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  The Poetry of Samuel Taylor...

  Samuel Taylor Coleridge

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  Samuel Taylor Coleridge was born on October 21st, 1772 in Ottery St Mary in Devon. 
  As a child he was an early and devoted reader and, after being schooled at Christ's Hospital, a charity school, he attended, from 1791, Jesus College, Cambridge and the following year won the Browne Gold Medal for an ode on the slave trade. 
  He was great friends with the poet Robert Southey, indeed they formed a plan, soon abandoned, in 1795, to found a utopian commune-like society, called Pantisocracy, in the wilds of Pennsylvania. But the same year the two friends married sisters Sarah and Edith Fricker and, of course, went on to be part of the Lake Poets movement along with Wordsworth. 
  In 1798, Coleridge and Wordsworth published a joint volume of poetry, Lyrical Ballads, which proved to be the starting point for the English romantic age. 
  In the autumn he and Wordsworth left for a stay in Germany; Coleridge soon went his own way immersing himself in both German philosophy and the language, which later proved invaluable for his translations. 
  In 1800, he returned to England and settled with his family at Keswick in the Lake District, near to where Wordsworth had moved. Soon, however, he was beset by marital problems, illnesses, a growing opium dependency, tensions with Wordsworth, and a lack of confidence in his poetic powers, all of which fuelled the composition of Dejection: An Ode and an intensification of his philosophical studies. He abandoned his family to Southey's care and departed on new travels. 
  Between 1810 and 1820, this "giant among dwarfs", as he was often considered, gave a series of lectures in London and Bristol. Much of Coleridge's reputation as a literary critic is founded on the lectures from the winter of 1810–11 a series on Shakespeare and Milton. Although he rarely prepared anything other than loose notes and was inclined to digress, these lectures were a huge literary event and success. 
  By this time Coleridge was dependent on opium and by 1817 his solution was to live in Highgate under the watchful eye of physician James Gillman where his dependency was somewhat controlled and his output of work could continue.  These included his 23 volume Biographia Literaria, Sibylline Leaves (1817), Aids to Reflection (1825), and Church and State (1826). 
  He died in Highgate, London on 25 July 1834 as a result of heart failure and a lung disorder together with the long term effects of opium. 
  This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  Homer's The Iliad and The Odyssey

  Homer Homer

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  "Ah how shameless – the way these mortals blame the gods. From us alone they say come all their miseries yes but they themselves with their own reckless ways compound their pains beyond their proper share.” – The OdysseyExperience the stunning Greek poetry of Homer in this collection of his two major works: The Iliad and The Odyssey. These epic poems are beloved for their presentation of Greek history and belief systems, their strong theming and lessons on Greek virtues, and their continued influence on the literary canon.The Iliad –In the final days of the long-fought Trojan War, the Greek gods begin to interfere with the events of the war. When plagues strike the Achaean army, the fierce leader Achilles uses his connections with the gods to further interfere, which begins a series of events that leads to death and destruction on both sides of the war. This dramatic poem is a commentary on human folly and hubris, while also an in-depth explanation of the warfare styles of the time and a representation of the Greek views on the interference of gods in major historical events.The Odyssey –Following the events of The Iliad, Odysseus begins a journey to return to his home of Ithaca after being away for a decade due to angering Poseidon, the god of the sea. After sneaking away from Poseidon, he embarks on a years-long voyage home during which he is captured and circumvented by earthly and godly foes alike. His journey home is slow and full of turmoil and adventure. Themes in this poem include hospitality, predetermined fate and omens, journeying home, and wandering as a test of faith and resilience.

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  Manland

  Peter Raynard

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  Peter Raynard's Manland is a bold, brilliant and outspoken new collection of poems that scrutinise men and manhood, mental health, working class lives and disability. Aloud and alive with music, wit, anger and rebellion, this is an accomplished, politically-aware and vital book.
  Raynard is a skilled observer, and these razor-sharp poems document parenthood through the lens of a stay-at-home dad, attempt to tell the truth about men and depression, study our cultural, social and medical relationships with drugs and drug-taking, and lay bare the realities of life at the sharpest edges of society. By turns frank, painful and bleakly funny, this humane and brilliant book encompasses pride and prejudices, the bonds between lads and dads, the toxic pressures of masculinity and the way illness and poverty irrevocably shape lives.

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  Liberation Squares

  Sonali Bhattacharyya

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  'You've all heard a hundred different versions of what happened. We're here to tell you how it really went down.'
  Teenage best friends Sabi and Ruqaya spend their time choreographing dance routines, beat-boxing and hiding from bullies.
  But when charismatic social media activist Xara challenges them to speak up about injustice, they find themselves under state surveillance, targeted by the anti-terrorist 'Prevent' programme. What you say, and even what you think, can be viewed very differently, depending on who you are...
  Sonali Bhattacharyya's play Liberation Squares is a riotous comedy about sisterhood, freedom of speech, and dissent in the face of institutionalised Islamophobia. It was commissioned and developed by Fifth Word, and first produced in 2024 by Fifth Word and Nottingham Playhouse in association with Brixton House, and directed by Milli Bhatia.

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  Paper Crusade

  Michelle Penn

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  On a wasted island in perpetual sun, the Father practices magic, laments his lost kingdom and commands a ragtag army of three: the passionate and damaged Daughter, the winged Spirit and an indigenous being known only as C. Behind their uniforms — white suits and full-face paper masks — the soldiers seethe with rebellion.
  The arrival of the Boy, a hapless prince, and the Brother, the Father's rival, unleashes desire, betrayal, insanity and revenge — all of it witnessed by an irate sea.
  Paper Crusade is a bold reinvention of Shakespeare's play, The Tempest. Michelle Penn's vivid imagery and startling, sensual language create an unforgettable dystopia for our own time.
  A visionary, intertextual journey that takes us far beyond standard retelling or response to Shakespeare. Penn brings new life to the characters here, with an incantatory power that threatens to lose us in the words and the waves but always takes us somewhere captivating and unexpected.
  Luke Kennard, 2022

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  Be Holding - A Poem

  Ross Gay

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  Winner, 2021 PEN/Jean Stein Award Winner, 2021 Ohioana Book Award in Poetry Winner, 2022 Indiana Author Award in Poetry Be Holding is a love song to legendary basketball player Julius Erving—known as Dr. J—who dominated courts in the 1970s and ‘80s as a small forward for the Philadelphia ‘76ers. But this book-length poem is more than just an ode to a magnificent athlete. Through a kind of lyric research, or lyric meditation, Ross Gay connects Dr. J’s famously impossible move from the 1980 NBA Finals against the Los Angeles Lakers to pick-up basketball and the flying Igbo and the Middle Passage, to photography and surveillance and state violence, to music and personal histories of flight and familial love. Be Holding wonders how the imagination, or how our looking, might make us, or bring us, closer to each other. How our looking might make us reach for each other. And might make us be reaching for each other. And how that reaching might be something like joy.

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