Land'. Dedicated to 'that highly respectable but unnecessarily retiring individual, of whom we hear so much but see so little, "the earnest student of drama".

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  Sherlock Holmes and the Viennese...

  Carl Amari

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  This time on H360, we’ll hear Nigel Bruce and Basil Rathbone on The Adventures of Sherlock Holmes. We’ll also have some laughs with The Jack Benny Program and The Red Skeleton Show. Plus, Space Patrol, Have Gun Will Travel, and The Molle Mystery.
  A Falcon Picture Group audio production.

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  Heaven's Promise - A Novel

  Paolo Hewitt

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  Description London, 1988, and the winds of change are blowing through the city, kicking up a storm. A gal pregnant and a DJ running for cover. The birth of the e generation and a race riot erupting. The Sheriff is trying to talk to Prince and Sammy the Foot is dancing up a treat. Everything was Tuesday until she quit without an explanation whilst a young Italian is looking to score and a mother is fighting off the fascists. Someone just dropped one and said 'it's as if we were in heaven' whilst outside the club a seven-month-old baby is crying hard. Heaven's Promise stands, still underrated, in the intersection of great modern London novels, between Absolute Beginners and Trainspotting - a tradition of youthful struggle and creative ambition embodied in a City of Dreams, a vision as potent in the rave culture of the late eighties as it was in the fifties - and as it is today. Praise for Heaven's Promise 'A soulful ride through the London of those heady days, a love letter to the city as much as a scene… indispensible, the Absolute Beginners of Acid House.' Irvine Welsh 'Heaven's Promise's evocation of late 80's London, its music, its club scene, its racial tensions and cultural signposts place Hewitt firmly in the rich lineage of great "London Novel" writers. This is the view from the inside… the authentic voice. Dig it.' Dr. Robert

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  Our Miss Brooks: Wishing Well...

  Al Lewis

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  There's going to be a Wishing Well Dance at Madison High, and everyone wants a lock of Miss Brooks' hair. To most of us a school dance isn’t the most exciting thing in the world but to our Miss Brooks, the one planned for last Friday night was a most welcome diversion.

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  Watching Television Come of Age...

  Louis L. Gould

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  Providing video companionship for isolated housewives, afternoon babysitting for children, and nonstop evening entertainment for the whole family, television revolutionized American society in the post–World War II years. Helping the first TV generation make sense of the new medium was the mission of Jack Gould, television critic of The New York Times from 1947 to 1972. In columns noteworthy for crisp writing, pointed insights, and fair judgment, he highlighted both the untapped possibilities and the imminent perils of television, becoming "the conscience of the industry" for many people. In this book, historian Lewis L. Gould, Jack Gould’s son, collects over seventy of his father’s best columns. Grouped topically, they cover a wide range of issues, including the Golden Age of television drama, McCarthy-era blacklisting, the rise and fall of Edward R. Murrow, quiz show scandals, children’s programming, and the impact of television on American life and of television criticism on the medium itself. Lewis Gould also supplies a brief biography of his father that assesses his influence on the evolution of television, as well as prefaces to each section.

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