Other books that might interest you

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  James IV: Queen of the Fight...

  Rona Munro

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  Scotland, 1504, seen fresh through the eyes of new arrivals Ellen and Anne, two Moorish women who were expected to take their place at a royal court… but not this one.
  Both women now have to fight to find and keep a place in the dazzling, dangerous world of the Scottish court of James IV. It's a world where war is never far away, words of love and promises of peace are not what they seem, and where poets might turn out to be more dangerous than any assassin.
  Rona Munro continues her journey through an uncharted period of Scottish history with James IV: Queen of the Fight, which was first presented in 2022 by Raw Material and Capital Theatres in association with National Theatre of Scotland, and directed by Laurie Sansom.
  It follows the spectacular success of Munro's plays about James I, II and III, which were first performed by National Theatre of Scotland, transferred to the National Theatre, London, and were named Best New Play at the Evening Standard Awards.
  'Epic and intimate... abounds with curious, colourful characters... Scotland's answer to Shakespeare's cycle of history plays. The similarities are there in the scope of [Munro's] script, the cross-section of courtly society she presents and in the flashes of humour that illuminate the evening. Most of all, they are in the play's questing contemplation of royal and national identity, then and now... a fun and fascinating riposte to Shakespeare' - The Stage
  'Explosive and chilling' - Guardian
  'Ambitious and admirable... a history play that says a great deal about modern Scotland' - Financial Times

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  Sixteen Wounded

  Eliam Kraiem

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  The fateful collision of a lonely Jewish baker and a passionate Palestinian sets in motion a deepening friendship as the two struggle with identity and loyalty to their beliefs and to each other. An act of violence brought them together. Will another tear them apart?An L.A. Theatre Works full-cast performance featuring Omar Metwally, Megan Austin Oberle, Annabelle Gurwitch, Martin Rayner and Andre Sogliuzzo.

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  All Our Children (NHB Modern Plays)

  Stephen Unwin

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  'I used to be scared of them. They seemed so different. They don't scare me any more. They're just children, aren't they? Just children.'
  January 1941. A terrible crime is taking place in a clinic for disabled children. The perpetrators argue that it will help struggling parents and lift the financial burden on the mighty German state. One brave voice is raised in objection. But will the doctor listen?
  A moving examination of a terrifying moral dilemma, and a powerful story that shows what it takes for humanity and decency to be restored in a world that has abandoned them. First produced by Tara Finney Productions, Stephen Unwin's debut play All Our Children premiered at Jermyn Street Theatre, London, in 2017.

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  Trifles

  Susan Glaspell

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  Based on an actual murder case Susan Glaspell reported for the Des Moines News in 1916, this one-act play represented an early exploration of gender relationships in a time when women often were considered to be mere “trifles.” The play is considered a groundbreaking work in feminist literature and is often included in American drama anthologies.  
   
  
  
  Recorded at The Invisible Studios, West Hollywood, in April 2011. 
   
  
  
  Adapted and directed for radio by Rosalind Ayres
  Producing Director: Susan Albert Loewenberg
  An L.A. Theatre Works Full-Cast Performance Featuring:
  Jeanie Hackett as Mrs. Peters
  Amy Madigan as Mrs. Hale
  Sam McMurray as the Sheriff
  Steve Vinovich as Mr. Hale
  Steven Weber as the County Attorney
  
  Recording Engineer/Sound Designer/Mixing/Engineer/Editor: Mark Holden for The Invisible Studios, West Hollywood

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  Kisses from the Apocalypse (And...

  Dan Corjescu

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  Love, sex, death, God, and nature are just some of the hot, fervent kisses that you'll find in this collection of contemporary, perplexed poetry. It draws its inspiration from the works of Bukowski, Poe, Baudelaire, Ungaretti, Neruda, and the Bible, among others. It reflects the unease, anger, doubts, and rage of our present situation while lyrically transporting us towards possible solutions. For all those concerned about our future this is beautiful intriguing poetry from the Threshold of The End of Days but, hopefully, not the End of Love.

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  Casual Conversation

  Renia White, Aracelis Girmay

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  A Blessing the Boats Selection with a Foreword by Aracelis Girmay, Renia White’s debut poetry collection pushes against state-sanctioned authority and societal thought while ruminating on Black joy. 
  
  
   
  Renia White’s debut poetry collection strikes up a conversation, considering what’s being said, what isn’t, and where it all come from. From her vantage point of Black womanhood, White probes the norms and mores of everyday interactions. In observations, insights, and snippets of speech, these poems look to the unspoken thoughts behind our banter, questioning the authority of not only the rule of law but also of our small talk itself—the concepts we have accepted and integrated without pause.
  
   
  Casual Conversation imagines a new way of knowing, a way that encourages us to think through how we structure and stratify ourselves, inviting something strange and other to spill out. White challenges us to question whether there is anything casual about this life, even as she invites us to consider other logics and to think alongside each other. This book gives space to hold what we fear out of formality: consequence, embarrassment, anger. It plays, it tarries, it disrupts. It pulls apart what seems sound in an effort to see: what did we make here? How’s it going? 
   
  Read by the author.

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