Otros libros que te pueden interesar

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  The Lightest Element

  Stella Feehily

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  'Nothing compares with being the first person in the history of the world to see something, but timing is everything. The world has to be ready for you.'
  Boston, 1956. Cecilia Payne-Gaposchkin, one of the most eminent astronomers of the twentieth century, is about to be appointed Chair of Astronomy and the first woman to head a department at Harvard University. Only two things stand in her way: a covert investigation aimed at exposing her as a Communist sympathiser, and the entrenched conservatism of her male colleagues.
  When a student journalist asks to profile her, it feels like an opportunity to control her own narrative – assuming, of course, that the invitation is actually what it seems…
  Stella Feehily's play The Lightest Element is a taut drama exploring how a challenge to social norms can be almost as difficult as overturning scientific orthodoxy. It premiered at Hampstead Theatre, London, in 2024, directed by Alice Hamilton.

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  Unmeaningable

  Roxanna Bennett

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  Unmeaningable welcomes you to the freak show, where the monster on display is a culture that stigmatizes sickness and a system that shames the sufferer. Behold the wonder of the ages, a human mind in a human body, dissected and displayed for entertainment. Witness the ritual of surgical sacrifice! Observe the indignity of institutionalization! Be astounded by the indifference of ableism and ignorance! This uncanny collection of “crippled” sonnets features a thrilling display of cannibals, chimeras, and the crucial question: What meaning can be made of a life lived in pain and isolation?

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  King Troll (The Fawn)

  Sonali Bhattacharyya

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  'I'll do anything for you. I can do anything for you.'
  Nikita and Riya are two South Asian sisters: insecure, stateless and desperate for somewhere to call 'home'.
  Nikita's work with young migrants requires her to keep her saviour complex in check as she negotiates the challenges and hypocrisy of the third sector. Meanwhile, Riya is offered the chance to create an advocate in the form of a homunculus (or fawn), and sees a chance to elevate herself above the cruelty meted out to others.
  Sonali Bhattacharyya's play King Troll (The Fawn) is a dark and dystopian exploration of migrant experiences in all their complexity – and the troll that lives within all of us, whispering 'me, not us', and definitely 'me first'. It was a finalist for the 2023 Women's Prize for Playwriting, and was first performed as a co-production between Kali Theatre and New Diorama Theatre, London, in 2024, directed by Milli Bhatia.

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  The Poetry of Michael Drayton -...

  Michael Drayton

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  Michael Drayton was born in 1563 at Hartshill, near Nuneaton, Warwickshire, England. The facts of his early life remain unknown.  
  Drayton first published, in 1590, a volume of spiritual poems; The Harmony of the Church.  Ironically the Archbishop of Canterbury seized almost the entire edition and had it destroyed. 
  In 1593 he published Idea: The Shepherd's Garland, 9 pastorals celebrating his own love-sorrows under the poetic name of Rowland. This was later expanded to a 64 sonnet cycle. 
  With the publication of The Legend of Piers Gaveston, Matilda and Mortimeriados, later enlarged and re-published, in 1603, under the title of The Barons' Wars. His career began to gather interest and attention.  
  In 1596, The Legend of Robert, Duke of Normandy, another historical poem was published, followed in 1597 by England's Heroical Epistles, a series of historical studies, in imitation of those of Ovid. Written in the heroic couplet, they contain some of his finest writing. 
  Like other poets of his era, Drayton wrote for the theatre; but unlike Shakespeare, Jonson, or Samuel Daniel, he invested little of his art in the genre. Between 1597 and 1602, Drayton was a member of the stable of playwrights who worked for Philip Henslowe. Henslowe's Diary links Drayton's name with 23 plays from that period, and, for all but one unfinished work, in collaboration with others such as Thomas Dekker, Anthony Munday, and Henry Chettle. Only one play has survived; Part 1 of Sir John Oldcastle, which Drayton wrote with Munday, Robert Wilson, and Richard Hathwaye but little of Drayton can be seen in its pages. 
  By this time, as a poet, Drayton was well received and admired at the Court of Elizabeth 1st. If he hoped to continue that admiration with the accession of James 1st he thought wrong.  In 1603, he addressed a poem of compliment to James I, but it was ridiculed, and his services rudely rejected.  
  In 1605 Drayton reprinted his most important works; the historical poems and the Idea. Also published was a fantastic satire called The Man in the Moon and, for the for the first time the famous Ballad of Agincourt. 
  Since 1598 he had worked on Poly-Olbion, a work to celebrate all the points of topographical or antiquarian interest in Great Britain. Eighteen books in total, the first were published in 1614 and the last in 1622.  
  In 1627 he published another of his miscellaneous volumes.  In it Drayton printed The Battle of Agincourt (an historical poem but not to be confused with his ballad on the same subject), The Miseries of Queen Margaret, and the acclaimed Nimphidia, the Court of Faery, as well as several other important pieces. 
  Drayton last published in 1630 with The Muses' Elizium.  
  Michael Drayton died in London on December 23rd, 1631.  He was buried in Westminster Abbey, in Poets' Corner.  A monument was placed there with memorial lines attributed to Ben Jonson. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  The Cherry Orchard

  Anton Chekhov, Julius West

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  The highly acclaimed Russian classic of twentieth-century theatre about a wealthy family unable to let go of the past or face the future. At the turn of the century, Russia is undergoing massive changes. Feudalism has ended, the middle class is growing, and the aristocracy are uncertain of their future . . .  The cherry orchard on the Ranevskaya grounds is known throughout the country for its beauty, but it now sits on the brink of ruin. The entire estate is headed for auction if the family cannot pay off their debts. The land’s fate lies in the hands of the family’s matriarch, Madame Ranevskaya, recently returned from five years in Paris where she wasted away much of her fortunes.  Neither Ranevskaya nor anyone else in her household can fathom the gravity of the situation. But a merchant, the son of a former serf on the land, has an idea . . .  Written in 1903, The Cherry Orchard premiered in Moscow in 1904. It was Chekhov’s last play before his death that same year. Since then, the work has been translated and adapted into numerous languages and performed around the world.

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  Scandaltown (NHB Modern Plays)

  Mike Bartlett

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  When noble heroine Miss Phoebe Virtue receives worrisome news on Instagram that her twin brother Jack may be endangering his reputation in London Town, she decides she must visit herself, and investigate...
  Set in contemporary, post-pandemic London, full of illicit sex, political hypocrisy and the machinations of a fame-hungry elite, Scandaltown is a comedy for the new Restoration of the theatres.
  Mike Bartlett's play was first produced by the Lyric Hammersmith Theatre, in association with Fictional Company, at the Lyric in April 2022, directed by Artistic Director Rachel O'Riordan.
  '[Mike Bartlett] is one of the prime movers in a new golden generation of British playwrights' Independent
  'A rambunctious, modern-day Restoration comedy... a springtime pantomime with knowing humour, smut, silliness and arch references to the hypocrisies of the state... joyfully silly stuff' - Guardian
  'Laugh-out-loud funny... the mashup of Restoration cadences and modern argot is spot on' - Evening Standard
  'Extremely funny... Bartlett's writing is always clever and lively, and he hits his targets' - WhatsOnStage

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