Outros livros que poderiam interessá-lo

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  The Art of Pastel - Discover...

  Walter Foster Creative Team

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  “Three accomplished artists each present an original take on the medium . . . This is a comprehensive guide for beginners.” —Library Journal 
   
  The velvety strokes of pastel have enchanted fine artists for more than a century. From airy strokes to bold marks and soft hues to vibrant shades, the versatility of pastel makes it suitable for a wide range of subjects and moods. Now anyone can experience this multi-dimensional medium with The Art of Pastel. Inside this comprehensive guide, three artists provide instruction for using soft, hard, and oil pastel—each sharing his or her unique approach. From portraits and landscapes to rich floral scenes, this book contains a wealth of inspiring images that artists can re-create step by step.

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  The History of the Caliph Vathek

  William Beckford

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  Vathek, ninth Caliph of the race of the Abassides, was the son of Motassem, and the grandson of Haroun Al Raschid. 
  From an early accession to the throne, and the talents he possessed to adorn it, his subjects were induced to expect that his reign would be long and happy. His figure was pleasing and majestic; but when he was angry one of his eyes became so terrible that no person could bear to behold it, and the wretch upon whom it was fixed instantly fell backward, and sometimes expired. For fear, however, of depopulating his dominions and making his palace desolate he but rarely gave way to his anger. Being much addicted to women and the pleasures of the table, he sought by his affability to procure agreeable companions; and he succeeded the better as his generosity was unbounded, and his indulgences unrestrained, for he was by no means scrupulous, nor did he think with the Caliph Omar Ben Abdalaziz that it was necessary to make a hell of this world to enjoy Paradise in the next. He surpassed in magnificence all his predecessors. 
  The palace of Alkoremmi, which his father Motassem had erected on the hill of Pied Horses, and which commanded the whole city of Samarah, was in his idea far too scanty; he added therefore five wings, or rather other palaces, which he destined for the particular gratification of each of his senses. In the first of these were tables continually covered with the most exquisite dainties, which were supplied both by night and by day, according to their constant consumption, whilst the most delicious wines and the choicest cordials flowed forth from a hundred fountains that were never exhausted. This palace was called “The Eternal or Unsatiating Banquet”.

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  American Legends: The Life of...

  Charles River Editors

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  In the early 20th century, Westerns were one of the most popular genres in Hollywood, and one of the young stars at the forefront was Roy Rogers, who had come from an Ohio farm to transform himself into a cowboy. Regardless of his background, Rogers certainly looked the part of the quintessential cowboy, along with his wife Dale Evans and his horse Trigger. His versatile singing and acting abilities made him successful both on radio and on the screen. 
  Rogers came of age at a time when the “singing cowboy” was at the apex of his popularity, and that was favorable because he actually got his start in show business as a singer. In the early ‘30s, he bounced around several groups as a country music singer before earning national attention as a member of the Sons of the Pioneers, who were signed to Decca and had a couple of hits. As a result, when he first appeared in movies in 1935, it was usually in bit roles that required singing, but when Gene Autry threatened to quit acting in 1938, Rogers was viewed as a suitable replacement for lead roles. As it turned out, he became the premiere “singing cowboy” in Autry’s stead, and from 1939-1954, he was one of the Top 10 Western stars in Hollywood, and a Top 10 movie star overall during some of those years. 
  As Rogers evolved into the “King of the Cowboys”, he became a pop culture icon, and he was shrewd enough to capitalize on his image. All sorts of Roy Rogers merchandise hit stores, from action figures to comic strips, and Rogers even banked on the popularity of his horse Trigger by featuring him enough to make the horse a household name as well. Even today, people can find the name Roy Rogers all over the place, if only because he eventually had his name lent to a popular fast food chain in later years.

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  Christmas Treasures

  Kim Mitzo Thompson

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  Relax, unwind, and treasure quiet moments with new instrumental arrangements of traditional Christmas carols and songs.

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  The Spoonflower Handbook - A DIY...

  Stephen Fraser, Judi Ketteler

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  An accessible guide to understanding and using Spoonflower to design your own fabric, wallpaper, and gift wrap. 
   
  Designing fabric, wallpaper, and gift wrap used to be the stuff of dreams. Only a few select creatives got to do it, and it required formal training and significant financial investment. But times have changed, and today anyone with a computer, Internet connection, and idea can upload a file and order their own fabric or paper, printed affordably one yard or more at a time. At the forefront of this revolutionary DIY movement is Spoonflower, a North Carolina startup that produces designs for hundreds of thousands of users worldwide—twenty-four hours a day/seven days a week to keep up with demand. 
   
    
   
  With step-by-step tutorials and projects that span a wide spectrum of skills, The Spoonflower Handbook is written for both new and experienced users of this print-on-demand technology. Covering everything from equipment to software to working with photos, scans, repeats, vector files, and more, it is an essential guide to a booming new creative outlet.

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  Why the Ramones Matter

  Donna Gaines

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  The central experience of the Ramones and their music is of being an outsider, an outcast, a person who’s somehow defective, and the revolt against shame and self-loathing. The fans, argues Donna Gaines, got it right away, from their own experience of alienation at home, at school, on the streets, and from themselves. This sense of estrangement and marginality permeates everything the Ramones still offer us as artists, and as people. Why the Ramones Matter compellingly makes the case that the Ramones gave us everything; they saved rock and roll, modeled DIY ethics, and addressed our deepest collective traumas, from the personal to the historical.

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