Other books that might interest you

• 

  Hollywood Stage - The Lady in...

  Various Authors

  • 0
  • 0
  • 0

  Hollywood is indelibly printed in our minds as the ‘go-to place for entertainment and has been for decades. When there really did seem to be more stars in Hollywood than in Heaven Hollywood Stage had them performing films as radio plays – on the sponsors dime of course.  The Hollywood director William Keighly unveils the treasure and the stars for you right here…..

  Show book

• 

  A Musical Tribute to Dr Martin...

  Raymond Sturgis

  • 0
  • 0
  • 0

  There is no audiobook on the market today that gives such a beautiful tribute to the lives of Dr. King and his wife Coretta Scott King. Raymond Sturgis is known for his artistry and music selling across the world where many authors have no such fans, this is a masterpiece. This book reminds the world that freedom is still in need of fighting for, due to the political hate from Republicans trying their best to strip Americans of their freedoms. Therefore, enjoy the message in this enormous tribute to civil rights and those who died and fought for civil liberties.

  Show book

• 

  Faith Family and Flag - Branson...

  Joanna Dee Das

  • 0
  • 0
  • 0

  Sons of Britches. The Great American Chuckwagon Dinner Show. The Haygoods. The Grand Jubilee. These are just a couple of the many shows performed in Branson, MO, a popular tourist destination that has played a role in the nation’s culture wars for over one hundred years. 
    
  Branson, Missouri, the Ozark Mountain mecca of wholesome entertainment, has been home to countless stage shows espousing patriotism and Christianity, welcoming over ten million visitors a year. Some consider it “God’s Country” and others “as close to Hell as anything on Earth.” For Joanna Dee Das, Branson is a political, religious, and cultural harbinger of a certain enduring dream of what America is. She takes Branson more seriously than the light-hearted fun it advertises—and maybe we should too. 
    
  For Das, Branson’s performers offer visions of the American Dream that embody a set of values known as the three Fs: faith, family, and flag. Branson boosters insist that these are universal values that welcome all people; the city aims to capture as many tourists as possible. But over the past several decades, faith, family, and flag have become markers of contemporary conservatism. The shows and culture of Branson, for all their fun and laughter, have been a galvanizing political force for white, working-and-middle class, Christian Americans. For social and economic conservatives alike, Branson is practically proof-of-concept for America as they want it to be.  
    
  Faith, Family, and Flag is a comprehensive history of the Branson entertainment industry, within the context of America’s long culture wars. Das reveals how and why a town known for popular entertainment, a domain associated most often with the political left (“Hollywood liberals”), came to be so important to the political right and its vision for America.

  Show book

• 

  Making Rent - The Story Behind...

  Tim Weil, Neil Patrick Harris,...

  • 0
  • 0
  • 0

  Thirty years after Rent, Jonathan Larson's groundbreaking rock opera, opened on Broadway, you would be hard-pressed to find a musical theater fan who doesn't know at least some of the show’s iconic tunes by heart. Much of the impact comes from the show's musical style, a singular blend of grunge rock, power pop, gospel, and R & B that was brought to life by the show's onstage band, headed by the legendary musical director Tim Weil.From his first day as audition accompanist through his elevation to musical director, Weil was a critical collaborator with Larson in developing Rent's unique sound. And when, on the eve of the company's first public performance, Larson died unexpectedly, Weil was there to finesse a still-unfinished show into the musical Larson had long dreamed of.Making Rent reveals how the music that has shaped generations of new American musicals grew out of Weil and Larson's intimate partnership and how Weil endeavored to preserve Larson's musical vision. Previously untold stories about some of the show's most iconic moments capture the energy, ingenuity, and passion of Rent's company and creators while providing a unique level of insight into just how collaborative and innovative a process making Rent was and why it has had such a lasting impact on musical theater and fans the world over.

  Show book

• 

  Kids and Practicing - How to...

  Stan Munslow

  • 0
  • 0
  • 0

  In my thirty-five years as a private music instructor, the question I'm asked the most by parents is: "How can I get my child to practice?" And, in this crazy-busy time, it gets asked even more! In this discussion, I will give you answers to this question, as well as a heap of advice on helping your young musician/singer/dancer become the very best s/he can be! Put these strategies to use and you will be helping your child maintain an endeavor that will last a lifetime and provide joy, satisfaction, and a sense of accomplishment along the way!

  Show book

• 

  Stan and Gus - Art Ardor and the...

  Henry Wiencek

  • 0
  • 0
  • 0

  How the architect Stanford White and the sculptor Augustus Saint-Gaudens transcended scandal to enrich their times. 
   
  Stanford White was a louche man-about-town and a canny cultural entrepreneur―the creator of landmark buildings that elevated American architecture to new heights. Augustus Saint-Gaudens was the son of an immigrant shoemaker, a moody introvert, and a committed procrastinator whose painstaking work brought emotional depth to American sculpture. They met when Stan was walking down the street and heard Gus whistling Mozart in his studio. They pursued their own careers in Italy and France, then came together again in New York, where they maintained an intimate friendship and partnership that defined the art of the Gilded Age. Over the course of decades, White would help sustain his friend's troubled spirits and vouch for Saint-Gaudens when he failed to complete projects. Meanwhile, Saint-Gaudens would challenge White to take his artistic gifts seriously―and so it went amid brilliant commissions and sordid debaucheries all the way to White’s sensational murder by an enraged husband in 1906. 
   
  In Stan and Gus, the acclaimed historian Henry Wiencek sets the two men’s relationship within the larger story of the American Renaissance, where millionaires’ commissions and delusions of grandeur collided with secret upper-class clubs, new aesthetic ideas, and two ambitious young men to yield work of lasting beauty.

  Show book